Books about Depictions from Amazon.com

Wilfried Podriech (1939-1982), aka Satty, emerged as an artist during San Francisco s psychedelic art movement of the late 1960s. He worked in the tradition of collage, at first with materials cut from contemporary magazines. He was soon attracted to the graphic qualities of the black and white illustrations found in books and magazines of the 19th Century, a graphic source used by the Surrealist Max Ernst in the 1920s. From these Satty cut images and carefully, seamlessly composed them into surreal and visionary works of art. Satty began work on a series of San Francisco collages in 1975. From reading historical accounts of the early city, he realized that most of the existing pictorial record, photos and paintings didn t match the colorful literary descriptions of that chaotic era. He decided to graphically re-create the era, to evoke the visual and emotional experiences of the early city in combination with relevant eyewitness accounts. He researched the writings of early immigrants, later residents, and many other writers who visited the famous spectacle of the developing city. Satty created collages until his death in early 1982. As an interested historian, and a friend for ten years, Walter Medeiros had often been closely involved with him, and especially during the last year of his life. Satty discussed the project with him and took pleasure in showing him work in progress. Satty s will left the project to Medeiros. Although there was a quantity of research notes, and indications of texts under consideration, none were assigned to specific collages. Nor had a workable book format been developed. The only prepared text was in the form of typed captions applied to many of the artworks. As editor-collaborator, Medeiros closely examined the large body of diverse collages and selected those which might be arranged into a suitable narrative form. Through a review of Satty s notes and books, supplementary research, and consideration of the content of the artworks, a generally chronological format was eventually developed, based on historical events and the prominent themes and topics found within the body of the selected collages. As to selection of texts, most excerpts are taken from first-hand accounts; from journals, letters and books of people who participated in or otherwise closely observed the historical events and social conditions of the era. Many texts have been edited for brevity or for relevance to the artworks. Some texts match the illustrations quite closely; for other texts the relationship may be indirect. A developed draft of the book was completed by 1983. In 1984 an exhibition of this material, entitled An Imaginary History of San Francisco, was presented at the California Historical Society, in San Francisco. While this project sprang from Satty s personal experience, it was also related to his serious interest in social and political trends of American culture, especially the impact of mass media. He was both participant and close observer of the energetic, assertive, often transgressive counterculture of the 1960s, which struck him as analogous to the chaotic, culturally formative era of the Gold Rush. Visions of Frisco an impressionistic history. Such is the nature of the art works, and that imaginative, associative mode rather than a linear, strictly descriptive one has informed the creation of this book. Satty s art is a tour de force of historical re-creation. The city he loved becomes vividly animated, peopled with faces, costumes, attitudes and activities that chronicle half a century..
Price: $23.75 [Notify me when price goes down.]

Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex.

Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy calls for "authentic" images of the German Democratic Republic that would legitimize socialist rule, filmmakers challenged the regime's self-understanding. Beginning in the late 1960s, East German films dwelled increasingly on everyday life itself, no longer seeing it merely as a stage in the development toward communism. By presenting an image of a static rather than an evolving society, filmmakers helped transform East German identity from one based on a commitment to socialist progress to one that accepted the GDR as it was..
Price: $30.00 [Notify me when price goes down.]

From "Perverts" to "Fab Five" tracks the dramatic change in how the American media have depicted gay people over the last half-century Each chapter illuminates a particular media product that served as a milestone on the media's journey from demonizing homosexuals some fifty years ago to celebrating the gay community--or at least some sectors of the gay community--today. The media, Streitmatter argues, have not merely reflected the American public's shift to a more enlightened view of gay people, but they have been instrumental in propelling that change. The book spans the breadth of communication venues. Individual chapters focus on major news stories, entertainment television programs, and mainstream motion pictures that captured the public imagination while, at the same time, sending powerful messages about gay men and lesbians. Ideal for any reader interested in the changing depiction of gay men and lesbians in the media over time, or as required reading in media courses, From "Perverts" to "Fab Five" challenges our very understandings of the words "public" and "media" both..
Price: $21.95 [Notify me when price goes down.]

The teaching profession has a long history in motion pictures As early as the late 19th century, films have portrayed educators of young children--including teachers, tutors, day care workers, nannies, governesses, and other related occupations--in a variety of roles within the cinematic classroom. This work provides a broad index of over 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included..
Price: $31.95 [Notify me when price goes down.]

.
Price: $6.92 [Notify me when price goes down.]

From the late 1940s to the early '60s, Marilyn Monroe appeared in barely thirty movies, beginning with bit parts and moving on into supporting roles for such films as "The Asphalt Jungle", "All About Eve", and "Clash by Night". She soon shot to international fame and gained prominent roles in a number of classics like "The Seven Year Itch", "Gentlemen Prefer Blondes", and "Some Like It Hot". By the time of her early death in 1962, she had already become established as one of the great icons of the silver screen. Even early in her career, Monroe had been a source of inspiration for playwrights, filmmakers, and others looking to cash in on her tremendous impact. In "The Immortal Marilyn: The Depiction of an Icon", authors John DeVito and Frank Tropea chronicle the many representations of Marilyn Monroe in the performing arts, from the 1950s to the present day. In a decade-by-decade review, the authors examine how Marilyn is portrayed in four distinct modes: as herself, as a Roman a Clef character, as a referent, and as a documentary subject. By looking closely at these individual works, the authors reveal the ways in which her persona, her history, and - most of all - her image have been appropriated for both fact and fiction. From an episode of "I Love Lucy" to Arthur Miller's play "The Fall", from adaptations of works by Norman Mailer and Joyce Carol Oates to an ever-growing list of documentaries, Marilyn has been the subject of countless depictions on stage, screen, radio and television. Monroe is adored, imitated, and idolised, and the enormous amount of material written about her - either directly or indirectly - proves that she will continue to be a source of interest and speculation. The first real analysis of all the many complex meanings that Marilyn Monroe has come to assume, this book attempts to encapsulate and understand the enormous influence the actress had on the public and the wide range of creative talents who found her such an intriguing subject. This book includes a filmography of Monroe's work as well as a chronological iconography that list the many depictions of her in film, television, radio, and stage. As both a reference source and cultural study, "The Immortal Marilyn" is a unique look at one of the most alluring and enduring figures of the twentieth century..
Price: $26.39 [Notify me when price goes down.]

The stereotype of the African American male as a criminal element in society continues to be a major obstacle to greater racial harmony and the elimination of discrimination and racism on all levels in the United States. Often, this criminal stereotype is internalized by African American youth, so they are made to feel as though delinquent behavior is expected from them, and many fall into this trap. Black Demons examines this stereotype and contends that much of the blame for its perpetuation comes from U.S. mass media's negative depictions of African American males. Rome argues that these images foster the myths that help to deepen and strengthen the stereotypes that have plagued the African American community since colonial times. By examining the origins of this criminal stereotype, how it has been used historically, and how it is presently employed, Rome reveals a dangerous current in media depictions of African Americans, one that threatens that community and taints U.S. society as it tries to overcome the legacy of racism. The African American male criminal stereotype continues to be used to justify covert and overt racism in contemporary U.S. society. From television to cinema, music to news coverage, mass media continue to depict African American males running from the law, committing crimes, victimizing women, and generally engaging in illegal behavior. Here, Rome examines those images and offers an explanation for this phenomenon. He discusses the impact of these images on both the African American community and on U.S. society in general. He considers the notion that there is a "black pathology," a fundamental weakness in African American families that can be traced back to their experiences as slaves. Finally, he concludes that both the news media and entertainment outlets must discontinue their practice of equating young African American males with aggressiveness, lawlessness, and violence if racism is every to be truly abolished in the United States..
Price: $37.95 [Notify me when price goes down.]

This illustrated work examines the paintings of angels and devils by medieval French illuminators and discusses the manner in which they were depicted..
Price: $99.95 [Notify me when price goes down.]

.
Price: $19.97 [Notify me when price goes down.]