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In a 1930s Dominican Republic village, the scream of a woman in labor rings out like the shot heard around Hispaniola Every detail of the birth scene--the balance of power between the middle-aged Señora and her Haitian maid, the babies' skin color, not to mention which child is to survive--reverberates throughout Edwidge Danticat's Farming of Bones. In fact, rather than a celebration of fecundity, the unexpected double delivery gels into a metaphor for the military-sponsored mass murder of Haitian emigrants. As the Señora's doctor explains: "Many of us start out as twins in the belly and do away with the other."

But Danticat's powerful second novel is far from a currently modish victimization saga, and can hold its own with such modern classics as One Hundred Years of Solitude and The Color Purple. Its watchful narrator, the Señora's shy Haitian housemaid, describes herself as "one of those sea stones that sucks its colors inside and loses its translucence once it's taken out into the sun." An astute observer of human character, Amabelle Désir is also a conduit for the author's tart, poetic prose. Her lover, Sebastian, has "arms as wide as one of my bare thighs," while the Señora's complicit officer husband is "still shorter than the average man, even in his military boots."

The orphaned Amabelle comes to assume almost messianic proportions, but she is entirely fictional, as is the town of Alegría where the tale begins. The genocide and exodus, however, are factual. Indeed, the atrocities committed by Dominican president Rafael Trujillo's army back in 1937 rival those of Duvalier's Touton Macoutes. History has rendered Trujillo's carnage much less visible than Duvalier's, but no less painful. As Amabelle's father once told her, "Misery won't touch you gentle. It always leaves its thumbprints on you; sometimes it leaves them for others to see, sometimes for nobody but you to know of." Thanks to Danticat's stellar novel, the world will now know. --Jean Lenihan.
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Oprah Book Club® Selection, May 1998: "I come from a place where breath, eyes and memory are one, a place from which you carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to." The place is Haiti and the speaker is Sophie, the heroine of Edwidge Danticat's novel, "Breath, Eyes, Memory." Like her protagonist, Danticat is also Haitian; like her, she was raised in Haiti by an aunt until she came to the United States at age 12. Indeed, in her short stories, Danticat has often drawn on her background to fund her fiction, and she continues to do so in her debut novel.

The story begins in Haiti, on Mother's Day, when young Sophie discovers that she is about to leave the only home she has ever known with her Tante Atie in Croix-des-Rosets, Haiti, to go live with her mother in New York City. These early chapters in Haiti are lovely, subtly evoking the tender, painful relationship between the motherless child and the childless woman who feels honor bound to guard the natural mother's rights to the girl's affections above her own. Presented with a Mother's Day card, Tante Atie responds: "'It is for a mother, your mother.' She motioned me away with a wave of her hand. 'When it is Aunt's Day, you can make me one.'" Danticat also uses these pages to limn a vibrant portrait of life in Haiti from the cups of ginger tea and baskets of cassava bread served at community potlucks to the folk tales of a "people in Guinea who carry the sky on their heads."

With Sophie's transition from a fairly happy existence with her aunt and grandmother in rural Haiti to life in New York with a mother she has never seen, Danticat's roots as a short-story writer become more evident; "Breath, Eyes, Memory" begins to read more like a collection of connected stories than a seamlessly evolved novel. In a couple of short chapters, Sophie arrives in New York, meets her mother, makes the acquaintance of her mother's new boyfriend, Marc, and discovers that she was the product of a rape when her mother was a teenager in Haiti. The novel then jumps several years ahead to Sophie's graduation from high school and her infatuation with an older man who lives next door. Unfortunately, this is also the point in the novel where Danticat begins to lay her themes on with a trowel instead of a brush: Sophie's mother becomes obsessed with protecting her daughter's virginity, going so far as to administer physical "tests" on a regular basis--testing which leads eventually to a rift in their relationship and to Sophie's struggle with her own sexuality. Soon the litany of victimization is flying thick and fast: female genital mutilation, incest, rape, frigidity, breast cancer, and abortion are the issues that arise in the final third of the novel, eventually drowning both fine writing and perceptive characterization under a deluge of angst.

Still, there is much to admire about "Breath, Eyes, Memory," and if at times the plot becomes overheated, Danticat's lyrical, vivid prose offers some real delight. If nothing else, this novel is sure to entice readers to look for Danticat's short stories--and possibly to sample other fiction from the West Indies as well. --Alix Wilber.
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From the best-selling author of The Dew Breaker, a major work of nonfiction: a powerfully moving family story that centers around the men closest to her heart—her father, Mira, and his older brother, Joseph.

From the age of four, Edwidge Danticat came to think of her uncle Joseph, a charismatic pastor, as her “second father,” when she was placed in his care after her parents left Haiti for a better life in America. Listening to his sermons, sharing coconut-flavored ices on their walks through town, roaming through the house that held together many members of a colorful extended family, Edwidge grew profoundly attached to Joseph. He was the man who “knew all the verses for love.”

And so she experiences a jumble of emotions when, at twelve, she joins her parents in New York City. She is at last reunited with her two youngest brothers, and with her mother and father, whom she has struggled to remember. But she must also leave behind Joseph and the only home she’s ever known.

Edwidge tells of making a new life in a new country while fearing for the safety of those still in Haiti as the political situation deteriorates. But Brother I’m Dying soon becomes a terrifying tale of good people caught up in events beyond their control. Late in 2004, his life threatened by an angry mob, forced to flee his church, the frail, eighty-one-year-old Joseph makes his way to Miami, where he thinks he will be safe. Instead, he is detained by U.S. Customs, held by the Department of Homeland Security, brutally imprisoned, and dead within days. It was a story that made headlines around the world. His brother, Mira, will soon join him in death, but not before he holds hope in his arms: Edwidge’s firstborn, who will bear his name—and the family’s stories, both joyous and tragic—into the next generation.

Told with tremendous feeling, this is a true-life epic on an intimate scale: a deeply affecting story of home and family—of two men’s lives and deaths, and of a daughter’s great love for them both.

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When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! In her second novel, Edwidge Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty..
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In her third novel, The Dew Breaker, the prolific Edwidge Danticat spins a series of related stories around a shadowy central figure, a Haitian immigrant to the U.S. who reveals to his artist daughter that he is not, as she believes, a prison escapee, but a former prison guard, skilled in torture and the other violent control methods of a brutal regime. "Your father was the hunter," he confesses, "he was not the prey." Into this brilliant opening, Danticat tucks the seeds of all that follows: the tales of the prison guard's victims, of their families, of those who recognize him decades later on the streets of New York, of those who never see him again, but are so haunted that they believe he's still pursuing them. (A dew breaker, we learn, is a government functionary who comes in the early morning to arrest someone or to burn a house down, breaking the dew on the grass that he crosses.) Although it is frustrating, sometimes, to let go of one narrative thread to follow another, The Dew Breaker is a beautifully constructed novel that spirals back to the reformed prison guard at the end, while holding unanswered the question of redemption. --Regina Marler.
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"Remarkable for its courage, its color and its natural control."-The New Yorker

"Unforgettable...written with pride and anger, with rebellion and tears."-The Herald Tribune

This beloved coming-of-age story set in Brooklyn during the Depression and World War II follows the life of Selina Boyce, a daughter of Barbadians immigrants. Her mother craves the American Dream while her father longs for his island birthplace. The new foreword by contemporary Caribbean author Edwidge Danticat explores the novel's themes of identity, sexuality and values as well as Selina's struggle against the racism and poverty surrounding her.

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By the acclaimed Haitian poet and scholar René Philoctète, the novel Massacre River: "a tour de force by an extraordinary writer" (Edwidge Danticat).

Nestled along a border, Haitians and Dominicans have lived as one people for generations. But in 1937, when Generalissimo Trujillo—"the Lord of demented death"—orders the slaughter of all "Haitian devils," a monstrous raptor appears in the sky over the little Dominican town of Elias Piña, brooding a nightmare. Desperate to save Adèle, the Haitian wife he cherishes, the Dominican Pedro Brito sets out into the dawn—and so begins Massacre River, a tale unlike any other, where machetes can fly, severed heads demand justice, towns are flooded by "the foaming filth of genocides," the wind thinks it's a radio, and a word can literally cut throats. At the heart of this kaleidoscopic drama is the loving and sensual bond between Pedro and Adèle, tenderly evoked in language of astonishing inventiveness by a narrative voice that can turn on a dime, careening through young romance, heartbreak, skin-crawling evil, and Looney Tunes madness to a tumultuous, breathtaking finale worthy of Hieronymus Bosch..
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It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York. The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living, her brother's uneasy adjustment to American society, and her own encounters with learning difficulties and school violence..
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