Books about Chesterton from Amazon.com

In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine " Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."

But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:

He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.

Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried.
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What, if anything, is it that makes the human uniquely human? This, in part, is the question that G.K. Chesterton starts with in this classic exploration of human history Responding to the evolutionary materialism of his contemporary (and antagonist) H.G. Wells, Chesterton in this work affirms human uniqueness and the unique message of the Christian faith. Writing in a time when social Darwinism was rampant, Chesterton instead argued that the idea that society has been steadily progressing from a state of primitivism and barbarity towards civilization is simply and flatly inaccurate. "Barbarism and civilization were not successive stages in the progress of the world," he affirms, with arguments drawn from the histories of both Egypt and Babylon.

As always with Chesterton, there is in this analysis something (as he said of Blake) "very plain and emphatic." He sees in Christianity a rare blending of philosophy and mythology, or reason and story, which satisfies both the mind and the heart. On both levels it rings true. As he puts it, "in answer to the historical query of why it was accepted, and is accepted, I answer for millions of others in my reply; because it fits the lock; because it is like life." Here, as so often in Chesterton, we sense a lived, awakened faith. All that he writes derives from a keen intellect guided by the heart's own knowledge. --Doug Thorpe.
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Dale Ahlquist, the President of the American Chesterton Society, and author of G. K Chesterton -The Apostle of Common Sense, presents a book of wonderful insights on how to "look at the whole world through the eyes of Chesterton". Since, as he says, "Chesterton wrote about everything", there is an ocean of his material to benefit from GKC's insights on a kaleidoscope of many important topics. Chesterton wrote a hundred books on a variety of themes, thousands of essays for London newspapers, penned epic poetry, delighted in detective fiction, drew illustrations, and made everyone laugh by his keen humor. Everyone who knew Chesterton loved him, even those he debated with. His unique writing style that combines philosophy, spirituality, history, humor, and paradox have made him one of the most widely read authors of modern times. As Ahlquist shows in his engaging volume, this most quoted writer of the 20th century has much to share with us on topics covering politics, art, education, wonder, marriage, fads, poetry, faith, charity and much more..
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It is known that when the great Catholic writer G.K. Chesterton began his book on Saint Thomas Aquinas (who is, quite possibly, the most influential of all Christian theologians), "his research for the project consisted of a very casual perusal of a few books on his subject." To say that Chesterton was no authority is an understatement. To say further that he has written a masterpiece of elucidation may also be an understatement. Etienne Gilson, the chief scholar of Aquinas in the 20th century, said flatly "I consider it as being without possible comparison the best book ever written on St. Thomas. Nothing short of genius can account for such an achievement.... Chesterton was one of the deepest thinkers who ever existed; he was deep because he was right; and he could not help being right; but he could not either help being modest and charitable, so he left it to those who could understand him to know that he was right, and deep."

So how has he accomplished this feat? By simplifying, as his editor says, without oversimplifying. He turns his own lack of intimate knowledge to his advantage by concentrating on the core elements of Aquinas' thinking: his affirmation of the goodness of creation; his defense of common sense; and "the primacy of the doctrine of being." In this way he grasps--and helps us grasp--the importance of Aquinas for us today. As Raymond Dennehy has written, it's as if Chesterton is saying to us "the truths [Aquinas] was getting at--the basic principles of reality and reason--are in themselves really quite simple. Your basic intuitions were right all along." --Doug Thorpe.
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I originally called this book What is Wrong, and it would have satisfied your sardonic temper to note the number of social misunderstandings that arose from the use of the title. Many a mild lady visitor opened her eyes when I remarked casually, I have been doing 'What is Wrong' all this morning. And one minister of religion moved quite sharply in his chair when I told him (as he understood it) that I had to run upstairs and do what was wrong, but should be down again in a minute..
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Father Brown, one of the most quirkily genial and lovable characters to emerge from English detective fiction, first made his appearance in The Innocence of Father Brown in 1911. That first collection of stories established G.K. Chesterton's kindly cleric in the front rank of eccentric sleuths. This complete collection contains all the favourite Father Brown stories, showing a quiet wit and compassion that has endeared him to many, whilst solving his mysteries by a mixture of imagination and a sympathetic worldliness in a totally believable manner..
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