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Laughter of Dead Kings (Vicky Bliss, No. 6)
For the first time in more than a decade, New York Times bestselling Grand Master Elizabeth Peters brings beautiful, brainy Vicky Bliss back into the spotlight for one last investigation But this time the peerless art historian and sleuth will be detecting in Amelia Peabody territory, searching for solutions to more than one heinous offense in the ever-shifting sands of Egypt's mysterious Valley of the Kings. Who stole one of Egypt's most priceless treasures? That is the question that haunts the authorities after a distinguished British gentleman with an upper-crust accent cons his way past a security guard and escapes into the desert carrying a world-famous, one-of-a-kind historic relic. But the Egyptian authorities and Interpol believe they know the identity of the culprit. The brazen crime bears all the earmarks of the work of one “Sir John Smythe,” the suave and dangerously charming international art thief who is, in fact, John Tregarth, the longtime significant other of Vicky Bliss. But John swears he is retired—not to mention innocent—and he vows to clear his name by hunting down the true criminal. Vicky's faith in her man's integrity leaves her no choice but to take a hiatus from her position at a leading Munich museum and set out for the Middle East. Vicky's employer, the eminent Herr Doktor Anton Z. Schmidt, rotund gourmand and insatiable adventurer, decides to join the entourage. But dark days and myriad dangers await them in this land of intriguing antiquity. Each uncovered clue seems to raise even more questions for the intrepid Vicky—the most troubling being, Where is John going during his increasingly frequent and unexplained absences? And the stakes are elevated considerably when a ransom note arrives accompanied by a grisly memento intended to speed up negotiations—because now it appears that murder most foul has been added to the equation. .
Price: $12.69
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A People's History of American Empire
Since its landmark publication in 1980, A People’s History of the United States has had six new editions, sold more than 1.7 million copies, become required classroom reading throughout the country, and been turned into an acclaimed play. More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up. Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians. Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form. .
Price: $9.65
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The Power of Myth
Among his many gifts, Joseph Campbell's most impressive was the unique ability to take a contemporary situation, such as the murder and funeral of President John F. Kennedy, and help us understand its impact in the context of ancient mythology. Herein lies the power of The Power of Myth, showing how humans are apt to create and live out the themes of mythology. Based on a six-part PBS television series hosted by Bill Moyers, this classic is especially compelling because of its engaging question-and-answer format, creating an easy, conversational approach to complicated and esoteric topics. For example, when discussing the mythology of heroes, Campbell and Moyers smoothly segue from the Sumerian sky goddess Inanna to Star Wars' mercenary-turned-hero, Han Solo. Most impressive is Campbell's encyclopedic knowledge of myths, demonstrated in his ability to recall the details and archetypes of almost any story, from any point and history, and translate it into a lesson for spiritual living in the here and now. --Gail Hudson.
Price: $8.42
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The Historian
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also. As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union. Although the book is appropriately suspenseful and a delight to read--even the minor characters are distinctive and vividly seen--its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words. --Regina Marler.
Price: $6.24
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Angle of Repose (Penguin Twentieth-Century Classics)
Wallace Stegner's Pulitzer Prize-winning novel is a story of discovery--personal, historical, and geographical Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family. Like other great quests in literature, Lyman Ward's investigation leads him deep into the dark shadows of his own life. The result is a deeply moving novel that, through the prism of one family, illuminates the American present against the fascinating background of its past..
Price: $8.20
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Possession: A Romance
"Literary critics make natural detectives," says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters, and dusty journals Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser-known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long-forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion. Winner of the 1990 Booker Prize--the U.K.'s highest literary award--Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. --Lisa Whipple.
Price: $2.70
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The Landscape of History: How Historians Map the Past
What is history and why should we study it? Is there such a thing as historical truth? Is history a science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and other questions in this short, witty, and humane book. The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today. Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain. Like cartographers mapping landscapes, historians represent what they can never replicate. In doing so, they combine the techniques of artists, geologists, paleontologists, and evolutionary biologists. Their approaches parallel, in intriguing ways, the new sciences of chaos, complexity, and criticality. They don't much resemble what happens in the social sciences, where the pursuit of independent variables functioning with static systems seems increasingly divorced from the world as we know it. So who's really being scientific and who isn't? This question too is one Gaddis explores, in ways that are certain to spark interdisciplinary controversy. Written in the tradition of Marc Bloch and E.H. Carr, The Landscape of History is at once an engaging introduction to the historical method for beginners, a powerful reaffirmation of it for practitioners, a startling challenge to social scientists, and an effective skewering of post-modernist claims that we can't know anything at all about the past. It will be essential reading for anyone who reads, writes, teaches, or cares about history..
Price: $9.56
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Night Train to Memphis
An assistant curator of Munich's National Museum, Vicky Bliss is no expert on Egypt, but she does have a Ph.D. in solving crimes. So when an intelligence agency offers her a luxury Nile cruise if she'll help solve a murder and stop a heist of Egyptian antiquities, all 5'11" of her takes the plunge. Vicky suspects the authorities really want her to lead them to her missing lover, the art thief and master of disguises she knows only as "Sir John Smythe." And right in the shadow of the Sphinx she spots him. . . with his new flame. Vicky is so furious at this romantic stab-in-the-back, not to mention the sudden arrival of her meddling boss, Herr Dr. Schmidt, that she may overlook a danger as old as the pharaohs and as unchanging. . . a criminal who hides behind a mask of charm while moving in for the kill..
Price: $4.04
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