Books about Kosofsky from Amazon.com

Since the late 1980s, queer studies and theory have become vital to the intellectual and political life of the United States. This has been due, in no small degree, to the influence of Eve Kosofsky Sedgwick's critically acclaimed Epistemology of the Closet. Working from classic texts of European and American writers--including Melville, James, Nietzsche, Proust, and Wilde--Sedgwick analyzes a turn-of-the-century historical moment in which sexual orientation became as important a demarcation of personhood as gender had been for centuries. In her preface to this updated edition Sedgwick places the book both personally and historically, looking specifically at the horror of the first wave of the AIDS epidemic and its influence on the text..
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Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess..
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Eve Kosofsky Sedgwick is one of the most significant literary theorists of the last forty years and a key figure in contemporary queer theory. In this engaging and inspiring guide, Jason Edwards: introduces and explains key terms such as affects, the first person, homosocialities, and queer taxonomies, performativities and cusps; considers Sedgwick's poetry and textile art alongside her theoretical texts; encourages a personal as well as an academic response to Sedgwick's work, suggesting how life-changing it can be; and offers detailed suggestions for further reading. Written in an accessible and direct style, Edwards indicates the impact that Sedgwick's work continues to have on writers, readers, and literary and cultural theory today..
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What is queer theory? What does it do? Is queer theory only for queers? This vibrant anthology of ground breaking work by influential scholars, activists, performers, and visual artists is essential reading for anyone with an interest in sexuality studies. The fifteen articles--including one from Judith Butler, as well as an engaging introduction--map, contextualize, and challenge queer theory's project both within and beyond the academy. Summaries and suggestions for further reading make the volume an ideal course textbook.
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Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.
Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general.

Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller.
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Fifteen years ago while researching Jewish imagery, award-winning book designer Scott-Martin Kosofsky happened upon a 1645 edition of the Minhogimbukh -- the "Customs Book" -- a beautifully designed and illustrated guide to the Jewish year written in Yiddish, the people's vernacular. Captivated, he investigated further and learned that from 1590 to 1890, this cross between a prayer book and a farmer's almanac was immensely popular in households all across Europe. Published in dozens of editions and revised over the centuries in Venice, Prague, Amsterdam, and throughout Germany before moving eastward in the nineteenth century to Poland and Russia, these books detail the evolution of Jewish custom over three hundred years. But by the 1890s, as Jewish practice became polarized between the secularist and traditionalist views, the Minhogimbukh disappeared.

There are no works quite like the historical customs books available today and none so thorough and concise, intuitive in organization, and beautiful. Inspired by the originals, Kosofsky set out to make his own, adapting the books for modern use, adding historical perspective and contemporary application. The result is the reappearance of the Minhogimbukh after more than a hundred-year absence, and the first complete showing of all the original woodcuts -- a visual vocabulary of Jewish life -- since the 1760s. Faithfully based on the earlier editions, The Book of Customs is an updated guide to the rituals, liturgies, and texts of the entire Jewish year -- from the days of the week and the Sabbath to all the months with their festivals, as well as the major life-cycle events of wedding, birth, bar and bat mitzvah, and death. With the revival of this lost cultural legacy, The Book of Customs can once again become every family's guide to Jewish tradition and practice.

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When she begins therapy for depression after breast cancer treatment, the author brings with her an extraordinarily open and critical mind, but also shyness about revealing herself. Resisting easy responses to issues of dependence, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world.

Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life--and delivers and delicate and tender account of how we arrive at love..
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Combining poetry, wit, polemic and dazzling scholarship these essays set new standards of passion for current theoretical writing. United in its vision of a new queer activism, Tendencies ranges through literature with a unique style..
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