Books about Nickolas from Amazon.com

This is a MAJOR revision of the previous edition. The language has become more accessible to readers, and material has been updated and included throughout. Speech-language pathologists of all levels of experience will turn to this comprehensive overview of language disorders across the childhood years. This book provides readers with information, instructional goals, and strategies within a systems framework to guide treatment of language disorders from infancy through adolescence in the context of culture, family, home, school, and work. Topics include: language and communication; assessment and intervention; causes, categories, and characteristics; balancing ages and developmental stages; and more. New material on assessment and intervention in early, middle, and later stages as well as a full chapter on severe communication impairment are also included. An solid reference for new and practicing speech pathologists.

.
Price: $107.13 [Notify me when price goes down.]

(20070101).
Price: $31.25 [Notify me when price goes down.]

In the '30s and '40s, photographer Nickolas Muray was Frida Kahlo's friend, lover, and confidante He continually photographed her over the course of their relationship, creating dozens of iconic portraits Largely unpublished until now, the images reflect Muray's love of his subject. An early adopter of color photography, he could hardly have wished for a more vibrant and compelling model. Having made self-portrait the key topic of her existential paintings, Kahlo staged herself before Muray's camera with the same virtuosity she brought to bear on her own paintings—in traditional costumes, heavy jewelry, and hairstyles replete with flowers—and the portraits became a joint endeavor tantamount to a record of performance art. I Will Never Forget You tells the story of their relationship in image and word, drawing on the pair's poignant correspondence and artistic collaboration to paint a fresh portrait of a most beloved artist..
Price: $13.39 [Notify me when price goes down.]

This work offers a theoretical introduction to the portrayal of medievalism in popular film. Employing the techniques of film criticism and theory, it moves beyond the simple identification of error toward a poetics of this type of film, sensitive to both cinema history and to the role these films play in constructing what the author terms the "medieval imaginary."

The opening two chapters introduce the rapidly burgeoning field of medieval film studies, viewed through the lenses of Lacanian psychoanalysis and the Deleuzian philosophy of the time-image. The first chapter explores how a vast array of films (including both auteur cinema and popular movies) contributes to the modern vision of life in the Middle Ages, while the second is concerned with how time itself functions in cinematic representations of the medieval. The remaining five chapters offer detailed considerations of specific examples of representations of medievalism in recent films, including First Knight, A Knight's Tale, The Messenger: The Story of Joan of Arc, Kingdom of Heaven, King Arthur, Night Watch, and The Da Vinci Code. The book also surveys important benchmarks in the development of Deleuze's time-image, from classic examples like Bergman's The Seventh Seal and Kurosawa's Kagemusha through contemporary popular cinema, in order to trace how movie medievalism constructs images of the multivalence of time in memory and representation..
Price: $31.50 [Notify me when price goes down.]

From 1926 until her death in 1954, Mexican painter Frida Kahlo created striking, often shocking, images that reflected her turbulent life. One of four daughters born to a Hungarian-Jewish father and a mother of Spanish and Mexican Indian descent, in the Mexico City suburb of Coyoacn, Kahlo did not originally plan to become an artist. During her convalescence from a bus accident in her late teens, Kahlo began to paint with oils. Her pictures, mostly self-portraits and still-lifes, were deliberately naive, filled with the bright colors and flattened forms of the Mexican folk art she loved. At 21, Kahlo fell in love with the Mexican muralist Diego Rivera; their stormy, passionate relationship survived infidelities, the pressures of Rivera's career, a divorce and remarriage, and Kahlo's poor health. The couple traveled to the United States and France, where Kahlo met luminaries from the worlds of art and politics. She had her first solo exhibition at the Julien Levy Gallery in New York City in 1938 and enjoyed considerable success during the 40s, but her reputation soared posthumously, beginning in the 80s with the publication of numerous books about her work by feminist art historians and others. In the last two decades an explosion of Kahlo-inspired films, plays, calendars, and jewelry has transformed the artist into a veritable cult figure. Portraits of an Icon is not another book featuring Kahlo's beloved, tortured self-portraits. Rather, it offers another kind of portrait of the artist, a means of seeing her through the eyes of those who surrounded her: modern masters of the camera such as Edward Weston, Imogen Cunningham, Manuel Alvarez Bravo, and Martin Munkacsi; leading photojournalists such as Giselle Freund, Bernard Silberstein, and Fritz Henle; and Kahlo's relatives, lovers, and friends, among them Guillermo Kahlo, Nicolas Muray, and Lola Alvarez Bravo. The images span Kahlo's life, beginning with a photograph of a self-possessed chubby four-year-old, her fists full of wilting roses, and ending with the image of an emaciated, wasted figure laying on her deathbed, dressed in pre-Columbian finery. They follow the artist's trajectory from precocious child to famous artist, bringing into focus the painter, the paintings, the patient, the wife, the daughter, the lover, the friend. They permit a look into her bedroom, a seat at her table, a visit to her hospital room, a stroll through her garden, a view into her collections, and some play with her pets. While many of these images provide us with a unique opportunity to glimpse the woman behind the facade, others, though less revealing, are equally fascinating in allowing us to view one of the most intriguing of the artist's creations--the construction of a self-image as carefully crafted and conceived as any of her works of art..
Price: $43.46 [Notify me when price goes down.]

In the fall of 1938 Frida Kahlo traveled to New York for her first solo exhibition There she met photographer Nickolas Muray whom she had first met in Mexico, and they started a passionate affair. Muray, born in Hungary, was a successful New York fashion and commercial photographer known for his portraits of celebrities such as Fred Astaire, Marlene Dietrich, F. Scott Fitzgerald, George Bernard Shaw, Franklin D. Roosevelt, and Claude Monet. Having experimented with color from early on, Muray found his most colorful model in Frida Kahlo. Their liaison yielded a series of breathtaking, mostly color photographs, most of them never published. Our book for the first time presents a large selection of this series, with excerpts from the Kahlo/Muray correspondence and an essay by Salomon Grimberg..
Price: $27.81 [Notify me when price goes down.]