Books about Panegyric from Amazon.com

This is a new student edition of Erasmus' crucial treatise on political theory and also contains a new, excerpted translation from his Panegyric The Education of a Christian Prince is one of the most important "advice-to-princes" texts published in the Renaissance and was dedicated to Charles V. It is a strongly pacifist work in which Erasmus sought to ensure that the prince governed justly and benevolently. This edition also includes an original introduction, a chronology of the life and work of Erasmus, and a comprehensive guide to further reading..
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"I have written less than most writers But I have drunk far more than most drinkers

"All my life I have seen only troubled times, extreme divisions in society, and immense destruction; I have joined in these troubles.

"My method will be very simple. I will tell of what I have loved; and, in this light, everything else will become evident…

"Over the years, more than half the people I knew well had sojourned one or several times in the prisons of various countries; many, no doubt, for political reasons, but all the same a greater number for common law offenses or crimes. So I met mainly rebels or the poor.

"Our only manifestations, which remained rather rare and bried in the first years, were meant to be completely unacceptable; at first, expecially by their form and, later, as they acquired depth, especially by their content. They were not accepted."

Guy Debord, as founding and pivotal figure of the Situationist International, pursued one of the twentieth century’s most arch and exciting assaults on modern life. Panegyric is Debord’s audacious autobiography, and here for the first time in English is the second, beautifully illustrated volume published together with the spare and classical text of the first. A rare combination of poetry and precision, it tells of something even rarer: a life that refused to adjust to the dominant malignancies of its time..
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Horror Panegyric begins with a penetrating essay by Keith Seward on the three Lord Horror novels produced by David Britton and Michael Butterworth, aka Savoy Books of Manchester, England The first novel, Lord Horror, was the most recent work of literature after Last Exit to Brooklyn to be banned in England and obliged Britton to serve a term in Strangeways Prison. Savoy's "franchise of Lord Horror productions," Seward writes, "is provocative, original, visionary, and contains at least one outright masterpiece (Motherf*ckers). Young writers should be looking at it the same as they do Naked Lunch, i.e. as a work that shows them what the possibilities are in the hands of a master." "Lord Horror," Britton has said, "was so unique and radical, I expected to go to prison for it. I always thought that if you wrote a truly dangerous book -- something dangerous would happen to you. Which is one reason there are so few really dangerous books around. Publishers play at promoting dangerous books, whether they're Serpent's Tail or Penguin. All you get is a book vetted by committee, never anything radically imaginative or offensive that will take your f*cking head off. Ironically, I think it would do other authors a power of good if they had to account for their books by going to prison -- there are far too many bad books being published!" Following the essay are excerpts from the three difficult-to-find novels Lord Horror, Motherf*ckers: The Auschwitz of Oz, and Baptised in the Blood of Millions. Rounding out the volume is a timeline of Lord Horror productions that includes the novels, comic books, and recordings for which Savoy Books has earned its worldwide notoriety..
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Here, for the first time, is an annotated English translation of the eleven later panegyrics (291-389 C.E.) of the XII Panegyrici Latini, with the original Latin text prepared by R. A. B. Mynors. Each panegyric has a thorough introduction, and detailed commentary on historical events, style, figures of speech, and rhetorical strategies accompanies the translations. The very difficult Latin of these insightful speeches is rendered into graceful English, yet remains faithful to the original..
Price: $90.00 [Notify me when price goes down.]

The two centuries between a.d. 250 and a.d. 450 witnessed the creation of a distinctive Christian Greek culture in the eastern part of the Roman empire. This book focuses on the transition from ancient to Christian Hellenism as it was expressed in the biographical and panegyric literature of the period. The essays show how literary genres focusing on individual lives help to reveal this historical process. The contributors are leading scholars who bring several disciplines to bear on these texts: they are historians, theologians, classicists, and historians of religion. Together, the collection presents much new research and helps show Late Antiquity not only as an important transitional period but also as an era with an identity of its own.

Among the figures the biographical texts bring to life are Antony the Great, the charismatic desert father, and Basil of Caesarea, the influential church politician. Collectively the essays go beyond discussion of particular texts to consider such general topics as strategies of rhetoric and representation, the place of classical Greek culture in both pagan and Christian education, and what is meant by philosophy as a way of life.

Greek Biography and Panegyric in Late Antiquity will send readers back to many Late Antique texts with an enhanced appreciation of how these highly idiosyncratic works exhibit in concentrated form some of the most characteristic and widespread values, tensions, and literary strategies of their age..
Price: $22.50 [Notify me when price goes down.]

But we, like any of the poor, unfurnished with these varied specifics[1]--whether as never having been possessed of them, or, it may be, as having lost them--are under the necessity of using, as it were, only charcoal and tiles, that is to say, those rude and common words and phrases; and by means of these, to the best of our ability, we represent the native dispositions of our mind, expressing them in such language as is at our service, and endeavouring to exhibit the impressions of the figures[2] of our mind, if not clearly or ornately, yet at least with the faithfulness of a charcoal picture, welcoming gladly any graceful and eloquent expression which may present itself from any quarter..
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