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The Bush administration's drive to politicize the Justice Department reached a new low with the wrongful firing of seven U.S. Attorneys in late 2006. Their action has ignited public outrage on a scale that far surpassed the reaction to any of the Bush administration's other political debacles. David Iglesias was one of those federal prosecutors, and now he tells his story.

Iglesias has long served in the Navy as part of the JAG corps. One of his earliest cases, about an assaulted Marine in Guantanamo Bay, became the basis for the movie A Few Good Men. When Bush chose him to become the U.S. Attorney for New Mexico, it was a dream come true. He was a core member of Karl Rove's idealized Republican Party of the future -- handsome, Hispanic, evangelical, and a military veteran. The dream came to an abrupt end when Senator Pete Domenici improperly called Iglesias, wanting him to indict high-level Democrats before the 2006 elections. When Iglesias refused, the line went dead. Iglesias was fired just weeks later. First, he was devastated. Then, he was angry. Now, he is speaking out.

Iglesias recounts his interactions with Bush, Rove, Alberto Gonzales, and other key players as he takes readers into his time at the Justice Department to reveal what top Republican officials said and did, and how they subverted justice..
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In the newest novel from New York Times-bestselling author Karen Robards, a feisty female attorney's past comes back to haunt her.

One cold November night when Kat White was fifteen years old, she and some friends held up a convenience store. In the heat of the moment, one of the others shot and killed an off-duty cop moonlighting as a security guard. Kat and her pals fled the scene in a panic, and no one was caught.

Sixteen years later, Kat-now Kate-has built a new life for herself. Now a single mom with an eight-year-old son, she works as a prosecutor in the Philadelphia DA's office. But her dark past rears its head when she walks into court one day and discovers that she is to prosecute Mario Castellanos, one of her friends from that terrible night.

Kate is in a bind: even though Mario was the one who probably did commit the crime, he's counting on Kate to make sure he's not convicted. If she convinces the judge of his guilt, he'll claim that she was the one who killed the off-duty cop. Before real despair sets in, Mario is found dead-in her apartment, and with her pistol. When homicide detective Tom Braga shows up to investigate the murder, Kate is far from relieved; the two have clashed since she started working for the prosecutor's office. But when another man who knows the secret of Kate's past gets involved in the investigation, she learns that her life-and her son's-are in danger. Frantic, she realizes that she has nowhere to turn. Except, maybe, to Tom . . ..
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It’s August in New York, and the only thing that’s hotter than the pavement is Manhattan D.A. Alex Cooper’s professional and personal life. Just as she’s claiming an especially gratifying victory in a rape case, she gets the call: the body of a young woman has been found in an abandoned building. The brutality of the murder is disturbing enough, but when a second body, beaten and disposed of in exactly same manner, is found off the Belt Parkway, the city’s top brass want the killer found fast, before the tabloids can start churning out ghoulish serial killer headlines.

Between dodging the bullets of the gang members who are infuriated by Alex’s most recent courtroom victory and keeping a rendezvous with a charming restaurateur, a serial killer on the loose is the last thing she needs on her plate right now. Then a third victim is found, and it becomes clear to Alex and her team that time is not on their side.

Through Alex’s peerless interrogation skills—and one big break—the search becomes focused on someone who has a twisted obsession with the military, and things grow increasingly dangerous when the chase leads to a chain of small, abandoned islands around New York harbor.

Once again Linda Fairstein brilliantly orchestrates a page-turning mix of cutting-edgelegal issuesand forensics, New York City history, and spine-tingling suspense. And at the center of it all is Alex Cooper—stunning, single-minded, accomplished, and not to be trifled with whether she’s in or out of a courtroom.

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As the mental health reporter for the Boston Globe, Alison Bass's front-page reporting on conflicts of interest in medical research stunned readers, and her series on sexual misconduct among psychiatrists earned a Pulitzer Prize nomination. Now she turns her investigative skills to a controversial case that exposed the increased suicide rates among adolescents taking antidepressants such as Paxil, Prozac, and Zoloft.

Side Effects tells the tale of a gutsy assistant attorney general who, along with an unlikely whistle-blower at an Ivy League university, uncovered evidence of deception behind one of the most successful drug campaigns in history. Paxil was the world's bestselling antidepressant in 2002. Pediatric prescriptions soared, even though there was no proof that the drug performed any better than sugar pills in treating children and adolescents, and the real risks the drugs posed were withheld from the public. The New York State Attorney General's office brought an unprecedented lawsuit against giant manufacturer GlaxoSmithKline, the maker of Paxil, for consumer fraud. The successful suit launched a tidal wave of protest that changed the way drugs are tested, sold, and marketed in this country.

With meticulous research, Alison Bass shows us the underbelly of the pharmaceutical industry. She lays bare the unhealthy ties between the medical establishment, big pharma, and the FDA—relationships that place vulnerable children and adults at risk every day..
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Twenty years ago, four teenagers at summer camp walked into the woods at night. Two were found murdered, and the others were never seen again. Four families had their lives changed forever. Now, two decades later, they are about to change again.

For Paul Copeland, the county prosecutor of Essex, New Jersey, mourning the loss of his sister has only recently begun to subside. Cope, as he is known, is now dealing with raising his six- year-old daughter as a single father after his wife has died of cancer. Balancing family life and a rapidly ascending career as a prosecutor distracts him from his past traumas, but only for so long. When a homicide victim is found with evidence linking him to Cope, the well-buried secrets of the prosecutorÂ’s family are threatened.

Is this homicide victim one of the campers who disappeared with his sister? Could his sister be alive? Cope has to confront so much he left behind that summer twenty years ago: his first love, Lucy; his mother, who abandoned the family; and the secrets that his Russian parents might have been hiding even from their own children. Cope must decide what is better left hidden in the dark and what truths can be brought to the light..
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The true, bewildering story of a young woman’s disappearance, the nightmare of a small town obsessed with delivering justice, and the bizarre dream of a poor, uneducated man accused of murder—a case that chillingly parallels the one, occurring in the very same town, chronicled by John Grisham in The Innocent Man.

On April 28, 1984, Denice Haraway disappeared from her job at a convenience store on the outskirts of Ada, Oklahoma, and the sleepy town erupted. Tales spread of rape, mutilation, and murder, and the police set out on a relentless mission to bring someone to justice. Six months later, two local men—Tommy Ward and Karl Fontenot—were arrested and brought to trial, even though they repudiated their “confessions,” no body had been found, no weapon had been produced, and no eyewitnesses had come forward. The Dreams of Ada is a story of politics and morality, of fear and obsession. It is also a moving, compelling portrait of one small town living through a nightmare.

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The authors of The New Color Line return with another libertarian polemic, this time taking aim at a justice system that has lost sight of its most important goals. Paul Craig Roberts and Lawrence M. Stratton warn of a "police state that is creeping up on us from many directions." There's the war on drugs, which makes it possible for federal agents to investigate people simply for carrying large amounts of cash. There's the crusade against white-collar crime, which has turned the plea bargain into an enemy of the truth. And there's outright misconduct, abetted by prosecutors more interested in compiling long lists of indictments than ensuring the fair treatment of all suspects. The Tyranny of Good Intentions is replete with examples of how government treads on freedom through ill-willed prosecution and faceless bureaucracy. The book's overpowering sense of disaffection sometimes leads to alarmist prose: "We the People have vanished. Our place has been taken by wise men and anointed elites." The authors are swift to suggest that America, barring "an intellectual rebirth," may yet go the way of "German Nazis and Soviet communists."

Yet The Tyranny of Good Intentions is nothing if not well intended; it is full of passion and always on the attack, whether the writers are taking on racial quotas, wetland regulations, or any number of policies they find objectionable. In a jacket blurb, libertarian icon Milton Friedman calls it "a devastating indictment of our current system of justice." Roberts and Stratton, although right-leaning in many of their political sympathies, will probably find plenty of fans on ACLU-left--and anybody who cringes at the thought of unbridled state power. If the road to hell is indeed paved with good intentions, consider this book an atlas. --John J. Miller.
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