Books about All american from Amazon.com

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber.
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"Outside, even through the shut window pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no color in anything except the posters that were plastered everywhere."

The year is 1984; the scene is London, largest population center of Airstrip One.

Airstrip One is part of the vast political entity Oceania, which is eternally at war with one of two other vast entities, Eurasia and Eastasia. At any moment, depending upon current alignments, all existing records show either that Oceania has always been at war with Eurasia and allied with Eastasia, or that it has always been at war with Eastasia and allied with Eurasia. Winston Smith knows this, because his work at the Ministry of Truth involves the constant "correction" of such records. "'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.'"

In a grim city and a terrifying country, where Big Brother is always Watching You and the Thought Police can practically read your mind, Winston is a man in grave danger for the simple reason that his memory still functions. He knows the Party's official image of the world is a fluid fiction. He knows the Party controls the people by feeding them lies and narrowing their imaginations through a process of bewilderment and brutalization that alienates each individual from his fellows and deprives him of every liberating human pursuit from reasoned inquiry to sexual passion. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Newspeak, doublethink, thoughtcrime--in 1984, George Orwell created a whole vocabulary of words concerning totalitarian control that have since passed into our common vocabulary. More importantly, he has portrayed a chillingly credible dystopia. In our deeply anxious world, the seeds of unthinking conformity are everywhere in evidence; and Big Brother is always looking for his chance. --Daniel Hintzsche.
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Amazon Exclusive Essay: Destiny and Odd Hours

Odd Thomas came to me as a gift, the entire first chapter of his first book having poured out of me as I was in the middle of writing The Face. I wrote it by hand, though I never work that way, and I never hesitated to think what should come next. He was fully-realized in my mind from the moment I began to write in that lined legal tablet. With other stories and characters, I can identify the source of the inspiration, but not with Oddie and his books. He just suddenly was. When I write about him, his narrative voice is so clear to me that I almost hear him in my head.

For those among you who long have thought that I should be institutionalized, just relax: I said I almost hear him.

Many times over the years, I said I would never write an open-ended series. Then along came Oddie, and he proved me wrong. Or so I thought. As I wrote the first chapter of Odd Hours, the fourth featuring my fry-cook hero, I realized that this was not an open-ended series, after all, but that it would conclude with six or seven novels. I now think seven.

I suddenly saw the end point of his journey, the arc of it to the final book, and I was stunned. Beginning with this fourth story, the stakes were being raised dramatically; Oddie was going to face far more physical and moral danger than previously; and he was going to mature toward the fulfillment of a destiny that I had not seen coming until that moment.

Initially, I tried to argue myself out of the direction that Odd Hours was taking. I didn't believe that the first three books had put down a sufficient foundation to support the formidable architecture that I saw rising from it in the next three or four novels.

When I began to reread the first three books, however, I quickly discovered that I had unconsciously paved the road that the series was now taking. I had thought I was writing a series with an overall theme about the power and beauty of humility. Indeed I was, but it was also something more than that; and Oddie's ultimate destiny will not be merely purification to a state of absolute humility, but will be that and something else I find quite wonderful.

What lies ahead will be a challenge to write--or perhaps not. The character of Odd Thomas was a gift to me, and now I see that the entire architecture of a seven-book series was another gift that came to me complete on the same day Oddie arrived, although I needed time to recognize it.

This world is a place of wonder, and life is a mysterious enterprise; but nothing in all my years has been more mysterious than Odd Thomas's origins and my compulsion to write about him.

-- Dean Koontz

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A keenly intelligent, delightfully mordant novel that blends fact and fiction with the same deft hand that was at work in John Darnton’s best-selling Neanderthal.

Bad news is brewing in the inner sanctum of the New YorkGlobe, the city’s long-standing newspaper of note, whose back is to the wall. Readership, advertising, and circulation are plummeting—along with the paper’s vaunted standards—and the cost cutters have their knives out. But trouble of a wholly different kind begins one rainy September morning when a powerful editor is found murdered in the newsroom, with the spike that he’d wielded to kill stories hammered into his chest. The problem for Priscilla Bollingsworth, the young, ambitious female NYPD detective assigned to the case—besides the fact that the mayor is breathing down her neck—is that there are too many suspects to choose from.

She teams up with Jude Hurley, a clever, rebellious reporter, and together they navigate the ink-infested waters whose denizens include the paper’s resentful old guard, scheming careerists, a bumbling publisher, a steely executive editor, and a rival newspaper tycoon named Lester Moloch. But the waters thicken considerably when more bodies turn up, dead all over.

Armed with the firsthand knowledge he has acquired through forty years in journalism, John Darnton conjures up the cynicism and romanticism of the profession and gives us a cunning, pitch-perfect portrait of the declining—if not yet murderous—newspaper industry. Black and White and Dead All Over is a satirical mystery that entertains from first to last.

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Betrayed by her longtime vampire love, Louisiana cocktail waitress Sookie Stackhouse must now not only deal with a possible new man in her life-the oh-so-handsome shapeshifter Quinn-but also contend with a long-planned vampire summit. With her power base weakened by hurricane damage to New Orleans, the local vampire queen is vulnerable to those hungry for a takeover. Soon, Sookie must decide what side she'll stand with. And her choice may mean the difference between survival and all-out catastrophe..
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Part melodrama and part parable, Mitch Albom's The Five People You Meet in Heaven weaves together three stories, all told about the same man: 83-year-old Eddie, the head maintenance person at Ruby Point Amusement Park. As the novel opens, readers are told that Eddie, unsuspecting, is only minutes away from death as he goes about his typical business at the park. Albom then traces Eddie's world through his tragic final moments, his funeral, and the ensuing days as friends clean out his apartment and adjust to life without him. In alternating sections, Albom flashes back to Eddie's birthdays, telling his life story as a kind of progress report over candles and cake each year. And in the third and last thread of the novel, Albom follows Eddie into heaven where the maintenance man sequentially encounters five pivotal figures from his life (a la A Christmas Carol). Each person has been waiting for him in heaven, and, as Albom reveals, each life (and death) was woven into Eddie's own in ways he never suspected. Each soul has a story to tell, a secret to reveal, and a lesson to share. Through them Eddie understands the meaning of his own life even as his arrival brings closure to theirs.

Albom takes a big risk with the novel; such a story can easily veer into the saccharine and preachy, and this one does in moments. But, for the most part, Albom's telling remains poignant and is occasionally profound. Even with its flaws, The Five People You Meet in Heaven is a small, pure, and simple book that will find good company on a shelf next to It's A Wonderful Life. --Patrick O'Kelley.
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Get ready for the read of your life. Never before has a single book combined awesome vans, unicorns, Billy Joel, and erotic fiction in such a potent combination A writing tour de force? Perhaps A reading experience that will sear itself into your consciousness like a red-hot branding iron? Without question.

Comedian and basic cable superstar Michael Ian Black unleashes the full fury of his astonishing intellect in this collection of short comic essays. My Custom Van is a no-holds-barred assault to the funny bone that will literally beat you into submission with hilarity*.

How did he do it? How did he create such a fine anthology? Answer: With love. Michael opened his heart and used the magical power of love to write more than fifty thought-provoking essays like, "Why I Used a Day-Glo Magic Marker to Color My Dick Yellow," and "An Open Letter to the Hair Stylist Who Somehow Convinced Me to Get a Perm When I Was in Sixth Grade."

Maybe you think love is not a substitute for "good writing skills" and "spell check." Bull pucky! When it comes to writing books, love is the most powerful word processor of all.

Sounds pretty great, right? And yet...something is still holding you back from paying the full purchase price of this book. What is it? Perhaps you secretly believe you do not deserve a book this good. Nonsense -- you deserve this book and so much more. In fact, if Michael could have written you all the stars in the sky, that's what he would have done. But he couldn't do that, due to his lack of knowledge in the area of astronomy. So he wrote this book instead.

And this flap copy.

Enjoy.

* Michael Ian Black is not responsible for any actual injuries caused by reading this book..
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Part bildungsroman, part horse opera, part meditation on courage and loyalty, this beautifully crafted novel won the National Book Award in 1992. The plot is simple enough. John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick--a laughable but deadly marksman named Jimmy Blevins--encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance. Readers familiar with McCarthy's Faulknerian prose will find the writing more restrained than in Suttree and Blood Meridian. Newcomers will be mesmerized by the tragic tale of John Grady Cole's coming of age..
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