Books about Neurath from Amazon.com

Austrian sociologist Otto Neurath was a seminal Modernist figure. Much attention has been given to his achievements in the fields of graphic design and philosophy (Neurath was a member of the Vienna Circle, founder of the Museum of Society and Economy, inventor of the ISOTYPE pictorial system and champion of the Unity of Science movement), yet his involvement with urbanism and architecture has been all but ignored. From 1931 onwards, Neurath collaborated with the International Congress of Modern Architecture and its chief exponents--Cornelis van Eesteren, Sigfried Giedion, Le Corbusier and Laszlo Moholy-Nagy--to develop an international language of urban planning and design. More experimentally, throughout the 1930s a fascination with visual media led to an attempt to franchise the Museum of Society and Economy by establishing international satellite museums. This volume contains a text by curator and writer Nader Vossoughian, which offers a fresh perspective on one of the most versatile intellectuals of the twentieth century..
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The eight-volume epic of the Kent family continues as a new generation struggles to survive within a nation rife with conflict Amanda Kent was a woman of great courage, but nothing prepared her for the massacre she witnessed at the Alamo. Now she's returned to Boston to rebuild the Kent legacy..
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During 1938 and 1939, Paul Neurath was a Jewish political prisoner in the concentration camps at Dachau and Buchenwald He owed his survival to a temporary Nazi policy allowing release of prisoners who were willing to go into exile and to the help of friends on the outside who helped him obtain a visa. He fled to Sweden before coming to the United States in 1941. In 1943, he completed The The Society of Terror, based on his experiences in Dachau and Buchenwald. He embarked on a long career teaching sociology and statistics at universities in the United States and later in Vienna until his death in September 2001.

After liberation, the horrific images of the extermination camps abounded from Dachau, Buchenwald, and other places. Neurath's chillingly factual discussion of his experience as an inmate and his astute observations of the conditions and the social structures in Dachau and Buchenwald captivate the reader, not only because of their authenticity, but also because of the work's proximity to the events and the absence of influence of later interpretations. His account is unique also because of the exceptional links Neurath establishes between personal experience and theoretical reflection, the persistent oscillation between the distanced and sober view of the scientist and that of the prisoner..
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By the end of the eighteenth century a sense of anxiety and crisis began to preoccupy European writers and artists in their relationship to a heroic past. The grandness of that history no longer fit into the framework of the present, and artists felt overwhelmed by the magnitude of past heroic accomplishment. This was soon reflected in artistic representation, from Fuseli on. The partial image, the "crop," fragmentation, ruin, and mutilation—all expressed grief and nostalgia for the loss of a vanished totality, a utopian wholeness. Often such feelings were expressed in deliberate destructiveness, which became the new way of seeing: the notion of the modern. In The Body in Pieces, the noted critic and art historian Linda Nochlin traces these developments by looking at work produced by artists from Neoclassicism and Romanticism to Impressionism, Post-Impressionism, Surrealism, and beyond. 59 illustrations..
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'Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth' - Exodus 20:4 In this ground-breaking book Anthony Julius derives a Jewish aesthetic from the Second Commandment The prohibition of idolatry is not just an injunction against idol worshipping, but a call to idol breaking; it promotes a creative iconoclasm which exposes through irony inflated claims about art. Julius identifies and celebrates those Jewish works of art which by their irony subvert artistic and politic idolatry. Idolizing Pictures is a manifesto for Jewish art..
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What makes a masterpiece? John Pope-Hennessy, the preeminent expert on Italian Renaissance art, examines the works of master Piero della Francesca, painting by painting and fresco by fresco. The author discusses the stories the works portray, their meticulous composition, the questions they raise, and their place within the artistic context of the time. This volume includes the famous Aldous Huxley essay “The Best Picture,” which inspired Pope-Hennessy to seek out the enigmatic works that now constitute the pilgrimage known as the Piero della Francesca Trail. 56 full-color photos are featured. .
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