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It speaks to the failure of medieval Europe, writes popular historian William Manchester, that "in the year 1500, after a thousand years of neglect, the roads built by the Romans were still the best on the continent " European powers were so absorbed in destroying each other and in suppressing peasant revolts and religious reform that they never quite got around to realizing the possibilities of contemporary innovations in public health, civil engineering, and other peaceful pursuits. Instead, they waged war in faraway lands, created and lost fortunes, and squandered millions of lives. For all the wastefulness of medieval societies, however, Manchester notes, the era created the foundation for the extraordinary creative explosion of the Renaissance. Drawing on a cast of characters numbering in the hundreds, Manchester does a solid job of reconstructing the medieval world, although some scholars may disagree with his interpretations..
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From the Author: What's New in The Lincolns, Portrait of a Marriage?

During the years I was researching and writing this book I was asked again and again: Have you found anything new, in facts or perspective?

The answer is yes, and yes again. Everything is new in the sense that when one puts aside the stereotypes associated with the Lincolns, a rich and complex married life emerges. The stereotypes are: Mary was crazy, and Abraham was a saint. The most popular myth is that Lincoln married a madwoman, and suffered patiently and heroically through twenty-two miserable years of marriage.

After my research, I reached two conclusions that shaped my portrait of the marriage. First, these two people loved each other deeply, from the time they met in Springfield in 1839, until his assassination in 1865. The second is that Mary was extremely interested in Abraham's career and speeches; whenever they could, the two of them talked about these things. She was a strong political partner for him.

The rest of my work has been a careful gathering of details. Here again, there is a lot that is new. First, this is the only book about the marriage that recounts the Springfield years (16 years out of 22) in as much detail as the White House years. In Springfield the family achieved a delicate balance that was destabilized in wartime Washington. The story that began as a romance turns to tragedy.

The Lincolns' courtship was stormy; he broke off their engagement in 1840, and they were not reconciled until 1842. New evidence indicates that Lincoln believed he had syphilis, and would not resume the courtship until he believed he was cured.

I discovered letters from Mary's brother-in-law that shed light on the courtship, and the abrupt reconciliation and marriage in 1842.

This is the first book to connect Lincoln's reading of The Niles Register (a news magazine of the time) with his speeches against the Mexican War during his term of congress in 1847-48. In their Washington boarding house in 1848, the Lincolns witnessed the abduction of a black servant who was buying his freedom. Using newspaper accounts of the time I was able to detail this terrifying incident.

Mary's physical abuse of her husband has mostly been a matter of rumor. In 1857 she is supposed to have hit her husband with a stick of firewood, injuring his nose. I was able to find store receipts for a gelatin plaster that Lincoln purchased on the date witnesses saw him wearing the plaster cast, on his nose, in court.

Much has been written about the plot to assassinate Lincoln on his way through Baltimore for the inauguration. This book is the first to describe the danger to which Mary and her sons were exposed en route to Baltimore while Lincoln passed secretly from Harrisburg to Washington. The Presidential train with Mary aboard served as a decoy, and the journey through "mob city" was a nightmare.

One of the most exciting moments of my research was in discovering a poem of Albert Laighton's that the Lincolns read together. It shaped the last lines of Lincolns' first inaugural address. Another was the discovery of a letter from a Washington physician describing Mrs. Lincoln's handling of a medical crisis in the White House (when her children had measles) that disproves the received opinion she was too unstable to handle such emergencies.

There's a lot more that is new, but I don't want to spoil it here. I felt honored to be entrusted with these materials, and to tell the Lincolns' story.

--Daniel Mark Epstein

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All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there's more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic..
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A serial killer takes his dead victims' portraits and sends them to the media. Lieutenant Eve Dallas counts on her husband's help to crack the case, but he's just learned a devastating truth about his past..
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In honor of the United Nations-sponsored International Year of the Family in 1994, award-winning photojournalist Peter Menzel brought together 16 of the world's leading photographers to create a visual portrait of life in 30 nations Material World tackles its wide subject by zooming in, allowing one household to represent an entire nation. Photographers spent one week living with a "statistically average" family in each country, learning about their work, their attitudes toward their possessions, and their hopes for the future. Then a "big picture" shot of the family was taken outside the dwelling, surrounded by all their (many or few) material goods.

The book provides sidebars offering statistics and a brief history for each country, as well as personal notes from the photographers about their experiences. But it is the "big pictures" that tell most of the story. In one, a British family pauses before a meal of tea and crumpets under a cloudy sky. In another, wary Bosnians sit beside mattresses used as sniper barricades. A Malian family composed of a husband, his two wives, and their children rests before a few cooking and washing implements in golden afternoon light. Material World is a lesson in economics and geography, reminding us of the world's inequities, but also of humanity's common threads. An engrossing, enlightening book. --Maria Dolan .
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A Portrait of the Artist as a Young Man portrays Stephen Dedalus's Dublin childhood and youth, providing an oblique self-portrait of the young James Joyce. At its center are questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive, this coming-of-age story is a tour de force of style and technique..
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Creative ideas on how to take frame-worthy photographs of children and family

Presenting a fresh approach to photographing children in portraits as well as candid situations, these project-oriented chapters teach readers core photographic techniques by using helpful examples and instructions. Readers learn how to photograph in natural environments, with natural light, elegance, and sensitivity..
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