Books about Fairies from Amazon.com

“Fascists,” “Brownshirts,” “jackbooted stormtroopers”—such are the insults typically hurled at conservatives by their liberal opponents. Calling someone a fascist is the fastest way to shut them up, defining their views as beyond the political pale. But who are the real fascists in our midst?

Liberal Fascism offers a startling new perspective on the theories and practices that define fascist politics. Replacing conveniently manufactured myths with surprising and enlightening research, Jonah Goldberg reminds us that the original fascists were really on the left, and that liberals from Woodrow Wilson to FDR to Hillary Clinton have advocated policies and principles remarkably similar to those of Hitler's National Socialism and Mussolini's Fascism.

Contrary to what most people think, the Nazis were ardent socialists (hence the term “National socialism”). They believed in free health care and guaranteed jobs. They confiscated inherited wealth and spent vast sums on public education. They purged the church from public policy, promoted a new form of pagan spirituality, and inserted the authority of the state into every nook and cranny of daily life. The Nazis declared war on smoking, supported abortion, euthanasia, and gun control. They loathed the free market, provided generous pensions for the elderly, and maintained a strict racial quota system in their universities—where campus speech codes were all the rage. The Nazis led the world in organic farming and alternative medicine. Hitler was a strict vegetarian, and Himmler was an animal rights activist.

Do these striking parallels mean that today’s liberals are genocidal maniacs, intent on conquering the world and imposing a new racial order? Not at all. Yet it is hard to deny that modern progressivism and classical fascism shared the same intellectual roots. We often forget, for example, that Mussolini and Hitler had many admirers in the United States. W.E.B. Du Bois was inspired by Hitler's Germany, and Irving Berlin praised Mussolini in song. Many fascist tenets were espoused by American progressives like John Dewey and Woodrow Wilson, and FDR incorporated fascist policies in the New Deal.

Fascism was an international movement that appeared in different forms in different countries, depending on the vagaries of national culture and temperament. In Germany, fascism appeared as genocidal racist nationalism. In America, it took a “friendlier,” more liberal form. The modern heirs of this “friendly fascist” tradition include the New York Times, the Democratic Party, the Ivy League professoriate, and the liberals of Hollywood. The quintessential Liberal Fascist isn't an SS storm trooper; it is a female grade school teacher with an education degree from Brown or Swarthmore.

These assertions may sound strange to modern ears, but that is because we have forgotten what fascism is. In this angry, funny, smart, contentious book, Jonah Goldberg turns our preconceptions inside out and shows us the true meaning of Liberal Fascism.

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This 10th volume in the best-selling, award-winning series collects the epochal "Good Prince" storyline

Flycatcher, a background player in the FABLES series, is drawn into the spotlight as he discovers the startling truth about his own past as the Frog Prince. At the same time, he learns that the Adversary -- Gepetto, the manipulative Fable who forced the Fables community into exile -- plans to destoy his foes once and for all. Only Flycatcher and his army of ghosts has a chance of stopping the Adversary from wiping out his home. But how can the meek Flycatcher undertake this deadly task?.
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Get ready for a world of adventure with the first four titles in the beloved Magic Tree House series!

Jack and his little sister Annie are just two regular kids from Frog Creek, Pennsylvania Then they discover a mysterious tree house packed with all sorts of books...and their lives are never the same! Soon they are traveling through time and space in the magic tree house and having amazing adventures. Whether it's watching baby dinosaurs hatch, finding a secret passage in a castle, helping a ghost queen in an Egyptian pyramid, or finding pirate treasure readers won't want to miss a single story!.
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When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?

Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to be the infamous Wicked Witch of the West, a smart, prickly and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.

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It all started with a mysterious letter left at a tiny bookstore for authors Tony DiTerlizzi and Holly Black. Its closing lines: "We just want people to know about this. The stuff that has happened to us could happen to anyone." Little could they imagine the remarkable adventure that awaited them as they followed Jared, Simon, and Mallory Grace and a strange old book into a world filled with elves, goblins, dwarves, trolls, and a fantastical menagerie of other creatures. The oddest part is in entering that world, they didn't leave this one!

Five captivating books!

One thrilling adventure!

The Spiderwick Chronicles.
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Kate DiCamillo, author of the Newbery Honor book Because of Winn-Dixie, spins a tidy tale of mice and men where she explores the "powerful, wonderful, and ridiculous" nature of love, hope, and forgiveness Her old-fashioned, somewhat dark story, narrated "Dear Reader"-style, begins "within the walls of a castle, with the birth of a mouse." Despereaux Tilling, the new baby mouse, is different from all other mice. Sadly, the romantic, unmouselike spirit that leads the unusually tiny, large-eared mouse to the foot of the human king and the beautiful Princess Pea ultimately causes him to be banished by his own father to the foul, rat-filled dungeon.

The first book of four tells Despereaux's sad story, where he falls deeply in love with Princess Pea and meets his cruel fate. The second book introduces another creature who differs from his peers--Chiaroscuro, a rat who instead of loving the darkness of his home in the dungeon, loves the light so much he ends up in the castle& in the queen's soup. The third book describes young Miggery Sow, a girl who has been "clouted" so many times that she has cauliflower ears. Still, all the slow-witted, hard-of-hearing Mig dreams of is wearing the crown of Princess Pea. The fourth book returns to the dungeon-bound Despereaux and connects the lives of mouse, rat, girl, and princess in a dramatic denouement.

Children whose hopes and dreams burn secretly within their hearts will relate to this cast of outsiders who desire what is said to be out of their reach and dare to break "never-to-be-broken rules of conduct." Timothy Basil Ering's pencil illustrations are stunning, reflecting DiCamillo's extensive light and darkness imagery as well as the sweet, fragile nature of the tiny mouse hero who lives happily ever after. (Ages 9 and older) --Karin Snelson.
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For most Americans, the word NASA suggests a squeaky-clean image of technological infallibility.

Yet the truth is that NASA was born in a lie, and has concealed the truths about its occult origins Dark Mission documents this seemingly wild assertion.

Why is the Bush administration intent on returning to the moon as quickly as possible? What are the reasons for the current “space race” with China, Russia, even India? Remarkable images reproduced within this book provided to author Richard C. Hoagland by disaffected NASA employees provide clues why, including information about suppressed lunar discoveries.

Mystical organizations quietly dominate NASA, carrying out their own secret agendas behind the scenes. This is the story of men at the very fringes of rational thought and conventional wisdom, operating at the highest levels of our country. Their policies are far more aligned with ancient religions and secret mystery schools than the facade of rational science NASA has successfully promoted to the world for almost fifty years.

Dark Mission is proof of the secret history of the National Aeronautics and Space Administration and the astonishing, seminal discoveries it has repeatedly suppressed for decades.

Richard C. Hoagland is the former science advisor to CBS News, author of The Monuments of Mars, and a frequent guest on the popular radio programs Coast To Coast and The Art Bell Show.

Mike Bara is a consulting engineer for Boeing aircraft. This is his first book.

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In the third volume, the peril escalates as an unexplained darkness infects the creatures of Fablehaven .
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Spiderwick fans will adore this gorgeous guidebook to the fantastical creatures featured in Holly Black and Tony DiTerlizzi's spectacular series. The superdeluxe, lavishly illustrated "field guide" features 142 information-packed pages, 41 full-color plates, 6 spectacular gatefolds, 6 watercolor landscapes, scores of black-and-white and color sketches, and enough information to satisfy even the most demanding faerie enthusiast. Not only will readers learn all about the 14 fantastical creatures featured in the series, but they'll be delighted and astonished by an additional 15 creatures featured in this elaborate volume--including mermaids, gargoyles, and more. And if that weren't enough, we've included dozens of snippets from Arthur Spiderwick's personal journal--information that links the Guide specifically to the Spiderwick Chronicles--as well as cameos from a few of the series' favorite characters.

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Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:

I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.

The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus.
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