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The Power and the Glory (Penguin Classics)
How does good spoil, and how can bad be redeemed? In his penetrating novel The Power and the Glory, Graham Greene explores corruption and atonement through a priest and the people he encounters In the 1930s one Mexican state has outlawed the Church, naming it a source of greed and debauchery. The priests have been rounded up and shot by firing squad--save one, the whisky priest. On the run, and in a blur of alcohol and fear, this outlaw meets a dentist, a banana farmer, and a village woman he knew six years earlier. For a while, he is accompanied by a toothless man--whom he refers to as his Judas and does his best to ditch. Always, an adamant lieutenant is only a few hours behind, determined to liberate his country from the evils of the church. On the verge of reaching a safer region, the whisky priest is repeatedly held back by his vocation, even though he no longer feels fit to perform his rites: "When he was gone it would be as if God in all this space between the sea and the mountains ceased to exist. Wasn't it his duty to stay, even if they despised him, even if they were murdered for his sake? even if they were corrupted by his example?" As his sins and dangers increase, the broken priest comes to confront the nature of piety and love. Still, when he is granted a reprieve, he feels himself sliding into the old arrogance, slipping it on like the black gloves he used to wear. Greene has drawn this man--and all he encounters--vividly and viscerally. He may have said The Power and the Glory was "written to a thesis," but this brilliant theological thriller has far more mysteries--and troubling ideals--than certainties. --Joannie Kervran Stangeland.
Price: $7.83
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The Popes Against the Jews: The Vatican's Role in the Rise of Modern Anti-Semitism
The Vatican's 1998 report "We Remember: A Reflection on the Shoah" purportedly exonerated the Church of complicity in the Holocaust In The Popes Against the Jews, David I. Kertzer argues that the report is "not the product of a Church that wants to confront its history." Kertzer's book refutes the Church's thesis that the Holocaust grew out of "an anti-Judaism that was essentially more sociological and political than religious." In fact, Kertzer asserts, those dimensions of European anti-Semitism developed "in no small part due to the efforts of the Roman Catholic Church itself." The racial laws of fascist Italy and the Nuremberg Laws of 1930s Germany, for example, were directly modeled on the Church's own rules governing treatment of Jews: until the collapse of the Papal States in the late 19th century, Jews living in these territories were forced to wear yellow badges and live in ghettos. Kertzer's arguments make for compelling reading because they're presented in story form, based on the actions of the popes themselves. Access to long-sealed Church archives allowed Kertzer to reconstruct some of the most shocking, secret conversations that occurred in the Vatican in the decades leading up to World War II. --Michael Joseph Gross.
Price: $8.85
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Aa-1025: The Memoirs of an Anti-Apostle
A dramatic account about a Communist who purposely enters the Catholic priesthood (along with many, many others) with the intent of subverting and destroying the Church from within. Tells of his commission to enter the priesthood, his various experiences in the seminary, and the means and methods he used and promoted to help effect from within the auto-dissolution of the Catholic Church. Absorbing and compelling reading from beginning to end. The author explains how she found the information on this Communist-priest and why she decided to publish those findings. Helps to explain much of what has happened to undermine the Catholic Church today..
Price: $2.70
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The New Anti-Catholicism: The Last Acceptable Prejudice
Anti-Catholicism has a long history in America And as Philip Jenkins argues in The New Anti-Catholicism, this virulent strain of hatred--once thought dead--is alive and well in our nation, but few people seem to notice, or care. A statement that is seen as racist, misogynistic, anti-Semitic, or homophobic can haunt a speaker for years, writes Jenkins, but it is still possible to make hostile and vituperative public statements about Roman Catholicism without fear of serious repercussions. Jenkins shines a light on anti-Catholic sentiment in American society and illuminates its causes, looking closely at gay and feminist anti-Catholicism, anti-Catholic rhetoric and imagery in the media, and the anti-Catholicism of the academic world. For newspapers and newsmagazines, for television news and in movies, for major book publishers, the Catholic Church has come to provide a grossly stereotyped public villain. Catholic opinions, doctrines, and individual leaders are frequently the butt of harsh satire. Indeed, the notion that the church is a deadly enemy of women, the idea of Catholic misogyny, is commonly accepted in the news media and in popular culture, says Jenkins. And the recent pedophile priest scandal, he shows, has revived many ancient anti-Catholic stereotypes. It was said that with the election of John F. Kennedy, anti-Catholicism in America was dead. This provocative new book corrects that illusion, drawing attention to this important issue..
Price: $9.00
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Anti-Catholicism in America: The Last Acceptable Prejudice
One of the most important books in religion this year is a tour-de-force of new investigation, scholarly rigor, storytelling, and humor. In this authoritative work, Mark Massa, program director of Fordham University's Center for American Catholic Studies, reveals how American Catholics’ distinctive way of viewing the world is constantly misunderstood by outsiders. This book tells the astonishing story of how a supposedly tolerant American culture has prejudged members of their largest religious group, and how the profound differences between Catholics and non-Catholics explain this animosity. Crossroad is pleased to present the paperback edition with major study guide. Chapters include: The Varieties of Anti-Catholicism in the United States; Do Catholics and Protestant See the World Differently? Catholic-Protestant Tensions in Postwar America; The Power of Negative Thinking; The Death Cookie and Other "Catholics Cartoons"; Catholicism and Science; "Why Does He Say Those Awful Things about Catholics?"; Betrayal in Boston; The Last Acceptable Prejudice? .
Price: $8.35
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The Usual Suspects: Answering Anti-Catholic Fundamentalists
The author of the perennial best-seller, Catholicism and Fundamentalism, presents here, not so much a sequel, as a supplement to the first groundbreaking work. In the first book, Keating gave a panoramic view of the attack on "Romanism" by "Bible Christians", highlighting prominent anti-Catholic individuals and organizations and discussing at length controverted doctrines. Here he presents snapshots, individualized portraitssome larger, some smallerof arguments and people opposed to the Catholic faith..
Price: $4.95
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Religious Ideology And Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern England
" Religious Ideology and Cultural Fantasy draws on Arthur Marotti's extraordinary command of both manuscript and printed sources to examine what early modern English Catholics said of themselves and what their legion of enemies said about them. Subtly argued, richly documented, and attractively written, this path-breaking book has much to tell us about the often violent construction of England's fiercely Protestant national identity and the lives of those who stood in its way. A remarkable accomplishment." Richard Helgerson, author of Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting"Combining insights from literary theory and revisionist history, Marotti's Religious Ideology and Cultural Fantasy is a major reevaluation of the religious literature of early modern England. In clear, precise prose, and with impressive scholarship, it skillfully reveals the larger narrative that has dominated our understanding of the literary expression of spirituality: tacit assent to the Reformed claim to a progressive view of a national history that casts Catholicism as regressive and authoritarian. Marotti reverses this judgment and uncovers an alternative trans-national narrative whose importance goes far beyond the religious texts he so deftly analyzes. Religious Ideology and Cultural Fantasy is necessary reading for anyone interested in how literature harnesses religion and politics to shape or resist national identity in Reformation England, but it also does much to explain the political dimension of contemporary religious discourse in Europe and America. Marotti's book is more timely than ever." Martin Elsky, The Graduate Center, City University of New York "A gripping narrative and a must read for anyone interested in the fears and fantasies inspired by Catholics in post-Reformation England." James Shapiro, Columbia University, author of Shakespeare and the Jews In this new book, Arthur F. Marotti analyzes some of the rhetorical and imaginative means by which the Catholic minority and the Protestant majority defined themselves and their religious and political antagonists in early modern England. Marotti focuses on the period between the arrival of the first Jesuit missionaries in England in 1580 and the climax of ongoing religious conflict in the Restoration-era "Popish Plot" and the 1688 "Glorious Revolution." He covers such issues as the relationship of print culture to the residual Catholic culture in Elizabethan England; recusant women, Jesuits, and the cultural "othering" of Catholics; martyrdom accounts; polemically charged Catholic and Protestant narratives of conversion; and the depiction of Catholic plots or outrages and providential Protestant deliverances..
Price: $23.75
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Gothic Arches, Latin Crosses: Anti-Catholicism and American Church Designs in the Nineteenth Century
Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these features were viewed as suspicious, foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America. Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism. Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries..
Price: $19.95
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