Books about Antonia from Amazon.com

ENDURING LITERATURE ILLUMINATED

BY PRACTICAL SCHOLARSHIP

The moving portrait of an orphan boy and immigrant girl who find hardship -- and love -- on the American prairie.

EACH ENRICHED CLASSIC EDITION INCLUDES:

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• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis, including contemporary and modern perspectives on the work

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Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

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In the past, Antonia Fraser's bestselling histories and biographies have focused on people and events in her native England, from Mary Queen of Scots to Faith and Treason: The Story of the Gunpowder Plot. Now she crosses the Channel to limn the life of France's unhappiest queen, bringing along her gift for fluent storytelling, vivid characterization, and evocative historical background. Marie Antoinette (1755-93) emerges in Fraser's sympathetic portrait as a goodhearted girl woefully undereducated and poorly prepared for the dynastic political intrigues into which she was thrust at age 14, when her mother, Empress Maria Theresa, married her off to the future Louis XVI to further Austria's interests in France. Far from being the licentious monster later depicted by the radicals who sent her to the guillotine at the height of the French Revolution, young Marie Antoinette was quite prudish, as well as thoroughly humiliated by her husband's widely known failure to have complete intercourse with her for seven long years (the gory details were reported to any number of concerned royal parties, including her mother and brother). She compensated by spending lavishly on clothes and palaces, but Fraser points out that this hardly made her unique among 18th-century royalty, and in any case the causes of the Revolution went far beyond one woman's frivolities. The moving final chapters show Marie Antoinette gaining in dignity and courage as the Revolution stripped her of everything, subjected her to horrific brutalities (a mob paraded the head of her closest female friend on a pike below her window), and eventually took her life. Fraser makes no attempt to hide the queen's shortcomings, in particular her poor political skills, but focuses on her personal warmth and noble bearing during her final ordeal. It's another fine piece of popular historical biography to add to Fraser's already impressive bibliography. --Wendy Smith.
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You need rubrics if:
* You find yourself repeating the same comments on most student papers
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Research shows that rubrics save professors’ time while conveying meaningful and timely feedback for students, and promoting self-regulated and independent learning. The reason rubrics are little used in higher education is that few faculty members have been exposed to their use.

At its most basic a rubric is a scoring tool that divides an assignment into its component parts and objectives, and provides a detailed description of what constitutes acceptable and unacceptable levels of performance for each part.

Rubrics can be used to grade any assignment or task: research papers, book reviews, participation in discussions, laboratory work, portfolios, oral presentations, group work, and more.

This book defines what rubrics are, and how to construct and use them. It provides a complete introduction for anyone starting out to integrate rubrics in their teaching.

The authors go on to describe a variety of processes to construct rubrics, including some which involve student participation.They demonstrate how interactive rubrics--a process involving assessors and the assessed in defining the criteria for an assignment or objective--can be effective, not only in involving students more actively in their learning, but in establishing consistent standards of assessment at the program, department and campus level..
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Lush descriptions of the rolling Nebraska grasslands interweave with the blossoming of a woman in the early days of the twentieth century, in an epic novel that chronicles America's past..
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When we think of the wives of Henry VIII, we tend to think of women who literally lost their heads. But Antonia Fraser opens the door to the political and cultural demands that shaped the destinies of the king and his royal wives. Romance, unfortunately, rarely had anything to do with it. And if you think the modern American media is too tough on political leadership, you oughta READ about the royal court in King Henry's day! That's one family you'd never want to marry into..
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Louis XIV, the highly-feted “Sun King”, was renowned for his political and cultural influence and for raising France to a new level of prominence in seventeenth-century Europe. And yet, as Antonia Fraser keenly describes, he was equally legendary in the domestic sphere. Indeed, a panoply of women — his wife Anne; mistresses such as Louise de la Vallière, Athénaïs de Montespan, and the puritanical Madame de Maintenon; and an array of courtesans — moved in and out of the court. The highly visible presence of these women raises many questions about their position in both Louis XIV’s life and in France at large. With careful research and vivid, engaging prose, Fraser makes the multifaceted life of one of the most famous European monarchs accessible and vibrantly current..
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It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.

Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.

As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak.
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