Books about Buonarroti from Amazon.com

Celebrating the 500th anniversary of Michelangelo's David, New American Library releases a special edition of Irving Stone's classic biographical novel-in which both the artist and the man are brought to life in full. A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo's dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known..
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Renaissance man: Michelangelo as never seen before. Before reaching the tender age of thirty, Michelangelo Buonarroti (1475-1564) had already sculpted David and Pieta, two of the most famous sculptures in the entire history of art. Like fellow Florentine Leonardo da Vinci, Michelangelo was a shining star of the Renaissance and a genius of consummate virtuosity. His achievements as a sculptor, painter, draughtsman, and architect are unique- no artist before or after him has ever produced such a vast, multi-faceted, and wideranging oeuvre. Only a handful of other painters and sculptors have attained a comparable social status and enjoyed a similar artistic freedom. This is demonstrated not only by the frescoes of the Sistine Chapel but also by Michelangelo's monumental sculptures and his unconventional architectural designs, whose forms went far beyond the accepted vocabulary of his day. Such was his talent that Michelangelo was considered a demigod by his contemporaries and was the subject of two biographies during his lifetime. Adoration of this remarkable man's work has only increased on the intervening centuries. Following the success of our XL title Leonardo da Vinci, TASCHEN brings you this massive tome that explores Michelangelo's life and work in more depth and detail then ever before. The first part concentrates on the life of Michelangelo via an extensive and copiously illustrated biographical essay; the main body of the book presents his owrk in four parts providing a complete analytical inventory of Michelangelo's paintings, sculptures, buildings and drawings. Grorgeous, full page reproductions and enlarged details bring readers up close to the works. This sumptuous tome also takes account, to a previously unseen extent, of Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his miserliness, his immense wealth, and his skill as a property investor. In addition, the book tackles the controversial issue of the attribution of Michelangelo drawings, an area in which decisions continue to be steered by the interests of the art market and the major collections. This is the definitive volume about Michelangelo for generations to come..
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Michelangelo Buonarroti, one of the greatest artists of all time, was not exactly a noble and humble man. Irritable, arrogant, and impatient, his perfectionism and expectations drove away many potential friends, and even provoked one would-be friend to hit him in the nose, crushing it "like a biscuit." However, what's truly important for us today is that this man ultimately became an artistic genius, mastering the three arts of the Renaissance: sculpture, painting, and architecture. From his early years, when he created the Pieta (at age 25), to his 40 years of tormented work on a monumental tomb for Pope Julius II, to his greatest masterpiece, the paintings in the Sistine Chapel, Michelangelo astounded people with his almost otherworldly talent.

Diane Stanley's well-researched, vivid narrative captures the life of the creator of some of the world's most beautiful, heart-wrenching works of art. Her illustrations are fantastically elaborate and include details of many of Michelangelo's sculptures and paintings. Michelangelo is a perfect introduction to art and art history, with plenty of compelling background information about the Renaissance and life in 15th and 16th century Italy. Stanley has written many other award-winning picture-book biographies, including Leonardo da Vinci and Cleopatra. (Ages 9 to 12) --Emilie Coulter.
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Almost 500 years after Michelangelo Buonarroti frescoed the ceiling of the Sistine Chapel in Rome, the site still attracts throngs of visitors and is considered one of the artistic masterpieces of the world. Michelangelo and the Pope's Ceiling unveils the story behind the art's making, a story rife with all the drama of a modern-day soap opera.

The temperament of the day was dictated by the politics of the papal court, a corrupt and powerful office steeped in controversy; Pope Julius II even had a nickname, "Il Papa Terrible," to prove it. Along with his violent outbursts and warmongering, Pope Julius II took upon himself to restore the Sistine Chapel and pretty much intimidated Michelangelo into painting the ceiling even though the artist considered himself primarily a sculptor and was particularly unfamiliar with the temperamental art of fresco. Along with technical difficulties, personality conflicts, and money troubles, Michelangelo was plagued by health problems and competition in the form of the dashing and talented young painter Raphael.

Author Ross King offers an in-depth analysis of the complex historical background that led to the magnificence that is the Sistine Chapel ceiling along with detailed discussion of some of the ceiling's panels. King provides fabulous tidbits of information and weaves together a fascinating historical tale. --J.P. Cohen.
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The books in the Art and Ideas series, which will cover everything from Fra Angelico to Frida Kahlo, are supremely pleasurable to read. In this volume, for example, Anthony Hughes writes dryly of a Michelangelo sculpture of Christ, which was tinkered with and damaged during installation in March 1521: "Since then, more tampering has taken place.... From the late sixteenth century, Christ's genitalia were hidden beneath a bronze loincloth, although that did not prevent a zealous Dominican from trying to remove the penis." Written by scholarly experts who know how to turn a phrase and focus a gaze, the books are filled with hundreds of crisp, color reproductions that give purely visual pleasure and information. Their handy size, 6 1/4 by 8 1/2 inches, makes them easy to carry in a briefcase or backpack, and the text is printed in an easy-to-read typeface, with generous spacing. Even the time lines, biographies, and glossaries in the back are inviting to the eye. There will eventually be more than 100 volumes in the series, which is comparable to Thames and Hudson's World of Art series. .
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Editor's introduction
Michelangelo Buonarroti achieved such renown in his lifetime that he was widely known and celebrated as Il Divino, or the Divine One. In 500 years, his fame has scarcely diminished. Michelangelo is generally recognized as one of the greatest artists of all time, a universal genius in all fields of visual creativity-sculpture, painting, and architecture-as well as a widely admired poet.

Accessible to readers-useful to specialistsMuch has been written on Michelangelo. By 1970, the number of scholarly books and articles exceeded 4,000, approximately a tenth in English. In the past 25 years, the literature has grown exponentially, with a notable increase in English-language publications. This five-volume series reproduces some 100 articles in English, selected from a broad range of books and journals. The collection is both accessible to the general reader and useful to the specialist, offering a representative sample of old and new commentary on the artist and his work.

Close to 100 photographs in each volumeThis collection also presents the artwork which illustrated the books and articles from which it is drawn-some 500 black-and-white photographs in all.

Offer scholarship and creative thinkingThese volumes introduce the reader to a wide range of scholarship and some of the best minds in the discipline, including Johannes Wilde, Erwin Panofsky, Charles de Tolnay, Rudolf Wittkower, Edgar Wind, and James Ackerman. The volumes offer easy access to an immense and widely scattered literature, much of it difficult to locate. The collection will be especially useful to scholars, graduate students, and advanced undergraduates. As journals become prohibitively expensive, and as materials are increasingly moved to storage facilities, this collection will prove a welcome addition to general and specialized art libraries.

The career of a geniusArticles are arranged chronologically with separate volumes covering the artist's early life and works, the Sistine Chapel ceiling, commissions associated with San Lorenzo, the tomb of Julius II and other Roman projects, and a final volume devoted to drawings, poetry, and miscellaneous studies. Spanning his entire 89-year life, the articles explore Michelangelo's prodigious creativity as an artist, thinker, and poet. The sheer quantity of what has been written on Michelangelo can be intimidating; most students have little sense of how to approach or effectively utilize the vast literature. By presenting a varied introduction to a great artist, this collection is a handy reference tool for a wide array of topics, problems, and literature. Individual volumes available:

Vol. 1 Life and Early Works
544 pages, ISBN 0-8153-1823-5

Vol. 2 The Sistine Chapel
616 pages, ISBN 0-8153-1825-1

Vol. 3 San Lorenzo
496 pages, ISBN0-8153-1826-X

Vol. 4 Tomb of Julius II and Other Works in Rome
488 pages, ISBN 0-8153-1827-8

Vol. 5 Drawings, Poetry, and Miscellaneous Studies472 pages, ISBN 0-8153-1826-8.
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