Books about Ousmane from Amazon.com

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Price: $6.68 [Notify me when price goes down.]

Drawing on the long history of Islamic arts in sub-Saharan Africa, A Saint in the City investigates in depth the vibrant and sophisticated arts of urban Senegal. Underscoring the interconnectedness of art and life, it insightfully penetrates the visual culture of the Mouride Way, a Sufi movement steeped in the mystical teachings of Sheikh Amadou Bamba (1853-1927). It focuses in particular on the ways in which sacred images "work" for people as powerful acts of devotion and prayer. The remarkable proliferation of arts in the city of Dakar, from bold street murals to virtuosic calligraphy and intricate, colorful glass paintings, attests to the transformative potency of images in Mouridism. This way of life, grounded in the dignity and sanctity of work as conveyed by the teachings of Amadou Bamba, is observed by over four million Senegalese--half the Muslim population in this small country--as well as by thousands more around the globe.

A Saint in the City brings together a range of artists--regardless of background, training, rootedness in the "traditional" medium, or style--who share a belief in the Mouride Way. The book boldly transgresses the boundaries normally enforced between the local and the global, fine art and popular art, the gallery and the street, the historical and the contemporary..
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Even by the time Senegalese filmmaker Ousmane Sembène (1923-2007) was forty, he had lived an exceptional life. He joined the French army during World War II and moved from Senegal to France in 1948. There he worked for automaker Citroën, as well as on the docks of Marseille Exposed to Marxism, he participated in railroad strikes and trade union movements. His early novels and short story collections gained him literary recognition both in Senegal and throughout sub-Saharan Africa.

In his fortieth year, Sembène directed the short film Borom Sarret, one of the first films directed by a black African and a movie that brought African cinema to the consciousness of the West. Sembène's subsequent films--including Black Girl, Mandabi, Xala, Ceddo, Faat Kiné, and Moolaadé--address contemporary African society and cultural issues with the filmmaker's characteristic wit and subtle satire. Known for urban themes and complex female protagonists, Sembène's movies, both in French and in his native language Wolof, are considered pioneering masterworks of African cinema.

Ousmane Sembène: Interviews collects conversations from the mid-1960s to 2005, and spans the breadth of his filmmaking career while also touching on his literary work and his role as a public intellectual. Many of these interviews appear here in English for the first time and come from French, German, African diaspora, and Senegalese periodicals..
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Senegalese director Ousmane Sembene has often been referred to as a pioneer of the sub-Saharan African cinema. From Borom Sarret (1963) to Guelwaar (1992), Sembene has developed a political and aesthetic project that has deeply influenced the evolution of African filmmaking. This project, with its goal to create a new "Africa" free of the remnants of colonialist oppression, has subsequently become the objective of emerging generations of African filmmakers. In this book seven scholars explore Sembene's notion of a new Africa by examining the central issues of change, cultural alienation and economic dependence that infuse the director's cinematic and literary works..
Price: $31.95 [Notify me when price goes down.]