Books about Lavinia from Amazon.com

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So much mystery and veneration surrounds the writings of the great Russian teacher and director Stanislavski that perhaps the greatest surprise awaiting a first-time reader of An Actor Prepares is how conversational, commonsensical, and even at times funny this legendary book is. After many productions with the Moscow Arts Company, Stanislavski sought a way to introduce his new style of acting to the world outside of his rehearsal hall. The resulting book is a "mock diary" of an actor describing a series of exercises and rehearsals in which he participates. He details his own emotional and intellectual reactions to each effort, and how his superficial tricks and mannerisms begin to disappear as he increasingly gives over his conscious ego to a faith in the creative power of his subconscious. Rarely has any writer on the theater achieved the sort of lucid and inspired analysis of the acting process as Stanislavski does here, and his introduction of such now-standard concepts as "the unbroken line," "the magic if," and the idea of emotional memory has laid the groundwork for much of the great acting of the 20th century. While much excess and nonsense was to follow in the steps of Stanislavski's writings, his original texts remain invaluable, and surprisingly accessible, to any actor or student of drama. --John Longenbaugh.
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Substantially revised, this book highlights 21st century teaching practices and issues to help readers discover what it takes to become professional teachers. Becoming a Teacher expands its emphasis on "mentoring" and contemporary trends and topics, giving greater coverage to technology and social issues. Case studies and discussions of teacher leadership encourage interactions with the concepts presented. The fifth edition of Becoming a Teacher provides the tools and information necessary to answer the questions "What does it take to become a professional teacher?" and "Do I want to teach?" For pre-service and in-service teachers..
Price: $80.00 [Notify me when price goes down.]

The world according to David Ives is a very add place, and his plays constitute a virtual stress test of the English language -- and of the audience's capacity for disorientation and delight. Ives's characters plunge into black holes called "Philadelphias," where the simplest desires are hilariously thwarted. Chimps named Milton, Swift, and Kafka are locked in a room and made to re-create Hamlet. And a con man peddles courses in a dubious language in which "hello" translates as "velcro" and "fraud" comes out as "freud."

At once enchanting and perplexing, incisively intelligent and side-splittingly funny, this original paperback edition of Ives's plays includes "Sure Thing," "Words, Words, Words," "The Universal Language," "Variations on the Death of Trotsky," "The Philadelphia," "Long Ago and Far Away," "Foreplay, or The Art of the Fugue," "Seven Menus," "Mere Mortals," "English Made Simple," "A Singular Kinda Guy," "Speed-the-Play," "Ancient History," and "Philip Glass Buys a Loaf of Bread.".
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In their eye-opening, soul-prodding look at the excess of American society, the authors of Affluenza include two quotations that encapsulate much of the book: T.S. Eliot's line "We are the hollow men / We are the stuffed men," which opens one of this book's chapters, and a quote from a newspaper article that notes "We are a nation that shouts at a microwave oven to hurry up." If these observations make you grimace at your own ruthless consumption or sigh at the hurried pace of your life, you may already be ill. Read on.

The definition of affluenza, according to de Graaf, Wann, and Naylor, is something akin to "a painful, contagious, socially-transmitted condition of overload, debt, anxiety and waste resulting from the dogged pursuit of more." It's a powerful virus running rampant in our society, infecting our souls, affecting our wallets and financial well-being, and threatening to destroy not only the environment but also our families and communities. Having begun life as two PBS programs coproduced by de Graaf, this book takes a hard look at the symptoms of affluenza, the history of its development into an epidemic, and the options for treatment. In examining this pervasive disease in an age when "the urge to splurge continues to surge," the first section is the book's most provocative. According to figures the authors quote and expound upon, Americans each spend more than $21,000 per year on consumer goods, our average rate of saving has fallen from about 10 percent of our income in 1980 to zero in 2000, our credit card indebtedness tripled in the 1990s, more people are filing for bankruptcy each year than graduate from college, and we spend more for trash bags than 90 of the world's 210 countries spend for everything. "To live, we buy," explain the authors--everything from food and good sex to religion and recreation--all the while squelching our intrinsic curiosity, self-motivation, and creativity. They offer historical, political, and socioeconomic reasons that affluenza has taken such strong root in our society, and in the final section, offer practical ideas for change. These use the intriguing stories of those who have already opted for simpler living and who are creatively combating the disease, from making simple habit alterations to taking more in-depth environmental considerations, and from living lightly to managing wealth responsibly.

Many books make you think the author has crammed everything he or she knows into it. The feeling you get reading Affluenza is quite different; the authors appear well-read, well-rounded, and intelligent, knowledgeable beyond the content of their book but smart enough to realize that we need a short, sharp jolt to recognize our current ailment. It's a well-worn cliché that money can't buy happiness, but this book will strike a chord with anyone who realizes that more time is more valuable than toys, and that our relentless quest for the latest stuff is breeding sick individuals and sick societies. Affluenza is, in fact, a clarion call for those interested in being part of the solution. --S. Ketchum.
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Very little is known about the life of Emily Dickinson. As a woman, she is most known as a recluse who lived her entire life in Amherst, Massachusetts, in the home of her birth; as a poet, she wrote some of the most daring and original poetry of the nineteenth century. This verse is often said to be her only contact with the outside world, but not much is understood about the inner world that gave rise to it.

The Sister probes into this world, revealing Emily Dickinson's tense relationship with her parents, her hidden passions and aspirations, the men in her life, and her secret views on religion and love, all seen through the eyes of her younger sister Lavinia. Drawn from authentic journals, documents, and letters from the Dickinson family, The Sister fills in a vital missing piece of the jigsaw, getting us closer to understanding the enigma that is Emily Dickinson..
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In every movement of our bodies, we express a world of emotions. But our movements don't just reflect our emotions-they directly affect them.

In Walking Your Talk, Lavinia Plonka explores the connection between how we move and how we feel. Our movements and body posture are more than just simple expressions of our feelings-they are a powerful factor in our well-being. And changing them can be a crucial first step in altering our emotional behaviors.

Drawing from her years of experience as a movement teacher and Feldenkrais Method(r) instructor, Plonka provides simple exercises, thought-provoking lessons, and real-life examples that help readers better understand the relationship between their movement patterns and their emotional state.

After beginning with an overview of both historical and modern ideas about the correlation between bodily movement and human emotion and expression, Plonka turns theory into practice by addressing each major area of the body-and the emotional baggage held there. Through exploratory exercises, we learn more about:

- how we carry stress-from responsibilities, family issues, and financial burdens-in our shoulders;
- why we "freeze" the pelvis-the bodily center of personal freedom, power, spontaneity, and sexuality; and
- the self-confidence (or lack thereof) we convey through our carriage.

Whether she is examining how a depressed chest can make us feel psychologically depressed, how body language is used to deceive others, or how loosening our pelvis can help us break a lifelong cycle of self-destructive behavior, Plonka is always caring and insightful, guiding readers to a deeper awareness of themselves and how changing their posture has the potential to change their whole lives..
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