Books about Midnight from Amazon.com

In October 1962, at the height of the Cold War, the United States and the Soviet Union appeared to be sliding inexorably toward a nuclear conflict over the placement of missiles in Cuba. Veteran Washington Post reporter Michael Dobbs has pored over previously untapped American, Soviet, and Cuban sources to produce the most authoritative book yet on the Cuban missile crisis. In his hour-by-hour chronicle of those near-fatal days, Dobbs reveals some startling new incidents that illustrate how close we came to Armageddon.

Here, for the first time, are gripping accounts of Khrushchev’s plan to destroy the U.S. naval base at Guantánamo; the accidental overflight of the Soviet Union by an American spy plane; the movement of Soviet nuclear warheads around Cuba during the tensest days of the crisis; the activities of CIA agents inside Cuba; and the crash landing of an American F-106 jet with a live nuclear weapon on board.

Dobbs takes us inside the White House and the Kremlin as Kennedy and Khrushchev—rational, intelligent men separated by an ocean of ideological suspicion—agonize over the possibility of war. He shows how these two leaders recognized the terrifying realities of the nuclear age while Castro—never swayed by conventional political considerations—demonstrated the messianic ambition of a man selected by history for a unique mission. As the story unfolds, Dobbs brings us onto the decks of American ships patrolling Cuba; inside sweltering Soviet submarines and missile units as they ready their warheads; and onto the streets of Miami, where anti-Castro exiles plot the dictator’s overthrow.

Based on exhaustive new research and told in breathtaking prose, here is a riveting account of history’s most dangerous hours, full of lessons for our time.

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Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.

Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:

I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.

In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.

We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber.
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This Magic Tree House set including the following titles:

Night of the Ninjas (Magic Tree House, No. 5)
Afternoon on the Amazon (Magic Tree House, No. 6)
Sunset of the Sabertooth (Magic Tree House, No. 7)
Midnight on the Moon. (Magic Tree House, No. 8).
Price: $8.51 [Notify me when price goes down.]

He watches her from across the crowded dance club, a sensual black-haired stranger who stirs Gabrielle Maxwell’s deepest fantasies. But nothing about this night—or this man—is what it seems. For when Gabrielle witnesses a murder outside the club, reality shifts into something dark and deadly. In that shattering instant she is thrust into a realm she never knew existed—a realm where vampires stalk the shadows and a blood war is set to ignite.

Lucan Thorne despises the violence carried out by his lawless brethren. A vampire himself, Lucan is a Breed warrior, sworn to protect his kind—and the unwitting humans existing alongside them—from the mounting threat of the Rogues. Lucan cannot risk binding himself to a mortal woman, but when Gabrielle is targeted by his enemies, he has no choice but to bring her into the dark underworld he commands.

Here, in the arms of the Breed’s formidable leader, Gabrielle will confront an extraordinary destiny of danger, seduction, and the darkest pleasures of all. . . ..
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John Berendt's Midnight in the Garden of Good and Evil has been heralded as a "lyrical work of nonfiction," and the book's extremely graceful prose depictions of some of Savannah, Georgia's most colorful eccentrics--remarkable characters who could have once prospered in a William Faulkner novel or Eudora Welty short story--were certainly a critical factor in its tremendous success. (One resident into whose orbit Berendt fell, the Lady Chablis, went on to become a minor celebrity in her own right.) But equally important was Berendt's depiction of Savannah socialite Jim Williams as he stands trial for the murder of Danny Hansford, a moody, violence-prone hustler--and sometime companion to Williams--characterized by locals as a "walking streak of sex." So feel free to call it a "true crime classic" without a trace of shame. .
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Claire Danvers's college town may be run by vampires but a truce between the living and the dead made things relatively safe. For a while. Now people are turning up dead, a psycho is stalking her, and an ancient bloodsucker has proposed private mentoring. To what end, Claire will find out. And it's giving night school a whole new meaning..
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He comes to her more dead than alive, a towering black-clad stranger riddled with bullets and rapidly losing blood. As she struggles to save him, veterinarian Tess Culver is unaware that the man calling himself Dante is no man at all, but one of the Breed, vampire warriors engaged in a desperate battle. In a single erotically charged moment Tess is plunged into his world—a shifting, shadowed place where bands of Rogue vampires stalk the night, cutting a swath of terror.

Haunted by visions of a dark future, Dante lives and fights like there is no tomorrow. Tess is a complication he does not need—but now, with his brethren under attack, he must shield Tess from a growing threat that includes Dante himself. For with one reckless, irresistible kiss, she has become an inextricable part of his underworld realm…and his touch awakens her to hidden gifts, desires, and hungers she never knew she possessed. Bonded by blood, Dante and Tess must work together to thwart deadly enemies, even as they discover a passion that transcends the boundaries of life itself…..
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"Guaranteed: you'll devour this yarn-burner in one sitting."NEW YORK DAILY NEWSJohn Stefanovich, a tough New York cop, has one mission in life--to nab Alexandre St. Germain, the most treacherous and powerful member of the Midnight Club--a secret international society whose membership is limited to an elite group of ruthless crime czars, all of whom are "respectable" businessmen. Blasted by St. Germain's shotgun, Stef is left in a wheelchair, but no less determined. With the help of a beautiful journalist and a Harlem cop, Stef is determined to crack the Midnight Club And he's up against odds that are as unknown as they are deadly.....
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With a dagger in her hand and vengeance on her mind, Darkhaven beauty Elise Chase prowls Boston’s streets in search of retribution against the Rogue vampires who took from her everything she cherished. Using an extraordinary psychic gift, she tracks her prey, well aware that the power she possesses is destroying her. She must learn to harness this gift, and for that she can turn to only one man—the deadliest of the Breed warriors, Tegan.

No stranger to loss, Tegan knows Elise’s pain. He knows fury, but when he slays his enemies it is with ice in his veins. He is perfect in his self-control, until Elise seeks his aid in her personal war. An unholy alliance is forged—a bond that will link them by blood and vow—and plunge them into a tempest of danger, desire, and the darkest passions of the heart. . . ..
Price: $3.00 [Notify me when price goes down.]