Books about Petrine from Amazon.com

In Hollywood Hoofbeats, author Petrine Day Mitchum tells stories in page-turning detail, covering topics such as behind-the-scenes portraits of both famous movie horses and those virtually unknown; personal accounts from their trainers, owners, and costars; simple and complex horse stunts, from a fall in mid-gallop to a race across a bridge during a live explosion; and historic black-and-white photos and richly colored contemporary stills..
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This voluminous study examines the question of the Papacy in theological, biblical, and historical context, attempting to dispel doubts about the traditional Roman Catholic position by an impessive collection of data and commentary..
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In the years after the end of the First World War, large numbers of Africans and African Americans emigrated to the cities of Europe in search of work and improved social conditions Their impact on white European society was immense. In Paris, where the artistic climate was particularly sensitive and experimental, avant-garde artists courted black personalities such as Josephine Baker, Henry Crowder, and Langston Hughes for their sense of style, vitality, and "otherness." Leger, Picasso, Brancusi, Man Ray, Giacometti, Sonia Delaunay, and others enthusiastically collected African sculptures and wore tribal jewelry and clothes. More importantly, they adopted black forms in their work, and their style soon influenced a larger audience anxious to be in vogue. A passion for black culture swept through Paris, and by the end of the 1920s, black forms that had provided the initial spark to the modernist vision had become the commercially successful Art Deco style. Negrophilia, from the French negrophilie--the contemporary term to describe the craze--examines this commingling of black and white cultures in jazz-age Paris. Painting, sculpture, photography, popular music, dance, theater, literature, journalism, furniture design, fashion, and advertising--all are scrutinized to show how black forms were appropriated, adapted, and popularized by white artists. The photographs, writings, and memorabilia of poet Guillaume Apollinaire, art collectors Paul Guillaume and Albert Barnes, shipping heiress and publisher Nancy Cunard, and Surrealists Michel Leiris and Georges Bataille help to recreate the contemporary atmosphere. The book raises questions about the avant-garde's motives, and suggests reasons and meaning for its interest. 115 b/w photographs and illustrations..
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In considering the issue which has divided Christians in the past and still divides them today, a group of Orthodox theologians from different theological perspectives reflect upon the scriptural passages which single out Peter among the disciples of Jesus. Koulomzine ("Peter's Place in the Primitive Church") and Kesich ("Peter's Primacy in the New Testament and the Early Tradition"), as exegetes, read the passages in the light of contemporary New Testament research. John Meyendorff ("St Peter in Byzantine Theology") looks at the history of exegesis: how were these passages read at the time when East and West split, quarrelling about the issue of authority in the Church? Finally, Schmemann ("The Idea of Primacy in Orthodox Ecclesiology") and Afanassieff ("The Church Which Presides in Love") look at the meaning of "primacy" as a permanent, through changing, factor of "catholic" ecclesiology.

At a time when an ecumenical reconciliation between Rome and Eastern Christianity appears possible'but when new tensions (or are they actually the old ones?) are surging again'these studies set forth the Orthodox position of the primacy of Peter.

CONTRIBUTORS: John Meyendorff is dean and professor of church history and patristics at St Vladimir's Seminary; Alexander Schmemann (†1983) was dean of St Vladimir's Seminary and taught church history and liturgical theology (1962-1983); Nicholas Afanassieff (†1966) was a professor of canon law and church history at the Orthodox Theological Institute in Paris; Nicholas Koulomzine is a professor of New Testament at the Orthodox Theological Institute in Paris; Veselin Kesich is professor emeritus of New Testament at St Vladimir's Seminary.

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This collection of papers has its origin in the encyclical letter Ut unum sint (no. 95) and the request of Pope John Paul II to study the question of the Petrine ministry with other Christians with a view to "seeking--together, of course--the forms in which this ministry may accomplish a service of love recognized by all concerned." After the promulgation of the encyclical in 1995, the theme of the Petrine ministry in its implications for dialogue with the other churches and ecclesial communities resonated throughout the ecumenical community and in studies, conferences and courses at institutes and research centers, focusing on the theological and historical aspects of the issue. The symposium presented here, organized by the Pontifical Council for Promoting Christian Unity, is aimed at furthering study of the role of the Bishop of Rome in the perspective of the search for Christian unity. Catholic experts and delegates representing a range of Orthodox churches took part in the closed-door symposium, at which eight speakers presented papers, dealing with each theme from the Catholic and Orthodox points of view..
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A prominent American archbishop examines the Pope's ministry of unity in the contemporary Church, offering proposals for reform in the way in which the papal primacy is exercised..
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