Books about Braxton from Amazon.com



The WrestleCrap Book of Lists! (WrestleCrap series)

Ever wanted to know the worst career choices pro wrestlers made upon retirement? Or which kung fu chop-socky wrestlers would make Bruce Lee do a backflip in his grave?

The WrestleCrap Book of Lists! has all that — and much more. The gloves are off as best-selling author RD Reynolds and his co-author Blade Braxton pull no punches in looking at some of wrestling’s biggest mistakes, most comical mishaps and most egotistical performers. Among the lists included in this cornucopia of wrestling nonsense are:

• Sights Wrestling Fans Should Never Be Forced To See Again!

• The Greatest Mullets in the History of the Game!

• Porn Stars Who Moonlighted in Wrestling!

• The Proof that DX is really, REALLY Gay!

• The Greatest Mugshots — Featuring Your Favourite Wrestlers!

• The Pieces of Definitive Evidence that WCW May Have Been Run By Nazis!

• Pro Wrestling’s Stupidest Hometowns!

• The Things That Vince McMahon Always Wants to Talk About (Half of Which Involve His Genitalia)!

Of course, we’d be remiss if we didn’t mention the book’s craptastic main event: the 25 Worst Gimmicks of All Time.

Irreverent, off-kilter, and certain to be offensive to all, The WrestleCrap Book of Lists! is pro wrestling’s very worst of the worst!

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Price: $12.21 [Notify me when price goes down.]


Reworking the Student Departure Puzzle
More than a quarter of the students who enter four-year institutions and half of those who enter two-year schools depart at the end of their first year. This phenomenon is known as the "departure puzzle," and for years, the most important body of work on student retention has come from sociologist Vincent Tinto. In Reworking the Student Departure Puzzle, leading scholars of the college student experience--including Tinto himself--reevaluate Tinto's interactionalist perspective, which holds that students unable to connect with either the academic or social subsystems of their institutions are likely to leave. Recent critiques of this theory have indicated the need for either its serious revision or the development of a new theory altogether. The contributors to this volume offer a variety of both theoretical and methodological perspectives on student departure, with additional chapters covering minority student retention, the link between college choice and student persistence, and the effect of the classroom experience on the student's choice. The recommendations made here will not only reinvigorate research on this important topic but will also lead administrators to better manage the enrollments of their individual colleges and universities..
Price: $27.00 [Notify me when price goes down.]


Understanding and Reducing College Student Departure: ASHE-ERIC Higher Education Report (J-B ASHE Higher Education Report Series (AEHE))
Student departure is a long-standing problem to colleges and universities Approximately 45 percent of students enrolled in two-year colleges depart during their first year, and approximately one out of four students departs from a four-year college or university. The authors advance a serious revision of Tinto's popular interactionalist theory to account for student departure, and they postulate a theory of student departure in commuter colleges and universities.

This volume delves into the literature to describe exemplary campus-based programs designed to reduce student departure. It emphasizes the importance of addressing student departure through a multidisciplinary approach, engaging the whole campus. It proposes new models for nonresidential students and students from diverse backgrounds, and suggests directions for further research.

Academic and student affairs administrators seeking research-based approaches to understanding and reducing student departure will profit from reading this volume. Scholars of the college student experience will also find it valuable in defining new thrusts in research on the student departure process..
Price: $25.84 [Notify me when price goes down.]



Pregnancy For Dummies (For Dummies (Lifestyles Paperback))
Now updated--our bestselling guide to a safe and healthy pregnancy

With robust sales and its own four-part cable TV series, Pregnancy For Dummies has been a perennial favorite, giving parents-to-be authoritative, friendly, up-to-date advice on every aspect of pregnancy and childbirth. This new edition offers all of the latest information expecting parents want to know, including expanded coverage on the health and well-being of both mother and child. It takes readers through the first, second, and third trimesters, providing new and updated coverage of prenatal genetic screening and diagnosis, amniocentesis, new high-tech ultrasounds, and the revised FDA/USDA food pyramid. It also discusses the recent celebrity trend of "on-demand" cesarean sections, multiple births, what to expect in labor and delivery, postpartum care, choosing bottle or breastfeeding, preparing a home (and siblings) for a new baby, caring for preemies, and the mother's mental as well as physical health.

"A thorough, accurate, and highly informative guide."--Los Angeles Times

Joanne Stone, MD (New York, NY), and Keith Eddleman, MD (New York, NY), are Board Certified in Obstetrics and Gynecology. They are Associate Professors at Mount Sinai School of Medicine. Mary Murray (New York, NY) is an award-winning writer who has contributed to the New York Times, Allure, Longevity, and many other publications..
Price: $13.59 [Notify me when price goes down.]


The Collected Poetry of Paul Laurence Dunbar
This edition of the collected poems of Paul Laurence Dunbar includes 60 poems not included in the previous - and now out of print - "Complete Poems". 16 of these were found in manuscript form. Paul Laurence Dunbar's work achieved wide recognition in the first part of this century. The author of six volumes of poetry, as well as novels, liberettos, songs and essays, he was nationally known and accepted by black and white readers alike. The poet's influence has been far-reaching, and reaction to him, at times, controversial. In addition to creating musical renditions of black folk language, both comic and serious, he wrote lyrical poetry in standard English verse, inspired by Shakespeare, Shelley, Keats, Tennyson and the American romantics. Critics in Dunbar's day, however, led by William Dean Howells, noted only his comic dialect poetry, dismissing the standard English poetry and ignoring the subtlety and depth of the dialect work. Disagreements about the significance and meaning of Dunbar's poetry have continued through succeeding generations..
Price: $13.50 [Notify me when price goes down.]


No Longer Slaves: Galatians and African American Experience (Scripture)
No Longer Slaves brings the ancient New Testament message into conversation with African American culture Twenty centuries after Paul penned Galatians, American culture in general and American Christianity in particular continue to struggle with the problem of race relations. Our challenges are not identical to those faced by Paul and the Galatians. Yet, when one reads Galatians through the lens of African American experience, striking similarities emerge.

In No Longer Slaves, Brad Braxton helps us see that race relations are a central issue in Galatians. Paul believes that Christ came in order to unite Jews and Gentiles. The church was intended to be a multi-ethnic community in which persons of different backgrounds co-existed harmoniously. Any effort to compel Gentiles to live as Jews is an invalidation of the freedom of the Gospel. Galatians offers us a portrait of an early Christian leader and community sorting out complex social issues.

No Longer Slaves explores the concept of liberation in African American experience. It entails a discussion of American slavery. Rather than depicting African Americans simply as victims of the crimes of slavery and segregation, Braxton describes the creative cultural and religious responses of African Americans to their oppression. He employs a type of reader-response theory that considers the experiences of the reading community as a lens through which texts are read. His discussion of methodology exposes the reader to some of the issues in the current debate without becoming burdensome to the non-specialist.

The remainder of the book is an interpretation of Paul’s letter to the Galatians. Although Braxton takes seriously the original context of Galatians and his exegesis engages the Greek text, he offers a contemporary theological reading that privileges the history, experiences, and concerns of African Americans. Those who are concerned about the connection between Christianity and ethnicity will find this interpretation intriguing and challenging..
Price: $10.89 [Notify me when price goes down.]



Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.
A century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.
Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
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Price: $22.94 [Notify me when price goes down.]


New Musical Figurations: Anthony Braxton's Cultural Critique
New Musical Figurations exemplifies a dramatically new
way of configuring jazz music and history By relating
biography to the cultural and musical contours of contemporary
American life, Ronald M. Radano observes jazz practice as part
of the complex interweaving of postmodern culture—a
culture that has eroded conventional categories defining jazz
and the jazz musician. Radano accomplishes all this by
analyzing the creative life of Anthony Braxton, one of the
most emblematic figures of this cultural crisis.

Born in 1945, Braxton is not only a virtuoso jazz
saxophonist but an innovative theoretician and composer of
experimental art music. His refusal to conform to the
conventions of official musical culture has helped unhinge
the very ideologies on which definitions of "jazz,"
"black music," "popular music," and "art music" are founded.

New Musical Figurations gives the richest view
available of this many-sided artist. Radano examines
Braxton's early years on the South Side of Chicago, whose
vibrant black musical legacy inspired him to explore new
avenues of expression. Here is the first detailed history of
Braxton's central role in the Association for the Advancement
of Creative Musicians, the principal musician-run institution
of free jazz in the United States. After leaving Chicago,
Braxton was active in Paris and New York, collaborating with
Philip Glass, Steve Reich, Frederic Rzewski, and other
composers affiliated with the experimental-music movement.
From 1974 to 1981, he gained renown as a popular jazz
performer and recording artist. Since then he has taught at
Mills College and Wesleyan University, given lectures on his
theoretical musical system, and written works for chamber
groups as well as large, opera-scale pieces.

The neglect of radical, challenging figures like Braxton
in standard histories of jazz, Radano argues, mutes the
innovative voice of the African-American musical tradition.
Refreshingly free of technical jargon, New Musical Figurations
is more than just another variation on the same jazz theme.
Rather, it is an exploratory work as rich in theoretical
vision as it is in historical detail.
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Price: $18.90 [Notify me when price goes down.]


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