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In his debut novel, The Kite Runner, Khaled Hosseini accomplishes what very few contemporary novelists are able to do. He manages to provide an educational and eye-opening account of a country's political turmoil--in this case, Afghanistan--while also developing characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned over. And he does this on his first try.

The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")

Some of the plot's turns and twists may be somewhat implausible, but Hosseini has created characters that seem so real that one almost forgets that The Kite Runner is a novel and not a memoir. At a time when Afghanistan has been thrust into the forefront of America's collective consciousness ("people sipping lattes at Starbucks were talking about the battle for Kunduz"), Hosseini offers an honest, sometimes tragic, sometimes funny, but always heartfelt view of a fascinating land. Perhaps the only true flaw in this extraordinary novel is that it ends all too soon. --Gisele Toueg.
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David Sedaris became a star autobiographer on public radio, onstage in New York, and on bestseller lists, mostly on the strength of "SantaLand Diaries," a scathing, hilarious account of his stint as a Christmas elf at Macy's. (It's in two separate collections, both worth owning, Barrel Fever and the Christmas-themed Holidays on Ice.) Sedaris's caustic gift has not deserted him in his fourth book, which mines poignant comedy from his peculiar childhood in North Carolina, his bizarre career path, and his move with his lover to France. Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves," he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God," says one. "Then he be die one day on two... morsels of... lumber," says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox guy whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mom and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests."

Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with s sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match." As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode.

It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. The only possible reason not to read this book is if you'd rather hear the author's intrinsically funny speaking voice narrating his story. In that case, get Me Talk Pretty One Day on audio. --Tim Appelo.
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With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future.

As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state..
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This is the kind of book where you can smell and hear and see the fictional world the writer has created, so palpably does the atmosphere come through Set on an island in the straits north of Puget Sound, in Washington, where everyone is either a fisherman or a berry farmer, the story is nominally about a murder trial. But since it's set in the 1950s, lingering memories of World War II, internment camps and racism helps fuel suspicion of a Japanese-American fisherman, a lifelong resident of the islands. It's a great story, but the primary pleasure of the book is Guterson's renderings of the people and the place. .
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Piloting his 747, Rayford Steele is musing about his wife Irene's irritating religiosity and contemplating the charms of his "drop-dead gorgeous" flight attendant, Hattie. First Irene was into Amway, then Tupperware, and now it's the Rapture of the Saints--the scary last story in the Bible in which Christians are swept to heaven and unbelievers are left behind to endure the Antichrist's Tribulation. Steele believes he'll put the plane on autopilot and go visit Hattie. But Hattie's in a panic: some of the passengers have disappeared! The Rapture has happened, abruptly driverless cars are crashing all over, and the slick, sinister Romanian Nicolae Carpathia plans to use the UN to establish one world government and religion. Resembling "a young Robert Redford" and silver-tongued in nine languages, Carpathia is named People's "Sexiest Man Alive." (This reviewer, a former People writer, finds this plot twist plausible.) Meanwhile, Steele teams up with Buck Williams, a buck-the-system newshound, to form the Tribulation Force, an underground of left-behind penitents battling the Antichrist.

Ex-presidential candidate Pat Robertson briefly outsold Michael Crichton with his apocalypse novel The End of the Age (now available on audiocassette), and the similar The Third Millennium sells well, but the Left Behind series is the absolute champion in the race to make the Book of Revelation into racy thriller reading. --Tim Appelo.
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One day in 1992, Thomas Friedman toured a Lexus factory in Japan and marveled at the robots that put the luxury cars together That evening, as he ate sushi on a Japanese bullet train, he read a story about yet another Middle East squabble between Palestinians and Israelis. And it hit him: Half the world was lusting after those Lexuses, or at least the brilliant technology that made them possible, and the other half was fighting over who owned which olive tree.

Friedman, the well-traveled New York Times foreign-affairs columnist, peppers The Lexus and the Olive Tree with stories that illustrate his central theme: that globalization--the Lexus--is the central organizing principle of the post-cold war world, even though many individuals and nations resist by holding onto what has traditionally mattered to them--the olive tree.

Problem is, few of us understand what exactly globalization means. As Friedman sees it, the concept, at first glance, is all about American hegemony, about Disneyfication of all corners of the earth. But the reality, thank goodness, is far more complex than that, involving international relations, global markets, and the rise of the power of individuals (Bill Gates, Osama Bin Laden) relative to the power of nations.

No one knows how all this will shake out, but The Lexus and the Olive Tree is as good an overview of this sometimes brave, sometimes fearful new world as you'll find. --Lou Schuler.
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This kit enables users to build virtually all simple molecules encountered in organic chemistry. Includes space-filling models that simulate the true shape of saturated compounds. Provides open models that form realistic single, double, and triple bonds — even strained rings. Allows smooth rotation of the bonds to make conformational analysis easy. Contains enough components to create several models at once. The components are precision-tooled from quality plastics, are virtually indestructible, and come in a sturdy plastic case for easy storage. Provides a useful Instruction Book — with photos, diagrams, and concise discussions of chemical principles..
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A Cook's Tour is the written record of Anthony Bourdain's travels around the world in his search for the perfect meal. All too conscious of the state of his 44-year-old knees after a working life standing at restaurant stoves, but with the unlooked-for jackpot of Kitchen Confidential as collateral, Mr. Bourdain evidently concluded he needed a bit more wind under his wings.

The idea of "perfect meal" in this context is to be taken to mean not necessarily the most upscale, chi-chi, three-star dining experience, but the ideal combination of food, atmosphere, and company. This would take in fishing villages in Vietnam, bars in Cambodia, and Tuareg camps in Morocco (roasted sheep's testicle, as it happens); it would stretch to smoked fish and sauna in the frozen Russian countryside and the French Laundry in California's Napa Valley. It would mean exquisitely refined kaiseki rituals in Japan after yakitori with drunken salarymen. Deep-fried Mars Bars in Glasgow and Gordon Ramsay in London. The still-beating heart of a cobra in Saigon. Drink. Danger. Guns. All with a TV crew in tow for the accompanying series--22 episodes of video gold, we are assured, featuring many don't-try-this-at-home shots of the author in gastric distress or crawling into yet another storm drain at four in the morning.

You are unlikely to lay your hands on a more hectically, strenuously entertaining book for some time. Our hero eats and swashbuckles round the globe with perfect-pitch attitude and liberal use of judiciously placed profanities. Bourdain can write. His timing is great. He is very funny and is under no illusions whatsoever about himself or anyone else. But most of all, he is a chef who got himself out of his kitchen and found, all over the world, people who understand that eating well is the foundation of harmonious living. --Robin Davidson, Amazon.co.uk.
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NUTRITION: CONCEPTS AND CONTROVERIES, MYPYRAMID UPDATE TENTH EDITION focuses on nutrition principles and their application while offering outstanding coverage of the biological foundations of nutrition without assuming previous knowledge of them. With its new design, contemporary coverage, and engaging writing style, it remains the leading Nutrition text for the non-majors or mixed majors/non-majors introductory course. Drawing readers into the study of nutrition, the authors have created a number of learning tools that are both appealing and accessible. From the chapter content and new "Do You Ever…" sections to the "Food Feature" boxes and end-of-chapter "Controversies," students find the information they need to better understand important nutrition concepts and to make informed and responsible decisions about their own nutrition. Additionally, the "Do It" activities, now available online, on the student CD-ROM, and in a free booklet that can be packaged with the text, students can practice applying their nutrition knowledge. There is also the accompanying NUTRITION CONNECTIONS CD-ROM, a unique resource that includes animations, chapter quizzes, a comprehensive glossary, "Do It!" activities, and Web links. For instructors, we offer a newly redesigned Multimedia Manager that includes PowerPoint® slides, animations, videos, and test questions. We also offer a new JoinIn™ on TurningPoint®, a classroom resource to assess students' knowledge, take attendance, and more. So, whether looking for a text full of up-to-date information, a text that students enjoy reading, a text that offers a robust supplements package, or a text that can engage students and get them excited about studying, NUTRITION CONCEPTS AND CONTROVERSIES is the text for you!.
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