Books about Cathedrals from Amazon.com

A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett's historical masterpiece.

Abridged edition read by John Lee.
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From the Eiffel Tower to the Taj Mahal -- 50 man-made and natural structures from around the world are drawn here..
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St. Patrick's Day, New York City. Everyone is celebrating, but everyone is in for the shock of his life. Born into the heat and hatred of the Northern Ireland conflict, IRA man Brian Flynn has masterminded a brilliant terrorist act the seizure of Saint Patrick's Cathedral. Among his hostages: the woman Brian Flynn once loved, a former terrorist turned peace activist. Among his enemies: an Irish-American police lieutenant fighting against a traitor inside his own ranks and a shadowy British intelligence officer pursuing his own cynical, bloody plan. The cops face a booby-trapped, perfectly laid out killing zone inside the church. The hostages face death. Flynn faces his own demons, in an electrifying duel of nerves, honor, and betrayal.......
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Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing. . . . Fascinating " (Los Angeles Times)

By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras..
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Text and detailed drawings follow the planning and construction of a magnificent Gothic cathedral in the imaginary French town of Chutreaux during the thirteenth century..
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At last: The international bestseller— which has already sold nearly 2 million copies worldwide—comes to America!

Cathedral of the Sea, Ildefonso Falcones’s mesmerizing historical novel about medieval Barcelona, was Spain’s #1 bestseller for a full year. Rights have sold in thirtytwo countries to date, and comparisons to Ken Follett’s The Pillars of the Earth are being made. Who better to bring you this international sensation than Follett’s own publisher?

Cathedral of the Sea follows the fortunes of the Estanyol family, from their peasant roots to a son, Arnau, who flees the land only to realize spectacular wealth and devastating problems. During Arnau’s lifetime Barcelona becomes a city of light and darkness, dominated by the construction of the city’s great pride—the cathedral of Santa Maria del Mar—and by its shame, the deadly Inquisition. A s a young man, Arnau joins the powerful guild of stone-workers and helps to build the church with his own hands, while his best friend and adopted brother Joan studies to become a priest. When Arnau, who secretly loves a forbidden Jewish woman named Mar, is betrayed and hauled before the Inquisitor, he finds himself faceto- face with his own brother. Will he lose his life just as his beloved Cathedral of the Sea is finally completed?

An unforgettable fresco of a golden age in fourteenth-century Barcelona, Cathedral of the Sea is a story of friendship and revenge, of love and war..
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Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.

By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

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In Cathedrals of Science, Patrick Coffey describes how chemistry got its modern footing-how thirteen brilliant men and one woman struggled with the laws of the universe and with each other. They wanted to discover how the world worked, but they also wanted credit for making those discoveries, and their personalities often affected how that credit was assigned. Gilbert Lewis, for example, could be reclusive and resentful, and his enmity with Walther Nernst may have cost him the Nobel Prize; Irving Langmuir, gregarious and charming, "rediscovered" Lewis's theory of the chemical bond and received much of the credit for it. Langmuir's personality smoothed his path to the Nobel Prize over Lewis.
Coffey deals with moral and societal issues as well. These same scientists were the first to be seen by their countries as military assets. Fritz Haber, dubbed the "father of chemical warfare," pioneered the use of poison gas in World War I-vividly described-and Glenn Seaborg and Harold Urey were leaders in World War II's Manhattan Project; Urey and Linus Pauling worked for nuclear disarmament after the war. Science was not always fair, and many were excluded. The Nazis pushed Jewish scientists like Haber from their posts in the 1930s. Anti-Semitism was also a force in American chemistry, and few women were allowed in; Pauling, for example, used his influence to cut off the funding and block the publications of his rival, Dorothy Wrinch.
Cathedrals of Science paints a colorful portrait of the building of modern chemistry from the late 19th to the mid-20th century..
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"A dozen stories that overflow with the danger, excitement, mystery and possibility of life...Carver is a writer of astonishing compassion and honesty...his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart."--Jonathan Yardley, Washington Post Book World

"Cathedral contains astonishing achievements, which bespeaks a writer expanding his range of intentions."--The Boston Globe

"A few of Mr. Carver's stories can already be counted among the masterpieces of American fiction...Cathedral shows a gifted writer struggling for a larger scope of reference, a finer touch of nuance." --Irving Howe, front page, The New York Times Book Review

"Clear, hard language so right that we shiver at the knowledge we gain from it." --Thomas Williams, Chicago Tribune Book World

"Carver is more than a realist; there is, in some of his stories, a strangeness, the husk of a myth." --Los Angeles Times


Stories included:
"Feathers"
"Chef's House"
"Preservation"
"The Compartment"
"A Small, Good Thing"
"Vitamins"
"Careful"
"Where I'm Calling From"
"The Train"
"Fever"
"The Bridle"
"Cathedral".
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