Books about Overcoat from Amazon.com



Joseph Had a Little Overcoat (Caldecott Medal Book)
Joseph had a little overcoat, but it was full of holes--just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that?

As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat--while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing .
Price: $5.00 [Notify me when price goes down.]


The Overcoat and Other Short Stories (Dover Thrift Editions)
Four works by great 19th-century Russian author: "The Nose," a savage satire of Russia's incompetent bureaucrats; "Old-Fashioned Farmers," a pleasant depiction of an elderly couple living in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," one of Gogol’s most famous comic stories; and "The Overcoat," widely considered a masterpiece of form.
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Price: $0.35 [Notify me when price goes down.]


The Overcoat (Russian texts)
The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions..
Price: $18.00 [Notify me when price goes down.]


The Diary of a Madman and Other Stories: The Nose; The Carriage; The Overcoat; Taras Bulba (Signet Classics)
Illuminates the Russian writer's thoughts on madness, bureaucracy, and illusion in these five tales..
Price: $12.00 [Notify me when price goes down.]


Fiction's Overcoat: Russian Literary Culture and the Question of Philosophy
If Dostoevsky claimed that all Russian writers of his day "came out from Gogol’s ‘Overcoat,’" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature.

In Fiction’s Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition.

During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers—Berdiaev, Losev, Rozanov, Shestov, and Solovyov—made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction’s Overcoat serves as a welcome guide to its complexities and nuances.

Historians and cultural critics will find in Clowes’s book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists—particularly Dostoevsky, Pasternak, and Platonov—as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age..
Price: $45.95 [Notify me when price goes down.]



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