Books about Fearing from Amazon.com

Rarely has a book captured the attention of Christians of all ages as Jesus Freaks has with its stories of Christian martyrs. Jesus Freaks, Vol. II, features testimonies of revolutionaries who took a stand for Christ against the culture of their day, along with new stories of martyrs through the centuries. dc Talk again challenges readers to pray for the persecuted church around the world and openly stand for Jesus..
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Literature and film buffs will be delighted by this collection of pulp novels, most of which were made into important films. James M. Cain's The Postman Always Rings Twice is a literary masterpiece with its spare prose invoking a savage, sexy, desperate world. It inspired no less than three great movies: Luchino Visconti's classic Ossessione, in 1942; the 1946 remake, starring John Garfield and Lana Turner and directed by the extraordinary Tay Garnett; and Bob Rafelson's underrated 1981 version with Jack Nicholson and Jessica Lange. When you read the magnificent source for these movies, you'll be astonished at how three different incarnations could all, in their own ways, be faithful to the novel.

Cornell Woolrich's I Married a Dead Man also became three movies: No Man of Her Own, with Barbara Stanwyk; the French I Married a Shadow; and the American comedy, Mrs. Winterborne, which starred Shirley MacLaine and Ricki Lake. Edward Anderson's vivid Thieves Like Us was transformed into They Live by Night, Nicholas Ray's first important movie and one of the seminal noir films of the 1940s. It was brilliantly remade in 1974 by the great revisionist director Robert Altman. Kenneth Fearing's The Big Clock was transformed into a marvelous film starring Charles Laughton; 40 years later, the same source, retitled No Way Out, brought Kevin Costner to stardom. William Lindsay Gresham's Nightmare Alley was the source for Tyrone Power's best movie; Horace McCoy's experimental They Shoot Horses, Don't They? became one of the seminal films of the 1960s.

These dark, evocative novels, when taken together, are a fascinating study of how words can inspire a magnificent variety of cinematic images and styles. .
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George Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc. in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.

Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?

How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir..
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What Kind of Relationship Can You Have with Someone You Fear?

For most of us, fear is something we try to avoid. And fearing God hardly sounds like an occasion for joy. But Jerry Bridges shows how the fear of the Lord is actually the key that opens the door to a life of true knowledge, wisdom, blessing, and joy.

We all want a deeper, more intimate relationship with God–one that’s characterized by joy. But how does fearing God lead to joy? After all, aren’t we supposed to love Him and live in intimate relationship with Him? Jerry Bridges explores this paradox as he unpacks the biblical promise that God delights in those who fear Him. Join him as he unveils the awesome greatness of God–His incredible holiness, deep wisdom, and especially His inspiring love. You’ll gain a deeper understanding of who God is that will draw you into a truly biblical, and surprisingly delightful, fear of God–a fear that includes your own genuine, heartfelt delight in God.

You’ll make the startling discovery that the fear of the Lord, far from being something to avoid, is the key to joyful, fulfilling, and genuine intimacy with God. It can change your relationship with God and change your life! Discover the surprising Joy of Fearing God!.
Price: $8.46 [Notify me when price goes down.]

A significant challenge in occupational therapy practice today is to ensure that services are client-centered, focused on occupation, and supported by research evidence. Individuals in Context: A Practical Guide to Client-Centered Practice, edited by Virginia G. Fearing and Jo Clark, presents an integrated approach to practice.

The Occupational Performance Process Model, which is the focus of the text, is an easy-to-use seven-stage guide to client-centered, evidence-based practice. Practical applications and sample case studies assist the reader in applying this approach in everyday practice. The book addresses challenges to practice and provides a self-evaluation tool for clients and therapists to reflect on achievements and barriers to client-centered practice. It weaves theory into practice in a refreshing and understandable way.

This gem of a book is a collaborative effort by clients, clinicians, academics, and administrators, who present a practical approach to client-centered practice in language that is accessible to busy therapists and students. Individuals in Context is a response to clients, therapists, and student therapists who are seeking ways to think about the occupational therapy process. It provides students and therapists at any stage in their career with an opportunity to reflect on their personal practice to ensure that it focuses on client's needs, is based on sound theory, centered on occupation, and continually evaluates the outcome of therapy intervention.

Each chapter reflects the voices, values, and contexts of its authors, and this diversity has been intentionally preserved. It is a multifaceted choir supporting occupational therapy students and therapists in everyday practice.

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Price: $40.00 [Notify me when price goes down.]

Social phobia is commonly regarded as a kind of disease caused by a deficient inner mechanism, but it may also be considered as a purposeful interpersonal pattern of self-protection from social threats. Though a critical assessment of several theoretical perspectives, this book attempts to clarify social phobia by critically discussing four questions: what is social phobia, what causes it, what is its nature and what kinds of treatments can improve..
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Poet, journalist, and crime novelist, Kenneth Fearing (1902-61) wrote poems filled with the lingo of advertising and radio broadcasts and tabloid headlines, sidewalk political oratory, and the pop tunes on the jukebox. He evoked the jitters of the Depression and the war years in a voice alternately sardonic and melancholy, and depicted a fragmenting urban world bom-barded by restless desires and unnerving fears. But this portraitist of his era also foreshadowed much that was to come in American writing. This volume reveals him as a vernacular prophet of media culture and consumerism, and at the same time as a lyric poet of tremendous gifts..
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Back in Print After Fifty Years


Clark Gifford? A cipher. A disaffected, vaguely idealistic politician in a nameless media-driven modern state where representative politics has dwindled to the corrupt transaction of business as usual and a new foreign war is always breaking out. One night Gifford and his followers seize some radio stations and broadcast a call for freedom—a rebellion that is immediately put down by the government and whose motive will remain forever obscure. Even so, it leads to twenty years of war.

A paranoid tour de force of political noir, Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions and reminiscences of the politicians, generals, businessmen, journalists, waiters, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog.

“I have not developed the habit of reading thrillers, but I have read enough of them to know that from now on Mr. Fearing is my man.”–The New Yorker.
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