Books about Algeria from Amazon.com

The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.

Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson.
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Frantz Fanon (1925-61) was a Martinique-born black psychiatrist and anticolonialist intellectual; The Wretched of the Earth is considered by many to be one of the canonical books on the worldwide black liberation struggles of the 1960s. Within a Marxist framework, using a cutting and nonsentimental writing style, Fanon draws upon his horrific experiences working in Algeria during its war of independence against France. He addresses the role of violence in decolonization and the challenges of political organization and the class collisions and questions of cultural hegemony in the creation and maintenance of a new country's national consciousness. As Fanon eloquently writes, "[T]he unpreparedness of the educated classes, the lack of practical links between them and the mass of the people, their laziness, and, let it be said, their cowardice at the decisive moment of the struggle will give rise to tragic mishaps."

Although socialism has seemingly collapsed in the years since Fanon's work was first published, there is much in his look into the political, racial, and social psyche of the ever-emerging Third World that still rings true at the cusp of a new century. --Eugene Holley, Jr..
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The Algerian War lasted from 1954 to 1962. It brought down six French governments, led to the collapse of the Fourth Republic, returned de Gaulle to power, and came close to provoking a civil war on French soil. More than a million Muslim Algerians died in the conflict and as many European settlers were driven into exile. Above all, the war was marked by an unholy marriage of revolutionary terror and repressive torture.

Nearly a half century has passed since this savagely fought war ended in Algeria’s independence, and yet—as Alistair Horne argues in his new preface to his now-classic work of history—its repercussions continue to be felt not only in Algeria and France, but throughout the world. Indeed from today’s vantage point the Algerian War looks like a full-dress rehearsal for the sort of amorphous struggle that convulsed the Balkans in the 1990s and that now ravages the Middle East, from Beirut to Baghdad—struggles in which questions of religion, nationalism, imperialism, and terrorism take on a new and increasingly lethal intensity.

A Savage War of Peace is the definitive history of the Algerian War, a book that brings that terrible and complicated struggle to life with intelligence, assurance, and unflagging momentum. It is essential reading for our own violent times as well as a lasting monument to the historian’s art..
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Lilias Trotter spent forty years sharing the gospel of Christ with the Arab people of Algeria During that time, she kept diaries and journals and wrote a body of devotional literature. As a gifted artist, she painted and sketched beautiful watercolors and drawings along with her personal and published writings. These images and writings document the inner as well as the outward events of her life. Francis Bacon wrote: God has two textbooks-Scripture and Creation-we would do well to listen to both. Lilias listened to and observed both, leaving to us this rich legacy of faith in her art and writings..
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Art critic John Ruskin enthusiastically proclaimed her potential as one of the best artists of the nineteenth century, but Lilias Trotter's devotion to Christ compelled her to surrender her life of art, privilege, and leisure. Leaving the home of her wealthy parents for a humble dwelling in Algeria, Lilias defied sterotypes and taboos that should have deterred any European woman from ministering in a Muslim country. Yet she stayed for nearly forty years, befriending Algerian Muslims with her appreciation for literature and art and winning them to Christ through her life of love..
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The greatest spiritual autobiography of all time, this classic work is a literary and theological masterpiece. John K. Ryan's masterful translation brings out the luster of Augustine's unmatched tale of his soul's journey to God..
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Saint Augustine, by Pulitzer Prize-winning historian and cultural critic Garry Wills, is a 145-page biography of a saint whose collected works total 13 volumes. Despite its brevity, the book offers a complex and compelling interpretation of Augustine's life and work. Much of Wills's task is demythologizing: Augustine was not a central figure in 4th-century Christianity but was "peripheral in his day, a provincial on the margins of classical culture," who did not know Greek, the intellectual lingua franca of his time. Although Augustine has been portrayed by artists as a bishop "wearing all the episcopal finery of the late Middle Ages," he actually "dressed in the gray clothes of a monk." And far from being a self-righteous pontificator, Augustine was "impatient with all preceding formulations, even his own." He wrote, "Since it is God we are speaking of, you do not understand it. If you could understand it, it would not be God." Wills also argues that Augustine's Confessions (which, Wills persuades the reader, is an anachronistic, egoistic translation of the original Latin title, a word Wills more accurately renders as "Testimony") has been misread in a way that suggests Augustine led a debauched sexual life before his conversion. In the Shocking Revelation department, Wills does, however, find more detailed (if elaborately coded) information about Augustine's mistress and about the son they raised together than other biographers have found. Like Wills's masterful Lincoln at Gettysburg, Saint Augustine accomplishes its revisionist aims completely and yet lightly. Wills makes his arguments without ever forgetting his first job: telling the story of a life. --Michael Joseph Gross.
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The second Hackett edition of the Sheed translation, a classic in its own right, offers a wealth of notes on philosophical, theological, historical, and liturgical issues raised by the Confessions, as well as paragraph numbers of the Latin critical edition, and a thorough index..
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Description: What does it take to follow your dreams? "DEAD MEN DON'T LEAVE TIPS: Adventures X Africa" by Brandon Wilson is an edge of your seat tale about a couple's seven month dream odyssey - 10,000 miles across Africa from top-to-tip. After their "ship of fools" safari turns into a nightmare, they set off across Africa alone. DEAD MEN DON'T LEAVE TIPS takes readers onto the crazed roads of African adventure and into the hearts of its people-while transforming the travelogue into a raw, penetrating, more poignant genre. From the award-winning author of YAK BUTTER BLUES: A Tibetan Trek of Faith. From flap: What does it take to follow your dream? Quite a bit, if your "dream" involves crossing Africa. That's what one couple discovers when they set off on a seven-month overland journey from Morocco to Cape Town. As dedicated independent travelers, they'd already traveled around the world. But was a trans-African odyssey too much for even them? Who do you "cadeau?" How do you create tantalizing dishes from grubs? Or avoid having a spear tossed through your camera? With trepidation, they join an English do-it-yourself overland safari. Flung into the midst of twenty-one odd companions, they're shocked to discover that many of them have never even camped before. And the "guides" know Africa as well as the dark side of the moon. After their dream turns into a nightmare, they eventually set off across Africa-alone. DEAD MEN DON'T LEAVE TIPS is a captivating tale filled with a passion for travel, spontaneity and unbridled adventure. It is often funny, sometimes anguished, yet always real. Nothing is held back or glossed-over. Wilson takes you onto the crazed roads of Africa, through the everyday ups and downs, and into the lives and hearts of its people. He shows us once again that the real joy of travel is the thrill of getting there. Reviews: "Journeys of body and soul in every sense of the word... Interlaced with this honesty and detail are Wilson's beautiful prose, obvious passion for adventure and a deep inquisitiveness about other cultures, making this book a pleasure to read. Highly recommended." ~ Midwest Book Review "A masterful crossroads of characters, exotic places, history and human drama in a rig that never stalls, and allows the devil to drive his own ill-behaved backyard..." ~ Richard Bangs, author of "Mystery of the Nile" "Entertaining and a monument to those who would take on the challenge of land travel across one of the most dangerous, unhealthy continents in the world." ~ Heartland Reviews "Honest, gritty and insightful...it makes the world's most exciting continent read just like that." ~ John Heminway, author of "No Man's Land: A Personal Journey into Africa" "I was swept away by the drama and storytelling...Wilson is never a tourist. He travels heart-first with both feet solidly on the ground and his curiosity always in high gear. He is exactly the right person to be writing travel books for the rest of us." ~ Maui Weekly "Travel writing at its most sublime, a paean to Africa in all her contradictory beauty, and a tribute to the resiliency of those who travel beyond boundaries not only in search of meaning, but also of understanding." ~ C.W. Gortner, author of The Secret Lion "One of the most engaging travel books we have read." ~ RealTravelAdventures.com "Powerful and gripping story...Fascinating, informative, humorous, poignant, surprising...a terrific read from first page to last-would make a popular addition to any personal or community library Travel section." ~ Midwest Book Review, Travel Shelf "Aficionados of travel books will delight in "Dead Men Don't Leave Tips"...a hybrid of Paul Theroux and Tom Robbins, combining the raw frankness and keen observation of Theroux with the intelligent humor & playful language of Robbins...Readers who have a penchant for traveling will happily devour this book and be sorry it ended. I was!" ~ A. Buklarewicz, Reviewer, Amazon.com.
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