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Making Your Case: The Art of Persuading Judges
In their professional lives courtroom lawyers must do these two things well: speak persuasively and write persuasively In this noteworthy book, two of the most noted legal writers of our day Justice Antonin Scalia and Bryan A. Garner systematically present every important idea about judicial persuasion in a fresh, entertaining way. Making Your Case: The Art of Persuading Judges is a guide for novice and experienced litigators alike. It covers the essentials of sound legal reasoning, including how to develop the syllogism that underlies any argument. From there the authors explain the art of brief-writing, especially what to include and what to omit, so that you can induce the judge to focus closely on your arguments. Finally, they show what it takes to succeed in oral argument. The opinions of Justice Scalia are legendary for their sharp insights, biting wit, and memorable phrasing. The writings of Bryan A. Garner, editor in chief of Black s Law Dictionary®, are respected inside and outside legal circles for their practical guidance on the art of writing and advocacy. Together the Scalia-Garner team has produced a fresh, innovative approach to a timeless topic..
Price: $23.96
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Scalia Dissents: Writings of the Supreme Court's Wittiest, Most Outspoken Justice
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A Matter of Interpretation: Federal Courts and the Law (The University Center for Human Values Series)
We are all familiar with the image of the immensely clever judge who discerns the best rule of common law for the case at hand. According to U.S. Supreme Court Justice Antonin Scalia, a judge like this can maneuver through earlier cases to achieve the desired aim--"distinguishing one prior case on his left, straight-arming another one on his right, high-stepping away from another precedent about to tackle him from the rear, until (bravo!) he reaches the goal--good law." But is this common-law mindset, which is appropriate in its place, suitable also in statutory and constitutional interpretation? In a witty and trenchant essay, Justice Scalia answers this question with a resounding negative. In exploring the neglected art of statutory interpretation, Scalia urges that judges resist the temptation to use legislative intention and legislative history. In his view, it is incompatible with democratic government to allow the meaning of a statute to be determined by what the judges think the lawgivers meant rather than by what the legislature actually promulgated. Eschewing the judicial lawmaking that is the essence of common law, judges should interpret statutes and regulations by focusing on the text itself. Scalia then extends this principle to constitutional law. He proposes that we abandon the notion of an everchanging Constitution and pay attention to the Constitution's original meaning. Although not subscribing to the "strict constructionism" that would prevent applying the Constitution to modern circumstances, Scalia emphatically rejects the idea that judges can properly "smuggle" in new rights or deny old rights by using the Due Process Clause, for instance. In fact, such judicial discretion might lead to the destruction of the Bill of Rights if a majority of the judges ever wished to reach that most undesirable of goals. This essay is followed by four commentaries by Professors Gordon Wood, Laurence Tribe, Mary Ann Glendon, and Ronald Dworkin, who engage Justice Scalia's ideas about judicial interpretation from varying standpoints. .
Price: $9.99
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The Theater and Its Double
Since its first publication in 1938, The Theater and Its Double by the French artist and philosopher Antonin Artaud has continued to provoke, inspire, enrage, enliven, challenge, and goad any number of theatrical debates in its call for a "Theater of Cruelty " A trio of theatrical manifestos, the book is an aggressive attack on many of the most treasured beliefs of both theater and Western culture. According to Artaud, the theater's "double" is similar to its Jungian "shadow," the unacknowledged, unconscious element that completes it but is in many ways its opposite. As "culture" inexorably draws the artistic impulse into safe channels, the repressed irrational urges of theater, based on dreams, religion, and emotion, are increasingly necessary to "purge" the sickness of society. Artaud identifies language itself as one of the major cultural culprits, and his attacks on it occasionally makes his text rough going. But his challenge to restore relevance to the heart of the theatrical experience remains fundamental to the vitality of theater, and his insistence on the sensory experience of drama as opposed to the literary (and such innovative ideas as the use of unconventional "found spaces") continues to be the clarion call of the theatrical avant-garde. --John Longenbaugh.
Price: $4.50
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Cooking for Kings: The Life of Antonin Careme, the First Celebrity Chef
“Cuisinier, architect, and one of the most prolific writers of the 19th century, Carême was the founder of a classic cuisine that would influence generations of chefs. In this well-researched book, Ian Kelly deftly recounts the exploits of this remarkable man.” —JACQUES PÉPIN Aunique feast of biography and Regency cookbook, Cooking for Kings takes readers on a chef’s tour of the palaces of Europe in the ultimate age of culinary indulgence. Drawing on the legendary cook’s rich memoirs, Ian Kelly traces Antonin Carême’s meteoric rise from Paris orphan to international celebrity and provides a dramatic below-stairs perspective on one of the most momentous, and sensuous, periods in European history—First Empire Paris, Georgian England, and the Russia of War and Peace. Carême had an unfailing ability to cook for the right people in the right place at the right time. He knew the favorite dishes of King George IV, the Rothschilds and the Romanovs; he knew Napoleon’s fast-food requirements, and why Empress Josephine suffered halitosis. Carême’s recipes still grace the tables of restaurants the world over. Now classics of French cuisine, created for, and named after, the kings and queens for whom he worked, they are featured throughout this captivating biography. In the phrase first coined by Carême, “You can try them yourself.” .
Price: $2.63
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Heliogabalus: Or, the Crowned Anarchist
Translated into English for the first time, this novelized biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously Araud's most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, Heliogabalus is a powerful concoction of sexual excess, self-deification and terminal violence. Reflecting its author's preoccupations with the occult, magic, Satan, and a range of esoteric religions, this account of Heliogabalus' reign invents incidents in the Emperor's life in order to make the print of the author's own passionate denunciations of modern existence. Heliogabalus is Artaud's greatest and most revolutionary masterpiece: an incendiary work that reveals both the divine cruelty of the Roman Emperor and that of Artaud himself. -- Stephen Barber.
Price: $8.81
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