Books about Horwitz from Amazon.com

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Pulitzer Prize-winning journalist Tony Horwitz returned from years of traipsing through war zones as a foreign correspondent only to find that his childhood obsession with the Civil War had caught up with him. Near his house in Virginia, he happened to encounter people who reenact the Civil War--men who dress up in period costumes and live as Johnny Rebs and Billy Yanks. Intrigued, he wound up having some odd adventures with the "hardcores," the fellows who try to immerse themselves in the war, hoping to get what they lovingly term a "period rush." Horwitz spent two years reporting on why Americans are still so obsessed with the war, and the ways in which it resonates today. In the course of his work, he made a sobering side trip to cover a murder that was provoked by the display of the Confederate flag, and he spoke to a number of people seeking to honor their ancestors who fought for the Confederacy. Horwitz has a flair for odd details that spark insights, and Confederates in the Attic is a thoughtful and entertaining book that does much to explain America's continuing obsession with the Civil War..
Price: $7.94 [Notify me when price goes down.]

Captain James Cook's three epic 18th-century explorations of the Pacific Ocean were the last of their kind, literally completing the map of the world. Yet despite his monumental discoveries, principally in the South Pacific, Cook the man has remained an enigma. In retracing key legs of the circumnavigator's journey, Pulitzer Prize-winning journalist Tony Horwitz chronicles the cultural and environmental havoc wrought by the captain's opening of the unspoiled Pacific to the West, as well as the alternately indifferent and passionate reactions Cook's name evokes during the writer's journeys through Polynesia, Australia, the Aleutians, and the explorer's native England. Horwitz skillfully weaves a biography and travel narrative with warm humor that is natural and human-scale, and his restless inquisitiveness quickly infects the reader. While striking dichotomies abound throughout that journey--Maori toughs who adopt Nazi imagery to symbolize their own fight against white domination, millennia-old Polynesian sexual mores that would shame the Reeperbahn, a sense that Christianity decimated native cultures at least as effectively as Western venereal diseases did--few are more poignant than the ones that abound in Cook's own life. This fine work is an adventurous reminder that answers to historical riddles are elusive at best--and seldom as compelling as the myriad new questions they pose. --Jerry McCulley.
Price: $2.50 [Notify me when price goes down.]

Depression has become the single most commonly treated mental disorder, amid claims that one out of ten Americans suffer from this disorder every year and 25% succumb at some point in their lives. Warnings that depressive disorder is a leading cause of worldwide disability have been accompanied by a massive upsurge in the consumption of antidepressant medication, widespread screening for depression in clinics and schools, and a push to diagnose depression early, on the basis of just a few symptoms, in order to prevent more severe conditions from developing.
In The Loss of Sadness, Allan V. Horwitz and Jerome C. Wakefield argue that, while depressive disorder certainly exists and can be a devastating condition warranting medical attention, the apparent epidemic in fact reflects the way the psychiatric profession has understood and reclassified normal human sadness as largely an abnormal experience. With the 1980 publication of the landmark third edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-III), mental health professionals began diagnosing depression based on symptoms--such as depressed mood, loss of appetite, and fatigue--that lasted for at least two weeks. This system is fundamentally flawed, the authors maintain, because it fails to take into account the context in which the symptoms occur. They stress the importance of distinguishing between abnormal reactions due to internal dysfunction and normal sadness brought on by external circumstances. Under the current DSM classification system, however, this distinction is impossible to make, so the expected emotional distress caused by upsetting events-for example, the loss of a job or the end of a relationship- could lead to a mistaken diagnosis of depressive disorder. Indeed, it is this very mistake that lies at the root of the presumed epidemic of major depression in our midst.
In telling the story behind this phenomenon, the authors draw on the 2,500-year history of writing about depression, including studies in both the medical and social sciences, to demonstrate why the DSM's diagnosis is so flawed. They also explore why it has achieved almost unshakable currency despite its limitations. Framed within an evolutionary account of human health and disease, The Loss of Sadness presents a fascinating dissection of depression as both a normal and disordered human emotion and a sweeping critique of current psychiatric diagnostic practices. The result is a potent challenge to the diagnostic revolution that began almost thirty years ago in psychiatry and a provocative analysis of one of the most significant mental health issues today..
Price: $19.34 [Notify me when price goes down.]

Under the Third Reich, Nazi Germany undertook an unprecedented effort to refashion the city of ŁÃƒÂ³dź. Home to prewar Poland’s second most populous Jewish community, this was to become a German city of enchantment—a modern, clean, and orderly showcase of urban planning and the arts. Central to the undertaking, however, was a crime of unparalleled dimension: the ghettoization, exploitation, and ultimate annihilation of the city’s entire Jewish population.

Ghettostadt is the terrifying examination of the Jewish ghetto’s place in the Nazi worldview. Exploring ghetto life in its broadest context, it deftly maneuvers between the perspectives and actions of ŁÃƒÂ³dź’s beleaguered Jewish community, the Germans who oversaw and administered the ghetto’s affairs, and the “ordinary” inhabitants of the once Polish city. Gordon Horwitz reveals patterns of exchange, interactions, and interdependence within the city that are stunning in their extent and intimacy. He shows how the Nazis, exercising unbounded force and deception, exploited Jewish institutional traditions, social divisions, faith in rationality, and hope for survival to achieve their wider goal of Jewish elimination from the city and the world. With unusual narrative force, the work brings to light the crushing moral dilemmas facing one of the most significant Jewish communities of Nazi-occupied Eastern Europe, while simultaneously exploring the ideological underpinnings and cultural, economic, and social realities within which the Holocaust took shape and flourished.

This lucid, powerful, and harrowing account of the daily life of the “new” German city, both within and beyond the ghetto of ŁÃƒÂ³dź, is an extraordinary revelation of the making of the Holocaust.

(20080310).
Price: $14.35 [Notify me when price goes down.]

After a year working an office job in Sydney, author and Pulitzer Prize-winning newspaperman Tony Horwitz finds himself longing for the open road. Spurred on by a colleague's "Aren't you a little too old for this game?" he sets off on a 7,000-mile adventure around Australia, hitchhiking to Alice Springs and beyond: through desolate mining towns, sheep stations, countless bush pubs (do not attempt to match his beer intake), and the forbidding, Martianesque emptinesses of Australian deserts. On the way he encounters hostile, friendly, and downright strange natives; jumps a train; survives a harrowing accident; and uses his relentless sense of humor to face down a cyclone:

I prop my pack against the fence as a windbreak. Huddled behind it, I pull on two pairs of pants, three shirts, four pairs of socks--my entire wardrobe in fact, except for the dung-covered shirt and five pairs of elastic-waisted underwear. No room for dignity here, at the center of a cyclone. I put the jockey shorts over my head, one pair at a time, fitting the fly over my nose to let a little oxygen in.

A wily melange of tenderness, eye-popping lunacy, and occasional white-knuckled fear, One for the Road will leave you yearning to have the never-ending-blue Oz sky above, the flavor of that red, red dust in your mouth, and a tinnie to wash it all down with. --Jhana Bach.
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What happens when it's bimulous and the sky is like lace? Strange and splendid things! Otters sing, trees dance, and the grass is like gooseberry jam. There's a special party that anyone can attend. Anyone, that is, who knows the rules and isn't afraid of plum-purple shadows, can cook spaghetti and would like to teach a new song to the otters.

Back by popular demand, this whimsical picture book illustrated by Caldecott Medal-winner Barbara Cooney's lush watercolors is as resonant today as when it was first published almost thirty years ago..
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