Books about Piranesi from Amazon.com

Gibbon’s masterpiece, which narrates the history of the Roman Empire from the second century a.d. to its collapse in the west in the fifth century and in the east in the fifteenth century, is widely considered the greatest work of history ever written. This abridgment retains the full scope of the original, but in a compass equivalent to a long novel. Casual readers now have access to the full sweep of Gibbon’s narrative, while instructors and students have a volume that can be read in a single term. This unique edition emphasizes elements ignored in all other abridgments—in particular the role of religion in the empire and the rise of Islam..
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The great 18th century architectural artist and master engraver "Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens… he has imagined scenes that would startle geometry and exhaust the Indies to realize." --Horace Walpole

One the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway. Anyone who contemplates Piranesi's etchings will confront the existential nightmare of human existence and its infinite mysteries….
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Reprint of the 1922 edition Cloth, Octavo. xii, 96pp. Frontispiece and 146 illustrations Piranesi (1720-1778), Italian engraver and architect, is best known for his etchings of ancient and baroque Rome and the grandiose architectural constructions of his own imagination. In 1745 Piranesi's first real success came with his Carceri d' Invenzione, or Imaginary Prisons, 16 large plates that are often considered his masterpieces. Piranesi's next enterprise was to record the ruins of ancient Rome. It was to be the biggest project of his life. In 1756 Piranesi published his Roman Antiquities, four huge volumes containing over 200 folio plates. Hind's work is still one of the standard works on Piranesi. In all Hind describes 146 of Piranesi's work, including all the views of Rome, and the Carceri. Hind is invaluable for information on watermarks and states of each etching. He also provides information on dimensions, numbering, and publishers. Hind also provides a complite list of all the known works of Piranesi. He also provides a bibliography, and index, and illustrations of 124 the views of Rome..
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With this important series Yale University Press adds to its broad-ranging list in architecture a new component of critical theory and inquiry. The authors of the various books in the series-architects, critics, and historians-hold distinct and diverse theoretical positions. Yet they all share the understanding that both architecture and architectural writing function within a network of cultural, social, and political practices. The books will range from thematic monographs to more speculative and philosophical studies relating recent critical theory to architecture. In setting a high standard of imagination and intellectual inquiry, the series offers itself as a useful resource for teaching and thinking about architecture..
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