Books about Pauline from Amazon.com



The Great Gatsby
In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. .
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On Writing
Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo.
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The Chronicles of Narnia
The Chronicles of Narnia, by C.S. Lewis, is one of the very few sets of books that should be read three times: in childhood, early adulthood, and late in life. In brief, four children travel repeatedly to a world in which they are far more than mere children and everything is far more than it seems. Richly told, populated with fascinating characters, perfectly realized in detail of world and pacing of plot, and profoundly allegorical, the story is infused throughout with the timeless issues of good and evil, faith and hope. This boxed set edition includes all seven volumes..
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Lord of the Flies
William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition. --Jennifer Hubert.
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The Year of Magical Thinking
From one of America’s iconic writers, a stunning book of electric honesty and passion Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage--and a life, in good times and bad--that will speak to anyone who has ever loved a husband or wife or child..
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Story of O
The classic erotic novel, THE STORY OF O relates the love of a beautiful Parisian fashion photographer for Rene. As part of that intense love, she demands debasement and severe sexual and pychological tests. It is a unique work not to be missed..
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The Chronicles of Narnia

Journeys to the end of the world, fantastic creatures, and epic battles between good and evil -- what more could any reader ask for in one book? The book that has it all is the lion, the witch and the wardrobe, written in 1949 by C. S. Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.

For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a world where magic meets reality, and the result is a fictional world whose scope has fascinated generations.

This edition presents all seven books -- unabridged -- in one impressive volume. The books are presented here according to Lewis's preferred order, each chapter graced with an illustration by the original artist, Pauline Baynes. This edition also contains C. S. Lewis's essay "On Three Ways of Writing for Children," in which he explains precisely how the magic of Narnia and the realm of fantasy appeal not only to children but to discerning readers of all ages. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to all readers, even fifty years after the books were first published.

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Sociology

The title says it all. This tenth edition of the best-selling Sociology is a comprehensive book and multimedia package that offers readers a global perspective to help them better understand their own lives, provides a strong focus on social diversity that allows them to see the impact of race, class, and gender, and focuses on critical thinking. With technology integrated throughout, this new edition features new research citations, more social theory applications, additional references to pop culture linking directly to sociological material. Covering all aspects of sociology, this book describes sociological investigation, culture, society, interaction in everyday life, groups and organizations, deviance, sexuality, social stratification, social class in the United States, global inequality, gender stratification, race and ethnicity, aging, the economy, politics and government, family, religion, education, health and medicine, population and urbanization, collective behavior and social movements, and social change. An excellent resource for professionals in the field of sociology, this book is also an excellent read for non-academic hobbyists and life-long learners.

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Price: $22.00 [Notify me when price goes down.]


The Innocent Man: Murder and Injustice in a Small Town
John Grisham tackles nonfiction for the first time with The Innocent Man, a true tale about murder and injustice in a small town (that reads like one of his own bestselling novels). The Innocent Man chronicles the story of Ron Williamson, how he was arrested and charged with a crime he did not commit, how his case was (mis)handled and how an innocent man was sent to death row. Grisham's first work of nonfiction is shocking, disturbing, and enthralling--a must read for fiction and nonfiction fans. We had the opportunity to talk with John Grisham about the case and the book, read his responses below. --Daphne Durham
20 Second Interview: A Few Words with John Grisham

Q: After almost two decades of writing fiction, what compelled you to write non-fiction, particularly investigative journalism?
A: I was never tempted to write non-fiction, primarily because it's too much work. However, obviously, I love a good legal thriller, and the story of Ron Williamson has all the elements of a great suspenseful story.

Q: Why this case?
A: Ron Williamson and I are about the same age and we both grew up in small towns in the south. We both dreamed of being major league baseball players. Ron had the talent, I did not. When he left a small town in 1971 to pursue his dreams of major league glory, many thought he would be the next Mickey Mantle, the next great one from the state of Oklahoma. The story of Ron ending up on Death Row and almost being executed for a murder he did not commit was simply too good to pass up.

Q: How did you go about your research?
A: I started with his family. Ron is survived by two sisters who took care of him for most of his life. They gave me complete access to the family records, photographs, Ron's mental health records, and so on. There was also a truckload of trial transcripts, depositions, appeals, etc., that took about 18 months to organize and review. Many of the characters in the story are still alive and I traveled to Oklahoma countless times to interview them.

Q: Did your training as a lawyer help you?
A: Very much so. It enabled me to understand the legal issues involved in Ron's trial and his appeals. It also allowed me, as it always does, to be able to speak the language with lawyers and judges.

Q: Throughout your book you mention, The Dreams of Ada: A True Story of Murder, Obsession, and a Small Town. How did you come across that book, and how did it impact your writing The Innocent Man?
A: Several of the people in Oklahoma I met mentioned The Dreams of Ada to me, and I read it early on in the process. It is an astounding book, a great example of true crime writing, and I relied upon it heavily during my research. Robert Mayer, the author, was completely cooperative, and kept meticulous notes from his research 20 years earlier. Many of the same characters are involved in his story and mine.

Q: You take on some pretty controversial and heated topics in your book--the death penalty, prisoner's rights, DNA analysis, police conduct, and more--were any of your own beliefs challenged by this story and its outcome?
A: None were challenged, but my eyes were open to the world of wrongful convictions. Even as a former criminal defense attorney, I had never spent much time worrying about wrongful convictions. But, unfortunately, they happen all the time in this country, and with increasing frequency.

Q: So many of the key players in this case are either still in office or practicing attorneys. Many family members and friends still live in the same small town. How do you think The Innocent Man will impact this community and other small rural towns as they struggle with the realities of the justice system?
A: Exonerations seem to be happening weekly. And with each one of them, the question is asked--how can an innocent man be convicted and kept in prison for 20 years? My book is the story of only one man, but it is a good example of how things can go terribly wrong with our judicial system. I have no idea how the book will be received in the small town of Ada, Oklahoma, or any other town.

Q: What do you hope your readers will take away from The Innocent Man?
A: A better understanding of how innocent people can be convicted, and a greater concern for the need to reimburse and rehabilitate innocent men after they have been released.


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