Books about Ntozake from Amazon.com

From its inception in California in 1974 to its highly acclaimed critical success at Joseph Papp's Public Theater and on Broadway, the Obie Award-winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange's words reveal what it is to be of color and female in the twentieth century. First published in 1975 when it was praised by The New Yorker for "encompassing...every feeling and experience a woman has ever had," for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Here is the complete text, with stage directions, of a groundbreaking dramatic prose poem written in vivid and powerful language that resonates with unusual beauty in its fierce message to the world..
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Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer,who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.
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In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater.

Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow..
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What could make a smart woman ignore doctor's orders?

What could get a hardworking employee fired from her job?

What could get a black woman in hot water with her white boyfriend?

In a word...

HAIR.

When does a few ounces feel like a few tons? When a doctor advises a black woman to start an exercise program and she wonders how she can do it without breaking a sweat. When an employer fires her for wearing a cultural hairstyle that's "unprofessional," and she has to go to court to plead for her job. When she's with her man, and the moment she's supposed to let loose, she stops to secure her head scarf so he doesn't disturb the 'do.

TENDERHEADED?

Yes, definitely. All black women are, in one way or another.

The issue is not only about looking good, but about feeling adequate in a society where the beauty standards are unobtainable for most women. Tenderheaded boldly throws open the closet where black women's skeletons have been threatening to burst down the door. In poems, essays, cartoons, photos, and excerpts from novels and plays, women and men speak to the meaning hair has for them, and for society. In an intimate letter, A'Leila Perry Bundles pays tribute to her great-grandmother, hair-care pioneer Madam C.J. Walker, who launched a generation of African-American businesswomen. Corporate consultant Cherilyn "Liv" Wright interviews men and women on the hilarious ways they handle "the hair issue" between the sheets. Art historian Henry John Drewal explores how hairstyles, in Yoruba culture, indicate spiritual destiny, and activist Angela Davis questions how her message of revolution got reduced to a hairstyle.

Tenderheaded is as rich and diverse as the children of the African diaspora. With works by Toni Morrison, Alice Walker, bell hooks, Henry Louis Gates Jr., and other writers of passion, persuasion, and humor -- this is sure to be one of the most talked-about books of the year..
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This is a unique and vividly told novel about a girl named Betsey Brown, an African American seventh-grader growing up in St. Louis, Missouri While rendering a complete portrait of this girl, author Ntozake Shange also profiles her friends, her family, her home, her school, and her world. This world, though a work of fiction, is based closely and carefully on actual history, specifically on the nationwide school desegregation events of the Civil Rights movement in America’s recent past. As such, Betsey Brown is a historical novel that will speak to and broaden the perspectives of readers both familiar with and unaware of America’s domestic affairs of 1950s and 1960s.

Shange has set her story in the autumn of 1959, the year St. Louis started to desegregate its schools. In May of 1954, in its ruling on Brown vs. Board of Education of Topeka—a verdict now seen by many as the origin of the Civil Rights movement—the United States Supreme Court outlawed school segregation. The novel is firmly located in the wake of this landmark ruling; the plot of Shange’s novel and the history of America’s quest for integration during the Civil Rights era are fundamentally entwined. Thus textual references abound to the watershed events at Little Rock’s Central High School in the September of 1957, for example, and to “fire-bombings and burningcrosses” in the South as well as “‘battalions of police and crowds of crackers’” at a demonstration in St. Louis.

Betsey is the oldest child in a large, remarkable, and slightly eccentric African American family. Her father is a doctor who wakes his children each morning with point-blank questions about African history and Black culture while beating on a conga drum; her mother is a beautiful, refined, confident, and strong-willed social worker who is overwhelmed by the vast size of her young family and who cares very little for “all that nasty colored music.”

Indeed, Betsey’s whole existence can be seen as a perceptive, adventuresome, and still-developing hybrid of her parents’ most distinctive qualities. Her feelings of internal conflict are often clearer or easier to identify when seen as the collision of her father’s dreams and her mother’s manners, or her father’s music and her mother’s cosmetics. There are several fascinating characters in this novel—and encountering, describing, and trying to figure out these characters will appeal to students of all backgrounds—but the two characters who, after Betsey, most influence the directions, themes, and issues of this tale are Betsey’s mother and father, Jane and Greer. Their her parents' difficult marriage, like the difficult era of desegregation that has only begun in St. Louis and the rest of America, is the realistic, conflicted, yet ultimately hopeful backdrop before which Betsey’s lip-synching, poem-reciting, soul-searching, truth-seeking, tree-climbing, and fact-finding take place. In fact, her parents' stubborn disagreements, heartfelt reconciliations, past glories, and future worries are all, at various times in the book, anchored or else set adrift by the activities of theireldest daughter (and first teenager!). Betsey’s running away sends her parents into a vicious fight, while her subsequent return seems to bring them closer together (if only temporarily).

As a novel, Betsey Brown is panoramic yet personal. It tells us what being a Black student in the early days of American desegregation was like by showing us what being Betsey Brown is like. This is an episodic, character-driven saga of the Black experience in St. Louis at the end of the “Fabulous Fifties,” but it is also a story about the many and various—and basically familiar—growing pains of a precocious, passionate, spunky young protagonist. We see Betsey fall in love; make friends; say prayers; argue with, look after, inspire, and ignore her younger siblings; run away from home; return to those who love and value her above all else; and switch from a school she knows and enjoys to a school on the other side of town where she is a minority and an outcast. We see Betsey outside the very door of her womanhood, we are told all about the steps and path that have brought her to this door, and we are left to wonder at what she will find beyond it.
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Walking many miles to school in the dusty road, young Coretta knew, too well, the unfairness of life in the segregated south.

A yearning for equality began to grow.

Together with Martin Luther King, Jr., she gave birth to a vision and a journey—with dreams of freedom for all.

This extraordinary union of poetic text by Ntozake Shange and monumental artwork by Kadir Nelson captures the movement for civil rights in the United States and honors its most elegant inspiration, Coretta Scott.

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Shange's lyrical poem is a tribute to the language of music and the magical, often mystical, rhythms that connect people. Music defines who we are as individuals, the places where we live, and how we exist within our communities. Music is life.

Written in a syncopated style that has its own melody, the poem is perfectly married to twenty-one extraordinary and diverse works from Romare Bearden who once said, "I paint in the tradition of the blues."

Here is a unique and visionary book that speaks, indeed sings, to both children and adults and is, at once, compelling, profond, and entertaining..
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In a collection of interviews, fifteen African-American girls between the ages of eleven and eighteen share their thoughts on their lives, self-esteem, personal identity, values, race, and their dreams for the future. 15,000 first printing..
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Completely repackaged, this spirited celebration of the African-American soul breathes new life in the rhythmic poetry of beats and movements for which she is renowned Winner of the Tony Award and the Obie Award for For Colored Girls Who Have Con-sidered Suicide/When the Rainbow Is Enuf, Ntozake Shange's poetry is considered some of the most influential in African-American culture..
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