The study of
pre-existing film music is now a
well-established part of Film Studies,
covering 'classical' music and
popular music. Generally, these broad
musical types are
studied in isolation. This anthology brings them together in twelve focused case studies by a range of scholars, including Claudia Gorbman, Jeongwon Joe, Raymond Knapp, and Timothy Warner. The first section explores art music, both instrumental and operatic; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera. Case studies in part 1 include ??AAEyes Wide Shut??AA, ??AARaging Bull??AA, ??AABrief Encounter??AA, ??AADetective??AA, ??AAThe Godfather Part III??AA, three versions of the ??AACarmen story??AA (DeMille's, Preminger's and Rosi's), ??AAAmadeus??AA, ??AAThe Birth of a Nation??AA, ??AAM: Eine Stadt sucht einen Morder??AA, ??AANeedful Things??AA, and ??AARat Race??AA. Case studies in part 2 include various films by Almodovar, ??A AYoung Frankenstein??AA, ??AAPulp Fiction??AA, ??AATrainspotting??AA, ??AAAmelie??AA, ??AAHigh Fidelity??AA, ??AAGhost World??AA, ??AAHeavenly Creatures??AA, ??AAThe Virgin Suicides??AA, and the video ??AATimber??AA by Coldcut..
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