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The Bridge at the Edge of the World: Capitalism, the Environment, and Crossing from Crisis to Sustainability
How serious are the threats to our environment? Here is one measure of the problem: if we continue to do exactly what we are doing, with no growth in the human population or the world economy, the world in the latter part of this century will be unfit to live in. Of course human activities are not holding at current levels—they are accelerating, dramatically—and so, too, is the pace of climate disruption, biotic impoverishment, and toxification. In this book Gus Speth, author of Red Sky at Morning and a widely respected environmentalist, begins with the observation that the environmental community has grown in strength and sophistication, but the environment has continued to decline, to the point that we are now at the edge of catastrophe. Speth contends that this situation is a severe indictment of the economic and political system we call modern capitalism. Our vital task is now to change the operating instructions for today’s destructive world economy before it is too late. The book is about how to do that. .
Price: $17.37
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Madame Bovary: 150th Anniversary Edition (Signet Classics)
Set amid the stifling atmosphere of nineteenth-century bourgeois France, Madame Bovary is at once an unsparing depiction of a woman's gradual corruption and a savagely ironic study of human stupidity Provocative and deeply tragic, it is "possibly the most beautifully written book ever composed" (Frank O'Connor). Translated by Mildred Marmur With a New Introduction by Robin Morgan.
Price: $2.15
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Madame Bovary (Oxford World's Classics)
One of the acknowledged masterpieces of 19th century realism, Madame Bovary is revered by writers and readers around the world, a mandatory stop on any pilgrimage through modern literature. Flaubert's legendary style, his intense care over the selection of words and the shaping of sentences, his unmatched ability to convey a mental world through the careful selection of telling details, shine on every page of this marvelous work. Now the award-winning translator Margaret Mauldon has produced a modern translation of this classic novel, one that perfectly captures the tone that makes Flaubert's style so distinct and admired. Madame Bovary scandalized its readers when it was first published in 1857. And the story itself remains as fresh today as when it was first written, a work that remains unsurpassed in its unveiling of character and society. It tells the tragic story of the romantic but empty-headed Emma Rouault. When Emma marries Charles Bovary, she imagines she will pass into the life of luxury and passion that she reads about in sentimental novels and women's magazines. But Charles is an ordinary country doctor, and provincial life is very different from the romantic excitement for which she yearns. In her quest to realize her dreams she takes a lover, Rodolphe, and begins a devastating spiral into deceit and despair. And Flaubert captures every step of this catastrophe with sharp-eyed detail and a wonderfully subtle understanding of human emotions. Malcolm Bowie, a leading authority on French literature, explores Flaubert's genius in his masterly introduction to this must-have book for all lovers of great literature..
Price: $4.23
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Madame Bovary (Penguin Classics)
For this novel of French bourgeois life in all its inglorious banality, Flaubert invented a paradoxically original and wholly modern style. His heroine, Emma Bovary, a bored provincial housewife, abandons her husband to pursue the libertine Rodolphe in a desperate love affair. A succès de scandale in its day, Madame Bovary remains a powerful and arousing novel. Translated with an Introduction by Geoffrey Wall New Preface by Michèle Roberts.
Price: $5.00
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The Crowd
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Inferno (Modern Library Classics)
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Madame Bovary (Norton Critical Editions)
The text of this Norton Critical Edition is based on Eleanor Marx Aveling's celebrated translation, revised by Paul de Man. Margaret Cohen's careful editorial revision modernizes and renews Flaubert's stylistic masterpiece. In addition, Cohen has added to the Second Edition a new introduction, substantially new annotations, and twenty-one striking images, including photographs and engravings, that inform students' understanding of middle-class life in nineteenth-century provincial France. In Madame Bovary, Flaubert created a cogent counterdiscourse that exposed and resisted the dominant intellectual and social ideologies of his age. The novel's subversion of conventional moral norms inevitably created controversy and eventually led to Flaubert's prosecution by the French government on charges of offending "public and religious morality." This Norton edition is the only one available that includes the complete manuscript from Flaubert's 1857 trial. "Criticism" includes sixteen studies regarding the novel's central themes, twelve of them new to the Second Edition, including essays by Charles Baudelaire, Henry James, Roland Barthes, Jonathan Culler, and Naomi Schor. A Chronology and Selected Bibliography are also included. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide..
Price: $10.00
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Gustave Courbet
Nowadays it is difficult to conceive of the impact that Gustave Courbet's paintings made on French art of the mid-nineteenth century. At once casting himself as revolutionary, bohemian and peasant, Courbet (1819-1877) overturned a deeply-entrenched tradition of academic painting in France, and, eschewing the Romanticism of Delacroix and the NeoClassicism of Ingres, coined instead an idiom he named "Realism." Realism was not pretty, classically proportioned, or literary; rather, it confronted the conditions of rural working life, then an unimaginable subject for art. The first masterpiece of this new style was "Burial at Ornans" (1849-1850), a colossal anti-epic that depicted an ordinary funeral in Courbet's home town. The contrast between the work's scale and its subject matter was pronounced, and its murky earth tones struck critics as willfully ugly--a defining reaction that would recur throughout Modernism, particularly in the reception of early works by Manet and Picasso. Courbet's palette emphasized mass and body politically--that is, in a manner that affirmed the world itself rather than the transcendence of it. His equally famous "The Origin of the World" of 1866, which presented the female genitalia close-up, made this stance explicit. The conceptual beginnings of the "painting of modern life" are as much in Courbet's "Realism" as in Charles Baudelaire's famous essay of the same name. In this new assessment, published on the occasion of the major 2008 traveling exhibition, renowned experts shed light on the development of Courbet's realistic, critical style and trace his influence on his contemporaries and subsequent generations, as well as his relationship to early photography. At 480 pages, this monumental volume provides a long-overdue reckoning of this great artist's work..
Price: $53.55
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