Books about Kenneth from Amazon.com

Change can be a blessing or a curse, depending on your perspective The message of Who Moved My Cheese? is that all can come to see it as a blessing, if they understand the nature of cheese and the role it plays in their lives. Who Moved My Cheese? is a parable that takes place in a maze. Four beings live in that maze: Sniff and Scurry are mice--nonanalytical and nonjudgmental, they just want cheese and are willing to do whatever it takes to get it. Hem and Haw are "littlepeople," mouse-size humans who have an entirely different relationship with cheese. It's not just sustenance to them; it's their self-image. Their lives and belief systems are built around the cheese they've found. Most of us reading the story will see the cheese as something related to our livelihoods--our jobs, our career paths, the industries we work in--although it can stand for anything, from health to relationships. The point of the story is that we have to be alert to changes in the cheese, and be prepared to go running off in search of new sources of cheese when the cheese we have runs out.

Dr. Johnson, coauthor of The One Minute Manager and many other books, presents this parable to business, church groups, schools, military organizations--anyplace where you find people who may fear or resist change. And although more analytical and skeptical readers may find the tale a little too simplistic, its beauty is that it sums up all natural history in just 94 pages: Things change. They always have changed and always will change. And while there's no single way to deal with change, the consequence of pretending change won't happen is always the same: The cheese runs out. --Lou Schuler.
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Comprehensive, relevant, and meticulously up-to-date, BUSINESS LAW, Eleventh Edition, combines in-depth coverage of business law in a unique student-friendly format. It delivers a classic blend of black letter law and cutting-edge coverage of contemporary issues and cases--making the law accessible, interesting, and relevant for readers. It provides an excellent assortment of cases, ranging from precedent-setting landmarks to the most recent decisions. Ethical, global, and e-commerce themes are integrated throughout the text, which also emphasizes critical-thinking skills. Numerous features and exercises ensure that students have a solid understanding of chapter concepts. In addition, the text's unmatched support materials include innovative online study tools that will help maximize efforts and improve results. It's no wonder that BUSINESS LAW, Eleventh Edition, is used by more colleges and universities than any other business law text..
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From the completely new, exceptional art program, to the complete integration of the text with technology, Saladin has formed a teaching solution that will both motivate and enable your students to understand and appreciate the wonders of anatomy and physiology. This distinctive text was developed to stand apart from all other A&P texts with unparalleled art, a writing style that has been acclaimed by both users and reviewers and clinical coverage that offers the perfect balance without being too much. Saladin’s well-accepted organization of topics is based upon the most logical physiological ties between body systems. The text requires no prior knowledge of college chemistry or cell biology, and is designed for a two-semester A&P college course..
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Take a New Look at Raven!

BIOLOGY is an authoritative majors textbook focusing on evolution as a unifying theme. In revising the text, McGraw-Hill consulted with numerous users, noted experts and professors in the field. Biology is distinguished from other texts by its strong emphasis on natural selection and the evolutionary process that explains biodiversity. The new 8th edition continues that tradition and advances into modern biology by featuring the latest in cutting edge content reflective of the rapid advances in biology. That same modern perspective was brought into the completely new art program offering readers a dynamic, realistic, and accurate, visual program.

To view a sample chapter, go to www.ravenbiology.com.
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Improving the Game

When it comes to teaching and learning physics, most pedagogical innovations were pioneered in Cutnell and Johnson's Physics--the number one algebra-based physics text for over a decade. With each new edition of Physics, Cutnell and Johnson have strived to improve the heart of the game--problem solving. Now in their new Seventh Edition, you can expect the same spirit of innovation that has made this text so successful.

Here's how the Seventh Edition continues to improve the game!

AMP Examples (Analyzing Multi-Concept Problems)

These unique new example problems show students how to combine different physics concepts algebraically to solve more difficult problems. AMP examples visually map-out why the different algebraic steps are needed and how to do the steps.

GO (Guided Online) Problems in WileyPLUS

These new multipart, online tutorial-style problems lead students through the key steps of solving the problems. Student responses to each problem step are recorded in the grade book, so the instructor can evaluate whether the student really has mastered the material.

WileyPLUS

WileyPLUS provides the technology needed to create an environment where students can reach their full potential and experience the exhilaration of academic success.

WileyPLUS gives students access to a complete online version of the text, study resources and problem-solving tutorials, and immediate feedback and context-sensitive help on assignments and quizzes.

WileyPLUS gives instructors homework management tools, lecture presentation resources, an online grade book, and more.

Visit www.wiley.com/college/wileyplus or contact your Wiley representative for more information on how to package WileyPLUS with this text..
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For more than twenty years, millions of managers in Fortune 500 companies and small businesses nationwide have followed The One Minute Manager's techniques, thus increasing their productivity, job satisfaction, and personal prosperity. These very real results were achieved through learning the management techniques that spell profitability for the organization and its employees.

The One Minute Manager is a concise, easily read story that reveals three very practical secrets: One Minute Goals, One Minute Praisings, and One Minute Reprimands.

The book also presents several studies in medicine and the behavioral sciences that clearly explain why these apparently simple methods work so well with so many people. By the book's end you will know how to apply them to your own situation and enjoy the benefits.

That's why The One Minute Manager has continued to appear on business bestseller lists for more than two decades, and has become an international sensation.

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Amazon Significant Seven, January 2008: It would be impossible to convey the wonder and the horror of Stephen King's latest novel in just a few words. Suffice it to say that Duma Key, the story of Edgar Freemantle and his recovery from the terrible nightmare-inducing accident that stole his arm and ended his marriage, is Stephen King's most brilliant novel to date (outside of the Dark Tower novels, in which case each is arguably his best work). Duma Key is as rich and rewarding as Rita Hayworth and the Shawshank Redemption (yes, thatShawshank Redemption), and as truly scary as anything King has written (and that's saying a lot). Readers who have "always wanted to try Stephen King" but never known where to start should try a few pages of Duma Key--the frankness with which Edgar reveals his desperate, sputtering rages and thoughts of suicide is King at the top of his game. And that's just the first thirty pages... --Daphne Durham

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Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce."

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you?

--Chuck Verrill

"Memory" Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That's what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten. Maybe, but that doesn't matter, either. That's what Kamen says. My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy success in that life, worked my way up like a motherf---er, and for me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her. I had an accident at a job site. That's what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm. I was supposed to lose my life, but I didn't. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn't happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She's remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he's a yank-off. My wife says she'll come around. Maybe sí, maybe no. That's what Kamen says. When I say I was confused, I mean that at first I didn't know who people were, or what had happened, or why I was in such awful pain. I can't remember the quality and pitch of that pain now. I know it was excruciating, but it's all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn't academic at the time. At the time it was more like climbing a mountain. Continue Reading "Memory"

Duma Key How to Draw a Picture Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can't remember. How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe. Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through. Still, imagine that small hand lifting the pencil... hesitating... and then marking the white. Imagine the courage of that first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know. My Other Life My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let's get through the Minnesota part. Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn't work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own. For me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her. Continue Reading Duma Key

More from Stephen King

Blaze

Lisey's Story

The Mist

Cell

The Dark Tower: The Gunslinger Born

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Into Thin Air is a riveting first-hand account of a catastrophic expedition up Mount Everest In March 1996, Outside magazine sent veteran journalist and seasoned climber Jon Krakauer on an expedition led by celebrated Everest guide Rob Hall. Despite the expertise of Hall and the other leaders, by the end of summit day eight people were dead. Krakauer's book is at once the story of the ill-fated adventure and an analysis of the factors leading up to its tragic end. Written within months of the events it chronicles, Into Thin Air clearly evokes the majestic Everest landscape. As the journey up the mountain progresses, Krakauer puts it in context by recalling the triumphs and perils of other Everest trips throughout history. The author's own anguish over what happened on the mountain is palpable as he leads readers to ponder timeless questions..
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Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?

In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.

The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.

Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber.
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