Books about Inventing from Amazon.com

"A tour de force."—Gordon S. Wood, New York Times Book Review

How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals far and wide. Hunt also shows the continued relevance of human rights in today's world..
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Every time Inventing the Truth appears in a new edition, editor William Zinsser can't help but add to it. The first edition (1987) evolved from a series of New York Public Library talks, for which the mandate was not to lecture about the genre of the memoir but to explain how a specific memoir came to be written. In the book's 1995 edition, Russell Baker, Annie Dillard, Alfred Kazin, and Toni Morrison were joined by Jill Ker Conway, Eileen Simpson, Henry Louis Gates Jr., and Ian Frazier. This time around, Zinsser has added a rich and charming reminiscence by Frank McCourt (Angela's Ashes).

The authors do stick to their assignment: Russell Baker credits his huge family with helping him "learn a lot about humanity from close-up observation"; Jill Ker Conway talks about her desire to write a female memoir that was not a romantic happily-ever-after; and Henry Louis Gates Jr. discusses "want[ing] to write a book that imitated the specialness of black culture when no white people are around." But there is also plenty of advice for writers here, and some general thoughts about the genre. Conway addresses the difficulty of "going back as a historian" and trying to understand "all the things you took as a given when you were a child." Gates warns us to "be prepared for the revelation of things you don't even dream are going to come up." And Annie Dillard contemplates the strangeness of spending "more time writing about [a scene or an event] than you did living it." --Jane Steinberg.
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From Edison to the iPod, from the Warner Brothers to George Lucas, the story of how the movies became America's favorite form of escapist entertainment - and retained their hold on our imaginations for more than a century - is a story of innovators prevailing again and again over skeptics who prefer to preserve the status quo. Inventing the Movies unspools the never-before-told story of the innovators who shaped Hollywood: how a chance meeting at the Saratoga Race Track led to the end of black-and-white movies ... how Bing Crosby brought you the VCR ... how Walt Disney tamed television ... how a shotgun blast signaled the end of hand-made models and the beginning of digital special effects ... and how even the almighty Morgan Freeman had trouble persuading theater-owners that the Internet wasn't their mortal enemy. Inventing the Movies is an important read not just for fans of Hollywood's history, but for innovators trying to make change happen in any industry..
Price: $15.95 [Notify me when price goes down.]

"The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is clear and concise. It does a bit more telling than showing, but this seems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the full texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller.
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Architecture, at least since the beginning of the twentieth century, has suspended historical references in favor of universalized abstraction. In the decades after the Second World War, when architectural historians began to assess the legacy of the avant-gardes in order to construct a coherent narrative of modernism's development, they were inevitably influenced by contemporary concerns. In Histories of the Immediate Present, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context.

Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti. Vidler's investigation demonstrates the inevitable collusion between history and design that pervades all modern architectural discourse--and has given rise to some of the most interesting architectural experiments of the postwar period..
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Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will.

Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara.

From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today..
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Organized around common rhetorical situations that occur all around us, INVENTING ARGUMENTS, Second Edition, shows you that argument is a living process rather than a form to be modeled Through the text's prominent focus on invention, you will learn to recognize the rhetorical elements of any argumentative situation and apply the tools of argument effectively in your own writing. The basic layers of argument are introduced in early chapters, with material arranged into increasingly sophisticated topics beginning with the most obvious or explicit layers (claims) and moving to more implied or "hidden" layers (values, beliefs, ideology). By the time you finish Chapter 4, you will have a thorough understanding of argument--which you can then apply not just to the invention projects in chapters 6–11 but also to your writing for other college courses and beyond..
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The first generation of women to have tasted social, political, and economic empowerment-some thirty-seven million strong-has reached a new frontier that is unexpected and unexplored. Nearing their fifties and entering their sixties, they have fulfilled all the prescribed roles-daughter, wife, mother, employee; yet with longer life expectancy and better health they do not intend to retire from the world. They want to experience more. Inventing the Rest of Our Lives is an evocative and eye- opening road map across this uncharted terrain.

Suzanne Braun Levine, the first editor of Ms. magazine and a long-time journalist, has been reporting on the lives of women like herself throughout their tumultuous first adulthood. Here she draws on personal stories, cutting-edge science, up-to-date trend analysis, and her own struggles to show that Second Adulthood women are simply not the same people they were, only older; they are changing-both inside and out. The latest research she has uncovered proves it: Certain areas of their brains are undergoing a growth spurt very similar to that in adolescence, their sexual and emotional rhythms are readjusting along with their hormones, and their priorities are shifting dramatically.

From work to love, self-discovery to civic duty, health to economics, Inventing the Rest of Our Lives examines every aspect of their lives, offers solutions, and shares stories-sometimes touching, sometimes joyous-of women who have found insights and answers to the three crucial questions that each confronts: What matters? What works? WhatÂ’s next?

Inventing the Rest of Our Lives is a bold, honest, and sharp-witted guidebook, companion, and source of inspiration for every woman entering these uncharted waters..
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Useful tips and step-by-step guidance from filing to issue to license

Acquire and protect your share of this major business asset

Want to secure and exploit the intellectual property rights due you or your company? This easy-to-follow guide shows you how — helping you to evaluate your idea's commercial potential, conduct patent and trademark searches, document the invention process, license your IP rights, and comply with international laws. Plus, you get detailed examples of each patent application type!

• The entire body of U.S. patent laws

• Example office actions and amendments

• Sample forms

• Trademark registration certificates

• Application worksheets

• See the CD appendix for details and complete system requirements.

• Avoid application blunders

• Register trademarks and copyrights

• Meet patent requirements

• Navigate complex legal issues

• Protect your rights abroad

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