Books about Lindbergh from Amazon.com

I found a 1955 printing of this book in an old waterfront cabin and was struck by the care with which the previous owner had read it. Eve (the name inscribed inside the front cover and then again above the heading for chapter 3) made pencil marks on nearly every paragraph of the book, underlining a phrase, highlighting many passages with strong vertical marks, scratching out some words that she seems to have found superfluous and even x-ing out whole sections that apparently missed their mark with her altogether. Two rusting paper clips isolate several pages, absent any marking at all. Anne Morrow Lindbergh's lyrical words are still relevant and presage so many of the themes of today's most popular books: simplicity, peaceful solitude, caring for the soul, a woman finding her place in society and life. I heard that the woman who had lived in the cabin had actually passed away some time before. Thank you, Eve, for your gift... from the sea..
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In her funny and wistful new book, Reeve Lindbergh contemplates entering a new stage in life, turning sixty, the period her mother, Anne Morrow Lindbergh, once described as "the youth of old age." It is a time of life, she writes, that produces some unexpected surprises. Age brings loss, but also love; disaster, but also delight. The second-graders Reeve taught many years ago are now middle-aged; her own children grow, marry, have children themselves. "Time flies," she observes, "but if I am willing to fly with it, then I can be airborne, too." A milestone birthday is also an opportunity to take stock of oneself, although such self-reflection may lead to nothing more than the realization, as Reeve puts it, "that I just seem to continue being me, the same person I was at twelve and at fifty." At sixty, as she observes, "all I really can do with the rest of my life is to...feel all of it, every bit of it, as much as I can for as long as I can."

Age is only one of many subjects that Reeve writes about with perception and insight. In northern Vermont, nature is an integral part of daily life, especially on a farm. Whether it is the arrival and departure of certain birds in spring and fall, wandering turtles, or the springtime ritual of lambing, the natural world is a constant revelation.

With a wry sense of humor, Reeve contemplates the infirmities of the aging body, as well as the many new drugs that treat these maladies. Briefly considering the risks of drug dependency, she writes that "the least we [the "Sixties Generation"] can do for ourselves is live up to our mythology, and take lots of drugs." Legal drugs, that is -- although what sustains us as we grow older is not drugs but an appreciation for life, augmented by compassion, a sense of humor, and common sense.

And of course there is family -- especially with the Lindberghs. Reeve writes about discovering, thirty years after her father's death and two and a half years after her mother's, that her father had three secret families in Europe. She travels to meet them, learning to expand her self-understanding: "daughter of," "mother of," "sister of" -- sister of many more siblings than she'd known, in a family more complicated than even she had imagined.

Forward from Here is a brave book, a reflective book, a funny book -- a book that will charm and fascinate anyone on the journey from middle age to the uncertain future that lies ahead..
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"What if" scenarios are often suspect They are sometimes thinly veiled tales of the gospel according to the author, taking on the claustrophobic air of a personal fantasia that can't be shared. Such is not the case with Philip Roth's tour de force, The Plot Against America. It is a credible, fully-realized picture of what could happen anywhere, at any time, if the right people and circumstances come together.

The Plot Against America explores a wholly imagined thesis and sees it through to the end: Charles A. Lindbergh defeats FDR for the Presidency in 1940. Lindbergh, the "Lone Eagle," captured the country's imagination by his solo Atlantic crossing in 1927 in the monoplane, Spirit of St. Louis, then had the country's sympathy upon the kidnapping and murder of his young son. He was a true American hero: brave, modest, handsome, a patriot. According to some reliable sources, he was also a rabid isolationist, Nazi sympathizer, and a crypto-fascist. It is these latter attributes of Lindbergh that inform the novel.

The story is framed in Roth's own family history: the family flat in Weequahic, the neighbors, his parents, Bess and Herman, his brother, Sandy and seven-year-old Philip. Jewishness is always the scrim through which Roth examines American contemporary culture. His detractors say that he sees persecution everywhere, that he is vigilant in "Keeping faith with the certainty of Jewish travail"; his less severe critics might cavil about his portrayal of Jewish mothers and his sexual obsession, but generally give him good marks, and his fans read every word he writes and heap honors upon him. This novel will engage and satisfy every camp.

"Fear presides over these memories, a perpetual fear. Of course, no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews." This is the opening paragraph of the book, which sets the stage and tone for all that follows. Fear is palpable throughout; fear of things both real and imagined. A central event of the novel is the relocation effort made through the Office of American Absorption, a government program whereby Jews would be placed, family by family, across the nation, thereby breaking up their neighborhoods--ghettos--and removing them from each other and from any kind of ethnic solidarity. The impact this edict has on Philip and all around him is horrific and life-changing. Throughout the novel, Roth interweaves historical names such as Walter Winchell, who tries to run against Lindbergh. The twist at the end is more than surprising--it is positively ingenious.

Roth has written a magnificent novel, arguably his best work in a long time. It is tempting to equate his scenario with current events, but resist, resist. Of course it is a cautionary tale, but, beyond that, it is a contribution to American letters by a man working at the top of his powers. --Valerie Ryan.
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This Petite is our companion piece to our popular Guided Journal, Gift from the Sea, offering more excerpts from the original Anne Morrow Lindbergh bestseller on love, happiness, solitude and contentment. The cover has an elegant translucent vellum overlay, highlighting the beautiful photo beneath.

Includes silver-plated seashell charm..
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Reeve Lindbergh's memoir offers a uniquely intimate portrait of her family led by her intensely private father, aviator Charles Lindbergh, and mother, writer Anne Morrow Lindbergh Under a Wing captures both her parents' complex personalities with immediacy and intimacy. Reeve explores the contrast between a loving father who "would parade imaginary animals across our backs" and the exacting patriarch who, upon return from his frequent absences, called each of his five children into his office to peruse a handwritten list of their achievements and failures. She seems anguished in her response to one of Charles's notorious, bigoted speeches: "How could someone who spoke the words my father did in 1941," she asks, "how did such a person then raise children who by his instruction and his example, day after day and year after year, had learned from him ... that such words were repellent and unspeakable?" She offers too a blunt but tender portrait of Anne in old age--she has been physically and mentally impaired by a series of stroke--that proves she has a mature understanding of a deeply loving woman who nonetheless always held some part of herself in reserve for her writing. This impressive memoir brings readers close to the private people within two legendary public figures..
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Her daughter's tender account of Anne Morrow Lindbergh's final 22 months is a fitting epitaph for an author who revealed her inner life with an honesty and sensitivity that have inspired generations of readers since Gift from the Sea was first published in 1955. This new volume also makes a fine companion for Under a Wing, Reeve Lindbergh's previous memoir about her parents' complex marriage and her own struggle to grapple with the legacy of her famous father, Charles Lindbergh. Yet it's not necessary to know anything about Anne's writing or Charles's exploits as an aviator to be moved by No More Words, which chronicles a day-to-day drama of worry, guilt, anger, and unexpected joy that will be familiar to anyone who has cared for an elderly, ailing parent. Drawing on a diary she kept from the time her mother came to live with her in May 1999 until Anne's death at age 94 in February 2001, Reeve Lindbergh deals first and foremost with her shock that her literate, articulate mother no longer had much use for words. "From the beginning of my life," she writes, "everything I understood was made plain to me in her language.... at each moment of my need she spoke the words I needed." But after a series of strokes, Anne spoke less and less, and not everything she said made sense. Reeve had to find meaning for herself; she had to accept her mother's increasing remoteness and take pleasure from the moments when Anne seemed to come back to her. She traces that process in spare, eloquent prose complemented by excerpts from her mother's works: "It was very important to me that her writing voice, too, should be heard," Reeve states. "The truth about this book is that it is not mine but ours." --Wendy Smith.
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Charles Lindbergh's solo flight from New York to Paris captured the imagination of a postwar generation hungry for heroes, and cemented an exalted spot for the 25-year-old pilot from Minnesota in the collective American imagination. A. Scott Berg's thorough new biography of the aviator suggests that despite the public scrutiny that accompanied his every move until his death in 1974, Lindbergh remained an intensely private man. The son of ill-matched parents who separated when he was 6, he was painfully shy and emotionally guarded. "Aviation created a brotherhood of casual acquaintances ... in which he felt comfortable," writes Berg with characteristic perceptiveness.

Lindbergh's wife, the writer Anne Morrow Lindbergh, gave Berg unrestricted access to her husband's and her own voluminous personal papers--and he made good use of them to assess both the couple's relationship and their activities. Probably the most startling revelation is a brief but candid discussion of Anne's affair in the late 1950s with a New Jersey doctor, which helped assuage her need to vent emotions in a way her buttoned-up husband found insupportable. (During the horrendous days in 1932 when their 20-month-old son was kidnapped and killed, Berg notes, she never once saw Charles cry.) The biography is solid on all aspects of Lindbergh's career, including his notorious urging that America stay out of World War II; Berg rebuts charges that Lindbergh was a Nazi or a traitor, but rightly criticizes the anti-Semitism latent in some of his speeches. With this book, Berg succeeds in surveying Lindbergh's fascinating life and assessing its historic impact. .
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