Books about Frampton from Amazon.com

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture..
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The second edition of Putting Patients First showcases what Planetree facilities and the Planetree organization have learned about the commitments, conditions, practices, and policies that are needed to do more than give lip service to being--patient-centered.--It should be read by every student, nurse, physician, administrator, trustee, policy maker, and lay person who is committed to creating healing environments, holding facilities accountable for their rhetoric, and truly reforming health care..
Price: $37.65 [Notify me when price goes down.]

Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde." Studies in Tectonic Culture is a copublication of the Graham Foundation for Advanced Studies and The MIT Press..
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A compelling manifesto using ten buildings to illustrate how environmental responsibility promises to reinvigorate contemporary architecture.

Contemporary buildings, like contemporary forms of urban development, are major contributors to the environmental crisis. In this book documenting a major traveling exhibition organized by the Architectural League, curator and critic Peter Buchanan uses ten buildings that combine environmental responsibility and design excellence to argue that sustainability is not just good for the planet, but offers architects new opportunities for creativity and innovation. He shows that there is no single route to sustainability and no such thing as a green aesthetic. Rather, through a range of building types, he demonstrates that increased awareness of a building's setting combined with advances in technology create unlimited opportunities for responsive design. Generously illustrated with four-color photographs and plans, the book includes work by an international roster of architects, including Norman Foster, Neutelings Riedijk Architecten, Herzog + Partner, and Renzo Piano. 164 color photos and line drawings..
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"One of the most important works on modern architecture we have today."—Architectural Design

"A useful and wide-ranging work of superior architectural scholarship, this ambitious publication contains many chapters that stand on their own as perceptive essays; it is marked throughout by a consistently mature critical intelligence."—New York Review of Books

This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever. 420 illustrations..
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Compassionate and arresting, this exploration of three major diseases that have changed the course of history—the bubonic plague, smallpox, and AIDS—chronicles their fearsome death toll, their lasting social, economic, and political implications, and how medical knowledge and treatments have advanced as a result of the crises they have occasioned. "A book that would serve well for reports, but it is also a fascinating read."—SLJ.

Best Books of 1995 (SLJ)
Notable Children's Trade Books in Social Studies 1996 (NCSS/CBC)
1995 Young Adult Editors’ Choices (BL)
1995 Top of the List Non Fiction (BL)
1996 Best Books for Young Adults (ALA)
Notable Children’s Books of 1996 (ALA).
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The firm of Patkau Architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and detail as well as a focus on the sculpture that is inherent in architecture.

This comprehensive monograph includes cultural and institutional projects, such as the Canadian Clay and Glass Gallery, the National Library of Quebec in Montreal, and a major addition to the Winnipeg Centennial Library; schools, notably the Seabird Island School and the Strawberry Vale School; and a series of residences, including the Shaw house, with a dramatic elevated lap pool, and the inventive Petite Maison du Weekend (Small Weekend House), a prototype for a self-sufficient holiday house for two.

Kenneth Frampton is the Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation at Columbia University. Among his numerous influential books is Modern Architecture: A Critical History..
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Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists—including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel—investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s.

The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.

Artists: James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel.
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It's been our distinct pleasure over the past few years to publish monographs on a select group of young architects and firms whose work represents the best of contemporary design thinking while retaining a distinctive regional sensibility. The Nova-Scotian architect Brian MacKay-Lyons fits neatly into this distinguished list, which includes Marlon Blackwell in the Ozarks, Rick Joy in the Southwest, and Miller/Hull in the Northwest. Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with local materials, technologies, and building practices to create works that are linked to their environments right down to their DNA. Peaked gables, shed roofs, and sliding doors are inspired by local barn types; corrugated metal cladding comes from the buildings used by the area’s fishing industry; structural wooden frames are based on local ship-building traditions. These elements communicate a sense of place that is sophisticated, accessible, and free of sentimentality. Novelist and historian Malcolm Quantrill weaves together an intimate portrait of MacKay-Lyons and his work, elucidating the "peculiar regionality" of his subject's architecture.A New Voices monograph published with The Graham Foundation..
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