Books about Blackbeard from Amazon.com

Continuing the award-winning Krazy Kat Sunday reprints

George Herriman integrated full spectacular color into Krazy Kat in June, 1935. The gorgeous evolution continues in this third color volume, which includes the Sunday strips from all of 1941 and 1942. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files, including an unpublished Herriman painting from the 1920s and other surprises.

Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse simply tolerated Krazy Kat, except for recurrent onsets of targeted tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue. Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago.

For this volume, critic Jeet Heer contributes an essay about the friendship between Herriman and John and Louisa Wetherill, who ran a trading post in Monument Valley where Herriman often visited. It was through his friendship with the Wetherills that Herriman absorbed much of his knowledge about Native American culture, specifically Navajo, which made its way into Krazy Kat. Heer's essay is based on interviews with the current members of the Wetherill clan, who have provided access to family papers and shed new light on Herriman's life..
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In 1999, The Comics Journal—the most respected magazine about the artform of comics since the mid-1970s - named Krazy Kat the greatest example of the artform in the history of the medium.

In 1999, The Comics Journal named Krazy Kat the greatest example of the artform in the history of the medium.

"Krazy Kat has been the acknowledged greatest comic for so long, by so many esteemed critics, that it becomes tempting to knock it from its perch," wrote the editors of The Comics Journal in 1999. "At a casual glance, George Herriman's long-running strip seems quaint and antiquated. But to immerse yourself in Krazy Kat, to yield to Herriman's looping verbal rhythms and lovingly-depicted desert backgrounds, to experience his perfectly-realized triptych of unspoken and unconsummated love, yields a very, very different result. Herriman's creation is not only great comics, with a wonderful command of the medium's possibilities and strengths, but is also great art—an affecting exploration of some of life's most basic issues in a way that enlightens and thrills. Every cartoonist who turns to comics as a medium of personal expression follows in Herriman's path, and that is why his is the greatest comic of the 20th Century."

Fantagraphics is proud to re-present Krazy Kat to a new generation of readers, collecting what many consider to be Herriman's prime: all 104 full-page, B&W Sunday strips from 1925 and 1926 (Herriman did not incorporate color into the strip until 1935).

Krazy Kat is a love story, focusing on the relationship of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse hated Krazy Kat, the expression of which was in throwing bricks at Krazy's head. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was genderless), mostly by throwing Ignatz in jail. Each of the characters was ignorant of the other's true motivations. This simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth that led critics like Gilbert Seldes and e.e. cummings to recognize Herriman's genius almost immediately.

Krazy & Ignatz is designed by Chris Ware, creator of the wildly successful graphic novel Jimmy Corrigan (Pantheon Books, 2000)..
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A reproduction of some of the "Little Nemo" comic strip from the early 20th century This volume reflects the distinctive art-nouveau style of the original drawings and follows Little Nemo as he journeys nightly into the world of dreams..
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Blackbeard’s extraordinary life of excess during the Golden Age of Piracy ignited a reputation that struck terror into men’s hearts from Virginia to Barbados Leading a flotilla of ships through the clear waters of the Indies, he left in his wake the image of a "ranting, roaring, swaggering, swearing" sea captain that is still remembered today. Blackbeard’s life on the high seas, chasing wealth, freedom, and power, ended in a bloody battle that ultimately marked a turning point in history.

This book accompanies a multimillion-dollar BBC-National Geographic drama that explores the reality of the man behind the beard. Far from the caricature of films and novels, Blackbeard was a complex character who was as charming as he was ruthless. The atrocities he indulged in, and how they eventually proved to be his undoing, are here explored through a fresh appraisal of surviving contemporary documents. Today, we might associate pirates with peg-legs, parrots and dreamy tropical islands, but the disturbing truth is the stuff of nightmares..
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The bestselling series of the greatest comic strip of all goes full-color!

Starting with this sixth volume in Fantagraphics' acclaimed Krazy Kat reprint series, finally it's time for… color! After a brief hiatus in the mid-1930s, the heretofore black-and-white Sunday Krazy Kat returned in full spectacular color in June 1935. And so this volume includes all the Sunday strips from the latter half of 1935 and all of 1936, including one supremely rare instance of a page shot from an original syndicate proof sheet, all reproduced in sparkling, digitally cleaned-up color.

The new color format also opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard's files, including a surprising color self-portrait by Herriman, several Kat watercolors executed for friends, peers, and relatives, some watercolored non-Krazy Kat material, a reproduction of a vintage archy and mehitabel dust jacket by Herriman-plus a period spoof of Krazy Kat by Minute Movies' Ed Wheelan, and several instances of other cartoonists imitating Herriman's unique "Family Upstairs / Krazy Kat" format.

This volume also includes "The Kolor of Krazy Kat," a revelatory essay by journalist and critic Jeet Heer that addresses in-depth the mystery of Herriman's racial origins, and the varying ways in which Herriman dealt with them artistically throughout his career-a major addition to Herriman-related scholarship and commentary..
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The greatest comic strip of all-time

In a 1999 special issue, The Comics Journal named George Herriman's Krazy Kat as "the greatest comic strip of the 20th Century " In 2002, Fantagraphics embarked on a publishing plan to reintroduce the strip to a public that has largely never seen it: this volume is the second of a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1927 and 1928 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.

Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was genderless) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue. As Lingua Franca once wrote, "Herriman was a rare artist who bridges the gap between high and low culture. His surrealistic strip was admired by popular entertainers like Walt Disney and Frank Capra yet also had a highbrow fan club that included E. E. Cummings, Willem de Kooning, and Umberto Eco.".
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The multiple Harvey and Eisner Awards series collecting one of America's true national treasures, Krazy Kat.

This is the fifth in a series reprinting George Herriman's early 20th Century comic strip masterpiece Most of these strips have not seen print since originally running in Hearst newspapers over 70 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard. Krazy & Ignatz 1933-1934 will be a hot-baked brickbat of a volume, adance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, not the least of which include an introduction by Blackbeard, a new "Debaffler" page, and a stunning layout front and back and throughout by the inimitable Chris Ware!

Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue..
Price: $8.38 [Notify me when price goes down.]

LEARNING MATERIALS. Childrens Books. Language Arts.
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