Books about Mccourt from Amazon.com

"Worse than the ordinary miserable childhood is the miserable Irish childhood," writes Frank McCourt in Angela's Ashes. "Worse yet is the miserable Irish Catholic childhood." Welcome, then, to the pinnacle of the miserable Irish Catholic childhood. Born in Brooklyn in 1930 to recent Irish immigrants Malachy and Angela McCourt, Frank grew up in Limerick after his parents returned to Ireland because of poor prospects in America. It turns out that prospects weren't so great back in the old country either--not with Malachy for a father. A chronically unemployed and nearly unemployable alcoholic, he appears to be the model on which many of our more insulting cliches about drunken Irish manhood are based. Mix in abject poverty and frequent death and illness and you have all the makings of a truly difficult early life. Fortunately, in McCourt's able hands it also has all the makings for a compelling memoir..
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The sequel to Frank McCourt's memoir of his Irish Catholic boyhood, Angela's Ashes, picks up the story in October 1949, upon his arrival in America Though he was born in New York, the family had returned to Ireland due to poor prospects in the United States. Now back on American soil, this awkward 19-year-old, with his "pimply face, sore eyes, and bad teeth," has little in common with the healthy, self-assured college students he sees on the subway and dreams of joining in the classroom. Initially, his American experience is as harrowing as his impoverished youth in Ireland, including two of the grimmest Christmases ever described in literature. McCourt views the U.S. through the same sharp eye and with the same dark humor that distinguished his first memoir: race prejudice, casual cruelty, and dead-end jobs weigh on his spirits as he searches for a way out. A glimpse of hope comes from the army, where he acquires some white-collar skills, and from New York University, which admits him without a high school diploma. But the journey toward his position teaching creative writing at Stuyvesant High School is neither quick nor easy. Fortunately, McCourt's openness to every variety of human emotion and longing remains exceptional; even the most damaged, difficult people he encounters are richly rendered individuals with whom the reader can't help but feel uncomfortable kinship. The magical prose, with its singing Irish cadences, brings grandeur and beauty to the most sorrowful events, including the final scene, set in a Limerick graveyard. --Wendy Smith.
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For 30 years Frank McCourt taught high school English in New York City and for much of that time he considered himself a fraud. During these years he danced a delicate jig between engaging the students, satisfying often bewildered administrators and parents, and actually enjoying his job. He tried to present a consistent image of composure and self-confidence, yet he regularly felt insecure, inadequate, and unfocused. After much trial and error, he eventually discovered what was in front of him (or rather, behind him) all along--his own experience. "My life saved my life," he writes. "My students didn't know there was a man up there escaping a cocoon of Irish history and Catholicism, leaving bits of that cocoon everywhere." At the beginning of his career it had never occurred to him that his own dismal upbringing in the slums of Limerick could be turned into a valuable lesson plan. Indeed, his formal training emphasized the opposite. Principals and department heads lectured him to never share anything personal. He was instructed to arouse fear and awe, to be stern, to be impossible to please--but he couldn't do it. McCourt was too likable, too interested in the students' lives, and too willing to reveal himself for their benefit as well as his own. He was a kindred spirit with more questions than answers: "Look at me: wandering late bloomer, floundering old fart, discovering in my forties what my students knew in their teens."

As he did so adroitly in his previous memoirs, Angela's Ashes and 'Tis, McCourt manages to uncover humor in nearly everything. He writes about hilarious misfires, as when he suggested (during his teacher's exam) that the students write a suicide note, as well as unorthodox assignments that turned into epiphanies for both teacher and students. A dazzling writer with a unique and compelling voice, McCourt describes the dignity and difficulties of a largely thankless profession with incisive, self-deprecating wit and uncommon perception. It may have taken him three decades to figure out how to be an effective teacher, but he ultimately saved his most valuable lesson for himself: how to be his own man. --Shawn Carkonen.
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All over the world there are people struggling to master the quirks and challenges of English In today's America, many millions of them are Latino—and in this eloquent collection, nearly 60 of the best known contribute fascinating, revealing, often touching essays on the very personal process each went through to achieve this common end. Their successes are inspiring. Their pieces, engaging and entertaining all, express the whole range of emotions that learning any new language entails.

Congressman José Serrano, for example, describes learning English from Frank Sinatra records. Cuban-American author Oscar Hijuelos picked it up as a sick little boy in an American hospital bed. Many find it a daunting ordeal; for others English came easily. But from TV personality Cristina Saralegui to Hall of Fame baseball player Orlando Cepeda, every last one remembers what it felt like to do battle with bizarre idioms, irregular verbs, and all the other incomprehensible intricacies that tangle the tongue.

And of course, every new English-speaker has a tale to tell: an immigrant yearning to assimilate and achieve, or a political exile suddenly far from home and alone, or a child who just wants to fit in. Their fears and triumphs will resonate with everyone who has shared this exasperating, exhilarating experience, whether last year or a lifetime ago. This wonderful, eclectic, inviting collection speaks to—and for—all of them, and goes directly to the heart of the national debate on language and immigration..
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So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland Frank's mother, Angela, has no money to feed the children since Frank's father Malachy, rarely works, and when he does he drinks his wages. Yet Malachy does nurture in Frank an appetite for the one thing he can provide: a story.Perhaps it is a story that accounts for Frank's survival. Wearing shoes repaired with tires, begging a pig's head for Christmas dinner, and searching the pubs for his father, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors -- yet lives to tell his tale with eloquence, exuberance and remarkable forgiveness..
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In the days before sunscreen, soccer practice, MTV, and Amber Alerts, boys roamed freely in the American West--fishing, hunting, hiking, pausing to skinny-dip in river or pond. Douglas Thayer was such a boy, and in this poignant, often humorous memoir, he depicts his Utah Valley boyhood during the Great Depression and World War II. Known in some circles as a Mormon Hemingway, Thayer has created a richly detailed work that shares cultural DNA with Frank McCourt's "Angela's Ashes," Mark Twain's "The Adventures of Huckleberry Finn," and William Golding's "Lord of the Flies." His narrative at once prosaic and poetic, Thayer captures nostalgia for a simpler time, along with boyhood's universal yearnings, pleasures, and mysteries..
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This delightful sequel to the best-selling I Love You, Stinky Face is finally available in paperback Beautifully illustrated by Cyd Moore and written by Lisa McCourt, this funny, reassuring story about a child's fear of starting school is sure to be a favorite with first-time students...and parents hoping to ease those first-day-of-school jitters..
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This short story collection draws a vivid portrait of Joyce's Dublin at the turn of the twentieth century, with rich imagery and characterization .
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