Books about Dickinson from Amazon.com

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The third edition of Nightwatch continues its tradition of being the best handbook for the beginning astronomer. Terence Dickinson covers all the problems beginners face, starting with the fact that the night sky does not look the way a modern city-dweller expects. He discusses light pollution, how to choose binoculars and telescopes, how to pronounce the names of stars and constellations, telescope mounts, averted vision, and why the harvest moon looks especially bright. Most of the lovely photographs in the book were taken by amateurs, which gives the section on astrophotography a particularly inspirational gleam.

Dickinson's star charts are very handy, each covering a reasonable field of view and mapping the most interesting amateur objects. He gives good advice for planet watching, which he notes "is one of the few astronomical activities that can be conducted almost as well from the city as from dark rural locations."

Altogether, the watchword for Nightwatch is indeed "practical"--this is a book to be used, not just read. Spiral-bound to lie flat or to fold back undamaged, it's a field guide that pulls its own weight in the field. Author Timothy Ferris says, "Like a good night sky, Nightwatch is clear and wind-free. Try it and see for yourself." --Mary Ellen Curtin.
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Edgar Allan Poe, Emily Dickinson, Samuel Clemens ("Mark Twain"), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in her newest work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is "genius"—for Edgar Allan Poe, a belated encounter with bizarre life‑forms utterly alien to the poet's exalted Romantic aesthetics; for Emily Dickinson, resurrected in the twenty-first century in a "distilled" state, a belated encounter with blundering humanity and brute passion of a kind excluded from the poet's verse; for the elderly, renowned Samuel Clemens, a belated encounter with impassioned innocence, in the form of "the little girl who loves you"; for Henry James, an aging volunteer in a London hospital during World War I, a belated encounter with the physicality of desire and the raw yearning of love long absent from the master's fiction; and, for Ernest Hemingway, the most tragic of these figures, a belated encounter with the "profound mysteries of the world outside him, and the profound mysteries of the world inside him."

Wild Nights! is Joyce Carol Oates's most original and haunting work of the imagination, a writer's memoirist work in the form of fiction.

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Emily Dickinson proved that brevity can be beautiful Only now is her complete oeuvre--all 1,775 poems--available in its original form, uncorrupted by editorial revision, in one volume. Thomas H. Johnson, a longtime Dickinson scholar, arranged the poems in chronological order as far as could be ascertained (the dates for more than 100 are unknown). This organization allows a wide-angle view of Dickinson's poetic development, from the sometimes-clunky rhyme schemes of her juvenilia, including valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings from her last years. Quite a difference from requisite Dickinson entries in literary anthologies: "There's a certain Slant of light," "Wild Nights--Wild Nights!" and "I taste a liquor never brewed."

The book was compiled from Thomas H. Johnson's hard-to-find variorum from 1955. While some explanatory notes would have been helpful, it's a prodigious collection, showcasing Dickinson's intractable obsession with nature, including death. Poem 1732, which alludes to the deaths of her father and a onetime suitor, illustrates her talent:

My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

The musicality of her punctuation and the outright elegance of her style--akin to Christina Rossetti's hymns, although not nearly so religious--rescue the poems from their occasional abstruseness. The Complete Poems is especially refreshing because Dickinson didn't write for publication; only 11 of her verses appeared in magazines during her lifetime, and she had long-resigned herself to anonymity, or a "Barefoot-Rank," as she phrased it. This is the perfect volume for readers wishing to explore the works of one of America's first poets..
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A surprising and scandalous story of how the interaction within a group of exceptional and uniquely talented characters shaped and changed American thought

At the close of the Civil War, the United States took a deep breath to lick wounds and consider the damage done. A Summer of Hummingbirds reveals how, at that tender moment, the lives of some of our most noted writers, poets, and artists-including Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade-intersected to make sense of it all. Renowned critic Christopher Benfey maps the intricate web of friendship, family, and romance that connects these larger than life personalities to one another, and in doing so discovers a unique moment in the development of American character.

In this meticulously researched and creatively imagined work, Benfey takes the seemingly arbitrary image of the hummingbird and traces its "route of evanescence" as it travels in circles to and from the creative wellsprings of the age: from the naturalist writings of abolitionist Thomas Wentworth Higginson to the poems of his wayward pupil Emily Dickinson; into the mind of Henry Ward Beecher and within the writings and paintings of his famous sister, Harriet Beecher Stowe. A Summer of Hummingbirds unveils how, through the art of these great thinkers, the hummingbird became the symbol of an era, an image through which they could explore their controversial (and often contradictory) ideas of nature, religion, sexuality, family, time, exoticism, and beauty.

Benfey's complex tale of interconnection comes to an apex in Amherst, Massachusetts, during the summer of 1882, a time when loyalties were betrayed and thoughts exchanged with the speed of a hummingbird's wings. Here in the wake of the very public Henry Ward Beecher and Elizabeth Tilton sex scandal, Mabel Loomis Todd-the young and beautiful protŽgŽe to the hummingbird painter Martin Johnson Heade-begins an affair with Austin Dickinson and leaves her mentor heartbroken; Emily Dickinson is found in the arms of her father's friend Judge Otis Lord, and that's not all.

As infidelity and lust run rampant, the incendiary ghost of Lord Byron is evoked, and the characters of A Summer of Hummingbirds find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a romantic, unconventional world in which nature prevails and freedom is all..
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This, the first all-photographic field guide to cover fossils found throughout North America north of Mexico, includes nearly 500 full-color photographs identifying corals, trilobites, shells, teeth, bones, as well as fossil-bearing rocks and outcrop formations. The descriptive text includes information on size, geological period, geographical distribution, and ecology of the animal or plant before it was fossilized. In addition, the book provides lists of Geological Survey offices and major fossil collections, a geological time chart, and a guide to collecting and preserving fossils..
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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals--an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world.

Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk--an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day.

Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson--1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem--usually the latest version of the entire poem--rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.

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Emergency care procedures and training for EMT..
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The outrageous Janice Dickinson—star of TV's The Janice Dickinson Modeling Agency, bestselling author, and glam girl extraordinaire—now brings her patented blend of hard-won romantic wisdom and diva chic to her first-ever dating guide. Loaded with uncensored dish on her romantic sagas—and her stranger-than-fiction bedroom adventures—Check, Please! unveils Janice's dating dos and don'ts, culled from her three decades at the top of the fast-track world of modeling, and a rich, racy life of dating, mating, and extricating. With the same voracious charm that propelled her into the arms of some of America's most eligible bachelors, here Janice shares her secrets to landing men, loving them, and letting them go. From first dates and old flames to primping, cheating, and sizing things up, Check, Please! is a girl's guide to an irreverent, extravagant love life.

Some titillating tips from Check, Please!

Lesson #2: Wanna Get a Guy's Attention? Ignore Him!
Lesson #13: If He's Got His Eye on the Door, He's Already Halfway Through It
Lesson #28: Don't Do Anyone You Might Regret
Lesson #40: It's Okay to Want More, More, More
Lesson #47: Don't Follow Trends—Start Them

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