Books about Procession from Amazon.com

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It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days.

A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph--but also its darker side. What did it mean when the axle broke under Julius Caesar's chariot? Or when Pompey's elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general's show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and "victory" in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.

Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture--and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes "history."

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The Lau family travels to Antigua, Guatemala to visit their cousins Although the Laus are Chinese and Buddhist, they adore the pageantry of Easter, and Easter in Antigua is exciting, with long, elaborate processions of penitents wreathed in incense and carrying colonial Spanish statues down the cobblestone streets of the city. The best part is seeing the elaborate carpets made of colored sawdust, which the processions walk over and destroy. On the morning of the most important procession, the heroine is invited to make her very own sawdust carpet. But why, she wonders, make something so beautiful, only to have it be ruined?

Guatemalan and Chinese religious observances, dragon boat races and Easter processions, piñatas, baptisms, and Chinese tamales all weave in and out of this story, which celebrates beauty, religious celebration, and tolerance..
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In some countries, they call them the "abandonados," the abandoned ones. They're the impoverished mentally ill and mentally disabled patients being warehoused in psychiatric asylums that are more run-down, more uncaring than the most brutal American prisons. Confined in cage-like cells, tied to beds soiled with human waste, medicated to the point of senselessness, or wandering naked in unheated and garage-like wards, they live in what can only be called the shadows, their plight unseen and too easily ignored by the rest of the human family.

Working first as a journalist, later as a volunteer for the human rights organization Mental Disability Rights International, photographer Eugene Richards gained access to psychiatric institutions in Mexico, Argentina, Armenia, Hungary, Paraguay, and Kosovo. His wrenchingly intimate images reveal the often inhumane treatment suffered by the mentally disabled. Offered little that would qualify as effective care, patients are denied even the most basic human amenities: privacy, protection from harm, clean clothing. Accompanying the book, A Procession of Them, is a DVD of a short film of the same name. Directed and narrated by Richards, this unique and expressionistic film speaks of the chaos, claustrophobia, and loneliness of these living hells.

Making us face some hard truths, A Procession of Them drives home the point that when it comes to the plight of the mentally disabled, "no one much cares." As Richards concludes, it's "as if there is a kind of worldwide agreement that once people are classified as mentally ill or mentally retarded, you're free to do to them what you want."

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This digital document is a journal article from Political Geography, published by Elsevier in . The article is delivered in HTML format and is available in your Amazon.com Media Library immediately after purchase. You can view it with any web browser.

Description:
This paper discusses the use of procession as a technique of subaltern resistance in a situation where hegemonic power is particularly dominant. After a review of the literature on hegemony, resistance and the origin and nature of processions, it discusses the situation in Manchester in late 1867 following the execution of the three Irishmen who became known as ''The Manchester Martyrs''. Using contemporary British and Irish newspapers of varied outlook, it analyses processions of sympathy held on 24 November and 1 December. The organisation, route and composition of the processions and the dress and behaviour of the participants are analysed to demonstrate how procession can express resistance. The case study demonstrates how hegemony and resistance are closely intertwined and that spaces for resistance exist even in the most difficult circumstances, provided those organising resistance show sufficient understanding of the opportunities offered by national and local cultural traditions and local power relationships, and are able to persuade their followers to tailor their act of resistance to that context. .
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