Books about Matthiessen from Amazon.com

Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.

Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.

Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."

Praise for Shadow Country
“Shadow Country is altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men. Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner. In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time.” — The New York Review of Books

“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.”— The Los Angeles Times

“Gorgeously written and unfailingly compelling,Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick.” — National Geographic Adventure magazine

“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel.” — Miami Herald

“Matthiessen is writing about one man's life in Shadow Country, but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost….Even among a body of work as magnificent as Matthiessen's, this is his great book.” — St. Petersburg Times

“Shadow Country is a magnum opus. Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” --Seattle Times

“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star

“Matthiessen’s Watson trilogy is a touchstone of modern American literature…this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed.” — Publishers Weekly, starred review, Pick of the Week
“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country. This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible, that is; this is a thick porterhouse of a novel.” — Men’s Journal
"The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing." -- Richard Ford
"Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates
"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement. SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy." -- W.S. Merwin.
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In the autumn of 1973, the writer Peter Matthiessen set out in the company of zoologist George Schaller on a hike that would take them 250 miles into the heart of the Himalayan region of Dolpo, "the last enclave of pure Tibetan culture on earth." Their voyage was in quest of one of the world's most elusive big cats, the snow leopard of high Asia, a creature so rarely spotted as to be nearly mythical; Schaller was one of only two Westerners known to have seen a snow leopard in the wild since 1950.

Published in 1978, The Snow Leopard is rightly regarded as a classic of modern nature writing. Guiding his readers through steep-walled canyons and over tall mountains, Matthiessen offers a narrative that is shot through with metaphor and mysticism, and his arduous search for the snow leopard becomes a vehicle for reflections on all manner of matters of life and death. In the process, The Snow Leopard evolves from an already exquisite book of natural history and travel into a grand, Buddhist-tinged parable of our search for meaning. By the end of their expedition, having seen wolves, foxes, rare mountain sheep, and other denizens of the Himalayas, and having seen many signs of the snow leopard but not the cat itself, Schaller muses, "We've seen so much, maybe it's better if there are some things that we don't see."

That sentiment, as well as the sense of wonder at the world's beauty that pervades Matthiessen's book, ought to inform any journey into the wild. --Gregory McNamee.
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Drawn from fragments of historical fact, Matthiessen's masterpiece brilliantly depicts the fortunes and misfortunes of Edgar J. Watson, a real-life entrepreneur and outlaw who appeared in the lawless Florida Everglades around the turn of the century..
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On the great East African plain it is the human who feels himself the intruder Here, and perhaps only here, the world is that of the animals It is they who belong, as humans do not. In the more sensitive traveler this evokes a feeling of being privileged to observe ancient forms, settings and behavior that have survived intact from pre-history.

"Matthiessen has the language to express this feeling of awe...Matthiessen also goes into the relationships between humans past and present in East Africa's great fauna with many a flash of insight into the instincts each has bred in the other...This is the Africa book par excellence." (Saturday Review).
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Set in the South American jungle, this thriller follows the clash between two misplaced gringos--one who has come to convert the Indians to Christianity, and one who has been hired to kill them. Now the basis for a major motion picture..
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An adventure story and a deeply considered meditation upon the sea itself..
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In Bone by Bone, the final chapter of Peter Matthiessen's Everglades trilogy, the man known variously as "Desperado" and "Emperor" Watson finally tells his own story--and a hard, ruthless, and singularly bloody tale it is. Brought up in the chaotic aftermath of the Civil War, Watson flees South Carolina after he's tagged for a murder he didn't commit. Bone by Bone follows his exile in the Indian Territories, his arrest for the murder of Belle Star, and his years in Florida, where he struggles to carve a sugar-cane empire out of the Everglades before being gunned down by a howling mob. "There's some that would say that Edgar Watson is a bad man by nature," he muses near the end of his life, but later declares, "I don't believe that men are born with a bad nature." So is Watson's fate nature or nurture? Is he a killer born or a killer made? This question lies at the heart of Matthiessen's tale as well as its precursors, Killing Mister Watson and Lost Man's River. Answering it would mean nothing less than answering the problem of evil itself.

In this case, the evil is inextricably twined with the good. Ed Watson loves his wives, a good laugh, and at least some of his children; he also murders and betrays employees and friends, all the while insisting that he "wanted to be an honest and upright citizen all my life." Somehow--and this is only one of Matthiessen's great achievements--the reader believes him. The reader also believes Watson's other defense: his crimes are no different from those of the great robber barons. His uncle, for instance, quotes South Carolina Governor James Hammond: "Sir, what is it that constitutes character, popularity, and power in the United States? Sir, it is property, and that only!" It is for property that Watson destroys himself and all those around him; it is for property that his son's beloved Everglades are hunted, fished, drained, and cleared to the brink of destruction. Bone by Bone is a distinctively American tragedy, as outsized and ambitious as E.J. Watson himself. --Mary Park.
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