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J.W. Waterhouse
John William Waterhouse is among the most popular Victorian artists, and many of his paintings, such as The Lady of Shalott, Hylas and the Nymphs and Ophelia, have become icons of femininity recognized the world over. With their compelling composition, glowing colour and Impressionist-inflected technique, these paintings are admired for their beauty, yet at the same time they have the power to transport the viewer into a romantic world of myth and legend. Waterhouse’s depictions of female beauty reflect his age’s complex and ambivalent attitudes towards women, in which Victorian ideals of sentiment and duty commingled with less noble undercurrents of erotic desire and misogyny. In this fresh and innovative study of the artist, Peter Trippi presents a new analysis of Waterhouse’s seductresses, martyrs and nymphs, together with a lively discussion of the cultural and historical circumstances in which these images were painted. This authoritative volume utilizes new research to provide an accessible biography of the artist and to assess his place in the late Victorian art world. Themes explored include Waterhouse’s passion for Italy, literature and the classical world, his participation in England’s Royal Academy, his stylistic influences and studio practices, and the collectors, dealers, critics and curators who helped make him famous in his day. Like other Victorian artists, Waterhouse was neglected through much of the twentieth century, but as critical inhibitions have fallen away the revival of his fortune has been dramatic. Today he is again acknowledged as a master painter. Peter Trippi’s monograph provides a timely re-evaluation that combines a close reading of Waterhouse’s imagery with a candid appraisal of his unique talent..
Price: $19.77
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J W Waterhouse
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The Pre-Raphaelites and Their Circle (A Phoenix Book)
This useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously.   Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites. .
Price: $15.00
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The Art of the Pre-Raphaelites
In 1848 seven inexperienced young artists banded together to form the Pre-Raphaelite Brotherhood, one of the first and most distinctive movements in modern art. A century and a half later, their art still has the power to shock, as well as fascinate, its audiences. Through detailed analysis of the materials, techniques, and working methods of the artists, this lavishly illustrated book examines how Pre-Raphaelite paintings compel the viewer to see more, and more vividly, than traditional painting styles. This intensity of observation reinforces the distinctive subject matter the the works: the natural world and the human model; gender identities and sexual relationships; and debates on politics, science, and religion. Among the artists featured are Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Edward Burne-Jones, and Ford Maddox Brown..
Price: $21.81
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Ivy
Ivy is used to being overlooked The youngest in a family of thieves, scoundrels, and roustabouts, the girl with the flame-colored hair and odd-colored eyes is declared useless by her father from the day she is born. But that's only if you look at her but don't see. For Ivy has a quality that makes people take notice. It's more than beauty -- and it draws people toward her. Which makes her the perfect subject for an aspiring painter named Oscar Aretino Frosdick, a member of the pre-Raphaelite school of artists. Oscar is determined to make his mark on the art world, with Ivy as his model and muse. But behind Ivy's angelic looks lurk dark secrets and a troubled past -- a past that has given her an unfortunate taste for laudanum. And when treachery and jealousy surface in the Eden that is the artist's garden, Ivy must learn to be more than a pretty face if she is to survive. Julie Hearn, author of The Minister's Daughter and The Sign of the Raven, has created a memorable tale of nineteenth-century England with a character destined to take her place alongside Dickens's Pip and Oliver Twist..
Price: $10.43
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William Morris and Edward Burne-Jones: Interlacings (Paul Mellon Centre for Studies in British Art)
The friendship between William Morris and Edward Burne-Jones began when they met as undergraduates in 1853 and—despite their differences in temperament and in attitudes to political engagement—lasted until Morris’s death in 1896. This friendship was one of the defining features of both their lives, and yet the overlap in their artistic projects has not previously been considered in detail. In this deeply thoughtful book, Caroline Arscott explores particular aspects of the paintings of Burne-Jones and the designs of Morris and concludes that there are close interconnections in theme, allusion, and formal strategy between the works of the two men. She suggests that themes of bodily pain, desire and appetite are central to their vision. Through careful readings of Burne-Jones’s painting and Morris’s designs for printed wallpapers and textiles, she shows that it is possible to bring together fine art and design in a linked discussion that illuminates the projects of both artists. .
Price: $44.72
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Lizzie Siddal: Face of the Pre-Raphaelites: Face of the Pre-Raphaelites
In the twenty-first century, even those who do not know Lizzie Siddal’s name will recognize her face: she is Millais’s doomed Ophelia and Rossetti’s beatified Beatrice in two of the nineteenth century’s most famous paintings As Lucinda Hawksley explores in Lizzie Siddal, Face of the Pre-Raphaelites, Siddal’s fame was a remarkable phenomenon: in a time when she was the opposite of the Victorian beauty (she was red-haired, quite tall, and painfully thin), she nonetheless scaled the social ranks to become the unlikely ideal. A pivotal figure in London’s artistic world of the mid-nineteenth century, Lizzie’s short life ended in a delirium of opium. In this, the first full work devoted solely to Lizzie—her austere beginnings, quick rise to fame, and tragic end—Hawksley brings together the worlds of art and literature with style and verve. Lizzie Siddal was not merely the Pre-Raphaelites’ obsession and muse, she was a talented poet and artist in her own right. Her tragic and haunting life story serves as a cautionary tale, offering many parallels to the modern-day world of art, fashion, beauty, and our obsession with what we hold to be the ideal. .
Price: $3.94
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Reading the Pre-Raphaelites
This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists of mid-Victorian England and their radical departure from artistic conventions. Tim Barringer explores the meanings encoded in Pre-Raphaelite paintings and finds a dynamic energy that arises from paradoxes at the heart of the movement, between past and present, historicism and modernity, and symbolism and realism..
Price: $22.33
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Breath and Bones
In 1884, Famke Summerfugl is ousted from her convent in Denmark for . . . sensuousness and pulled from servitude by a second-rate painter named Albert Castle. Loving to be looked at, and able to stand perfectly still without shivering, Famke is the ideal artist's model. When Albert takes his eight-foot masterpiece and leaves his model behind, Famke sets out over the Atlantic, convinced that she is his muse. Following Mirabilis, her highly acclaimed debut, Susann Cokal blends pre-Raphaelite painting, American brothels, Utahan polygamists, a bit of cross-dressing, a dynamite-wielding labor movement, one California millionaire, and the invention of electircal sexual stimulation (as treatment for consumption) into a comic novel that gallops across the American West. .
Price: $10.45
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Leonardo da Vinci Treasury CD-ROM and Book (Electronic Clip Art)
An overview of the celebrated genius's work as an artist and draftsman presents color reproductions of numerous well-known paintings, including the Mona Lisa. Black-and-white portraits and figure drawings are also featured, along with images from Leonardo's anatomical and scientific drawings and notebooks. 206 illustrations.
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Price: $5.78
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