Books about Briones from Amazon.com

Roaring out of the pages of Daredevil, the new White Tiger makes a ferocious debut, courtesy of the dynamic scripting of New York Times best-selling fantasy author Tamora Pierce (Trickster's Queen, The Will of the Empress) and masterful penciling of rising star Phil Briones (La Geste des Chevaliers-Dragons, Les Seigneurs d'Agartha). Angela del Toro knows pain: Her uncle - Hector Ayala, the former White Tiger - killed. Her FBI partner, murdered. Her career, ruined. Her mentor, Matt Murdock, jailed. And the hurt is just beginning. The Yakuza's bloodthirsty Sano Orii returns, a genocidal shadow organization appears, and a new-but-old super-powered madman is looking to put the squeeze on White Tiger. Armed with mystical amulets - and finally in costume - White Tiger demands answers! But will she survive long enough to ask the right questions? Collects White Tiger #1-6..
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"Sub-Mariner TPB"..
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Juana Briones de Miranda lived an unusual life, which is wonderfully recounted in this highly accessible biography. She was one of the first residents of what is now San Francisco, then named Yerba Buena (Good Herb), reportedly after a medicinal tea she concocted. She was among the few women in California of her time to own property in her own name, and she proved to be a skilled farmer, rancher, and businesswoman. In retelling her life story, Jeanne Farr McDonnell also retells the history of nineteenth-century California from the unique perspective of this surprising woman. Juana Briones was born in 1802 and spent her early youth in Santa Cruz, a community of retired soldiers who had helped found Spanish California, Native Americans, and settlers from Mexico. In 1820, she married a cavalryman at the San Francisco Presidio, Apolinario Miranda. She raised her seven surviving sons and daughters and adopted an orphaned Native American girl. Drawing on knowledge she gained about herbal medicine and other cures from her family and Native Americans, she became a highly respected curandera, or healer. Juana set up a second home and dairy at the base of then Loma Alta, now Telegraph Hill, the first house in that area. After gaining a church-sanctioned separation from her abusive husband, she expanded her farming and cattle business in 1844 by purchasing a 4,400-acre ranch, where she built her house, located in the present city of Palo Alto. She successfully managed her extensive business interests until her death in 1889. Juana Briones witnessed extraordinary changes during her lifetime. In this fascinating book, readers will see California’s history in a new and revelatory light..
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“Cultural agency” refers to a range of creative activities that contribute to society, including pedagogy, research, activism, and the arts. Focusing on the connections between creativity and social change in the Americas, this collection encourages scholars to become cultural agents by reflecting on exemplary cases and thereby making them available as inspirations for more constructive theory and more innovative practice. Creativity supports democracy because artistic, administrative, and interpretive experiments need margins of freedom that defy monolithic or authoritarian regimes. The ingenious ways in which people pry open dead-ends of even apparently intractable structures suggest that cultural studies as we know it has too often gotten stuck in critique. Intellectual responsibility can get beyond denunciation by acknowledging and nurturing the resourcefulness of common and uncommon agents.

Based in North and South America, scholars from fields including anthropology, performance studies, history, literature, and communications studies explore specific variations of cultural agency across Latin America. Contributors reflect, for example, on the paradoxical programming and reception of a state-controlled Cuban radio station that connects listeners at home and abroad; on the intricacies of indigenous protests in Brazil; and the formulation of cultural policies in cosmopolitan Mexico City. One contributor notes that trauma theory targets individual victims when it should address collective memory as it is worked through in performance and ritual; another examines how Mapuche leaders in Argentina perceived the pitfalls of ethnic essentialism and developed new ways to intervene in local government. Whether suggesting modes of cultural agency, tracking exemplary instances of it, or cautioning against potential missteps, the essays in this book encourage attentiveness to, and the multiplication of, the many extraordinary instantiations of cultural resourcefulness and creativity throughout Latin America and beyond.

Contributors. Arturo Arias, Claudia Briones, Néstor García Canclini, Denise Corte, Juan Carlos Godenzzi, Charles R. Hale, Ariana Hernández-Reguant, Claudio Lomnitz, Jesús Martín Barbero, J. Lorand Matory, Rosamel Millamán, Diane M. Nelson, Mary Louise Pratt, Alcida Rita Ramos, Doris Sommer, Diana Taylor, Santiago Villaveces.
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This volume is organized in four sections: physiology, ecology, conservation and biodiversity, and systematics and evolution Composed of 46 chapters and written by 100 authors from 17 countries, this volume reflects the truly international nature of the Crustacean Society. It will be a staple for all researchers and scientists in the field..
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The Spanish conquerors who explored the southern cone of South America reported back to Europe that the region was empty of human inhabitants In truth, however, the large area supported a thriving, albeit low-density, population of foragers. Those foragers--the Mapuche, Tehuelche, Rankuelche, and Fueguian peoples--are the subject of this volume, which presents archaeological and ethnographic studies of their past. The southern cone of South America was one of the last regions to be colonized on earth. When the Spanish Royal Crown experienced difficulties expanding its colonial frontiers to include these lands, the area became known as a vast wildnerness at the very edge of the civilized world. As a result, the native peoples who did indeed inhabit the area were marginalized and as time passed the significance of their historical experience was ignored. This compilation of research by noted scholars of the region investigates the past of peoples largely neglected by the historical accounts of their conquerors. The history of the native peoples of Pampa, Patagonia, and Tierra del Fuego is a vital aspect of the region's past. Their historical knowledge and experience play a vital role in the struggle of a people to maintain a sense of cultural difference in an ever-changing world..
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Centering around the theme of the familiar song ""The Friendly Beasts,"" this intriguing program depicts what the animals who witnessed Jesus' birth might really have been thinking -- if they had human minds. There's humorous interplay among camels, sheep, cows, and the donkey that carried the pregnant Mary as they share their unique perspective on the nativity. This complete presentation allows many different parts of the congregation to participate; speaking roles can be performed in a readers' theater format by adults or youth, young children can portray the humans at the manger in a silent tableau, and musical selections allow the choir to be involved as well. A special feature is more than 70 reproducible drawings that can be projected for audience viewing. (Purchase of this book includes access to a downloadable PowerPoint file for use in performances.) This adaptable drama is ideal for use not only in church settings, but also in schools or for children's programs.

A five-copy package of supplementary coloring books for young children based on the imagery in the PowerPoint file is also available.

John O. Eby has been an ordained pastor for four decades, serving several Baptist congregations in California. He is currently the pastor of First Baptist Church in Porterville, California. A graduate of the University of LaVerne and American Baptist Seminary of the West, Eby is the author of more than 30 skits and plays.

Natividad Briones is a member of the worship team at First Baptist Church in Porterville, California. A veteran of the U.S. Navy and merchant marine, Briones began drawing caricatures of fellow sailors. He subsequently did freelance cartooning, and he has prepared composite sketches for the Los Angeles Police Department and the Tulare County Sheriff's Department..
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How was frontier expansion rationalized in the Americas during the late nineteenth century? As new states fleshed out expanded national maps, how did they represent their advances? Were there any distinct pan-American patterns? The renowned anthropologist and human rights advocate David Maybury-Lewis saw the Latin American frontiers as relatively unknown physical spaces as well as unexplored academic “territory.” He invited eight specialists to explore public narratives of the expansion of Argentina, Brazil, Chile, and the western regions of Canada and the United States during the late nineteenth century, a time when those who then identified as “Americans” claimed territories in which indigenous peoples, who were now seen as economic and political obstacles, lived. The authors examine the narrative forms that stirred or rationalized expansion, and emphasize their impact on the native residents.

The authors illustrate the variety and the similarities of these nationalist ideas and experiences, which were generally expressed in symbolic and cultural terms rather than on simple materialist or essentialist grounds. The cases also point out that civic nationalism, often seem as inclusive and more benign than ethnic nationalism, can produce similarly destructive human and cultural ends. The essays thus suggest a view of nationalism as a theoretical concept, and of frontier expansion as a historical phenomenon.

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