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"The Thirteen American Arguments is a thought-provoking, engaging study of the great American debate, and a highly worthwhile read."–RealClearPolitics.com

“Insightful and enjoyable . . . . In The Thirteen American Arguments, Howard Fineman lifts readers above the fog of modern politics . . . and offers a unique vantage point from which to see that the debates that shape American politics are timeless and profound.” --The Washingtonian

Howard Fineman is one of our best-known and most trusted political journalists. Mixing vivid scenes and figures from the campaign trail with forays into four hundred years of American history, Fineman shows that every debate, from our nation’s founding to the present day, is rooted in one of thirteen arguments that–thankfully–defy resolution. It is the very process of never-ending argument, Fineman explains, that defines us, inspires us, and keeps us free. At a time when most public disagreement seems shrill and meaningless, Fineman makes a cogent case for nurturing the real American dialogue.

Shouting is not arguing, Fineman notes, but often hot-button topics, media “cross-fires,” and blogs reflect the deepest currents in American life. In an enlightening book that cuts through the din and makes sense of the headlines, Fineman captures the essential issues that have always compelled healthy and heated debate–and must continue to do so in order for us to prosper in the twenty-first century. The Thirteen American Arguments run the gamut, from issues of individual identity to our country’s role in the world, including:

• Who is a Person? The Declaration of Independence says “everyone,” but it took a Civil War and the Civil Rights and other movements to make that a reality. Presently, what about human embryos and “unlawful enemy combatants?”
• Who is an American? Only a nation of immigrants could argue so much about who should become one. There is currently added urgency when terrorists are at large in the world and twelve million “undocumented” aliens are in the country.
• The Role of Faith. No country is more legally secular yet more avowedly prayerful. From Thomas Jefferson to Terri Schiavo, we can never quite decide where God fits in government.
• Presidential Power. In a democracy, leadership is all the more difficult — and, paradoxically, all the more essential. From George Washington to George W. Bush, we have always asked: How much power should a president have?
• America in the World. Uniquely, we perpetually ask ourselves whether we have a moral obligation to change the world — or, alternatively, whether we must try to change it to survive in it.

Whether it’s the environment, international trade, interpreting law, Congress vs. the president, or reformers vs. elites, these are the issues that galvanized the Founding Fathers and should still inspire our leaders, thinkers, and citizens. If we cease to argue about these things, we cease to be. “Argument is strength, not weakness,” says Fineman. “As long as we argue, there is hope, and as long as there is hope, we will argue.”

Praise for The Thirteen American Arguments
“A spectacular feat, a profound book about America that moves with ease from history to recent events. A talented storyteller, Howard Fineman provides a human face to each of the core political arguments that have alternately separated, strengthened, and sustained us from our founding to the present day.”
–Doris Kearns Goodwin, author of Team of Rivals

“With a marvelous command of the past and a keen grasp of the present, Howard Fineman expertly details one of the great truths about our country: that we are a nation built on arguments, and our capacity to summon what Lincoln called ‘the better angels of our nature’ lies in undertaking those debates with civility and mutual respect. Few people understand politics as well as Fineman does, and this work is an indispensable guide not only to the battles of the moment, but to the wars that will go on long after this news cycle is long forgotten.”
–Jon Meacham, author of Franklin and Winston

“In an impressively thought-provoking original approach, Fineman revisits the great defining arguments that will deepen your understanding of America.”
–Newt Gingrich, author of Real Change: From the World That Fails to the World That Works

“Howard Fineman proves that few things are as compelling as a well-argued debate. This book offers a thought-provoking way to look at America, its history, and our evolving public discourse.”
–Arianna Huffington, author of Right Is Wrong

“A perfect antidote to the old horse-race political journalism–a timely (and timeless) reminder of what’s really at stake in the race for the presidency.”
–Jeffrey Toobin, author of The Nine: Inside the Secret World of the Supreme Court

“Howard Fineman guides the reader through the controversies that have haunted this nation since its inception. In the process he creates a fresh context for making sense of the 2008 campaign. Both scholars and students of politics can learn much from this book.”
–Kathleen Hall Jamieson, co-author of unSpun: Finding Facts in a World of Disinformation

“A stimulating book that should be read by anyone who cares about the idea and arguments that made this country great, and which are critical to our future direction.”
–David Boies, author of Courting Justice

"America is “The Arguing Country, born in, and born to, debate,” claims veteran journalist Fineman in this
brisk look at 13 debates that have driven (and riven) the nation from its inception, and continue to do so
today. Arising from fundamental questions like “Who is a person?” or “What can we know and say?” or
“What does it mean to pursue a more perfect union?” these 13 debates are perennial, undergirding each of
the nation’s political controversies, and they are constitutive, defining nothing less than America’s national identity. If American political discourse frequently runs hot, it is because Americans are as passionate
about these fundamental questions as they are different in their answers. Knowing that Fineman is an
occasional guest on MSNBC’s Hardball, it is perhaps tempting to read this book as a particularly eloquent
and historically informed apologia for the fiery point-counterpoint duels often seen on cable news
channels. Yet Fineman openly acknowledges that the media sometimes hinders open debate, and it would
be more accurate to describe Fineman’s work as itself an argument, urging perspective and optimism amid today’s overheated debates."–Booklist.
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Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them with an uneasy combination of shame, happiness, and endless self-reproach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only the wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye..
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If you’ve traveled the nation’s highways, flown into New York’s LaGuardia Airport, strolled San Antonio’s River Walk, or seen the Pacific Ocean from the Beach Chalet in San Francisco, you have experienced some part of the legacy of the Works Progress Administration (WPA)—one of the enduring cornerstones of Franklin D. Roosevelt’s New Deal.

When President Roosevelt took the oath of office in March 1933, he was facing a devastated nation. Four years into the Great Depression, a staggering 13 million American workers were jobless and many millions more of their family members were equally in need. Desperation ruled the land.

What people wanted were jobs, not handouts: the pride of earning a paycheck; and in 1935, after a variety of temporary relief measures, a permanent nationwide jobs program was created. This was the Works Progress Administration, and it would forever change the physical landscape and the social policies of the United States.

The WPA lasted for eight years, spent $11 billion, employed 8½ million men and women, and gave the country not only a renewed spirit but a fresh face. Under its colorful head, Harry Hopkins, the agency’s remarkable accomplishment was to combine the urgency of putting people back to work with its vision of physically rebuilding America. Its workers laid roads, erected dams, bridges, tunnels, and airports. They stocked rivers, made toys, sewed clothes, served millions of hot school lunches. When disasters struck, they were there by the thousands to rescue the stranded. And all across the country the WPA’s arts programs performed concerts, staged plays, painted murals, delighted children with circuses, created invaluable guidebooks. Even today, more than sixty years after the WPA ceased to exist, there is almost no area in America that does not bear some visible mark of its presence.

Politically controversial, the WPA was staffed by passionate believers and hated by conservatives; its critics called its projects make-work and wags said it stood for We Piddle Around. The contrary was true. We have only to look about us today to discover its lasting presence..
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David Breashears has climbed Mt. Everest four times. For this, he is known as a world-class mountaineer. A lengthy career in documentary filmmaking--including the Imax film, Everest--has earned him wide acclaim and four Emmy awards. For this, he is known as one of the elite cinematographers in his field. But his new autobiography, High Exposure: An Enduring Passion for Everest and Other High Places, proves he is more than a climber and a filmmaker; he is also an able writer.

Breashears has no lack of good material. We follow him through the stunning backdrops of Yosemite, Europe, Nepal, and Tibet, brushing up against triumphs and tragedies along the way. And while the nuts and bolts of his adventures are entertainment enough, his knack for building suspense and employing understated drama makes his autobiography read like a novel: "The morning was sunny and calm, and Rob looked as though he'd lain down on his side and fallen asleep. Around him the undisturbed snow sparkled in the sun. I stared at his bare left hand ... I wondered what a mountaineer with Rob's experience was doing without a glove."

Breashears also likes to remind his audience of humble beginnings surmounted: his early climbing days when he was known as "the kid," and a winter he spent sleeping under a sheet of plywood during the Wyoming oil boom when he was called "the worm." But mostly he documents his filmmaking career and climbing passion, both of which he approaches with an obsessive fervor. Readers interested in either pursuit will find High Exposure a fascinating traverse across the spine of the world. --Ben Tiffany.
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If the Buddha Married is filled with the same highly practical, spiritually sound guidance that so clearly touched a chord with readers of If the Buddha Dated. Charlotte Kasl, Ph.D., is renowned for her ability to speak with depth, wisdom, and humor on important matters of the heart.

In this new book, Kasl inspires us to create fulfilling and vibrant relationships through a commitment to awareness and truth. Combining key teachings of Buddhism with elements of psychology, If the Buddha Married becomes a wise and trusted guide through the joys and thickets of relationships that last and grow..
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More than any other work, The Political Economy of Media demonstrates the incompatibility of the corporate media system with a viable democratic public sphere, and the corrupt policymaking process that brings the system into existence. Among the most acclaimed communication scholars in the world, Robert W. McChesney has brought together all the major themes of his two decades of research. Rich in detail, evidence, and thoughtful arguments, The Political Economy of Media provides a comprehensive critique of the degradation of journalism, the hyper-commercialization of culture, the Internet, and the emergence of the contemporary media reform movement. The Political Economy of Media is mandatory reading for anyone wishing to understand and change media, and the political economy, in the world today..
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