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Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today.

How does the spectacle of the sufferings of others (via television or newsprint) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Susan Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001.

In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.
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The Dry Creek Middle School drinking fountain has sprung a leak, so principal Walter Russ dashes off a request to Flowing Waters Fountains, Etc.

...We need a new drinking fountain. Please send a catalog

Designer Flo Waters responds:

"I'd be delighted...but please understand that all of my fountains are custom-made."

Soon the fountain project takes on a life of its own, one chronicled in letters, postcards, memos, transcripts, and official documents. The school board president is up in arms. So is Dee Eel, of the water-supply company. A scandal is brewing, and Mr. Sam N.'s fifth grade class is turning up a host of hilarious secrets buried deep beneath the fountain.

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A great deal is happening in London this season.
For starters, there's the witch who tried to poison Kate at Sir Hilary's induction into the Royal College of Wizards (Since when does hot chocolate burn a hole straight through one's dress?!)
Then there's Dorothea. Is it a spell that's made her the toast of the town--or could it possibly have something to do with the charm-bag under Oliver's bed?
And speaking of Oliver, just how long can Cecelia and Kate make excuses for him? Ever since he was turned into a tree, he hasn't bothered to tell anyone where he is!
The girls might think it all a magical nightmare . . . if only they weren't having so much fun.
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In his Philosophical Letters, Voltaire provides a pungent and often satirical assessment of the religion, politics, science, and arts of the England he observed during his nearly three-year exile. In addition to the Letters, this edition provides a translation of Voltaire's "Proposal for a Letter about the English," a general Introduction, chronology, notes, and bibliography..
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She came from an unsettled childhood and loveless marriage to her controversial years of ministry in France, Switzerland and Savoy. What was it that motivated this noblewoman, keeping her faithful to her unpopular beliefs and causing her to rest joyfully in God's will even in the shadow of dungeon walls? Jeanne Guyon was a woman who understood the cost of the words: For me to live is Christ, and to die is gain. The influence of Jeanne Guyon has never wavered with the passing of centuries. Her writings have influenced movements such as the Moravians, the Quakers, the Methodists and the Little Flock. Three hundred years later she is still one of the most influential people in the lives of those who seek a deeper relationship with Jesus Christ. In reading this book, you will notice that Jeanne Guyon presents a more inward, Christ-centered perspective than is usually found in our present-day concept of Christian commentaries. Here is her commentary on the book of Job as seen from the principles and dynamics of the deeper Christian life..
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What is it about Western society, ask the authors, that makes it possible for people to express great affection for animals as sentient creatures and simultaneously turn a blind eye to the most callous behavior toward them? Animals are sold as expensive commodities, used as food and clothing, killed as vermin, and hunted for sport. But they also are treated as members of the family, used as the cause celebre of social movements, and made the subject of art, film, and poetry. Such contradictions motivate these unique ethnographers to venture into social worlds most people know about only in passing, such as veterinary clinics where companion animals are cared for, animal shelters where dogs and cats are 'mercifully' euthanized, and primate labs where monkeys are kept for animal experimentation.Arluke and Sanders are not distanced ethnographers. They worked in the clinics, shelters, and laboratories, cleaning cages, assisting in surgery, and participating in "sacrificing" animals for science or helping to provide them with an 'easy death.' In this book, the people who work with these animals and live through them talk to the authors about the strategies they adopt to cope with the stress of the job. This fascinating book combines sociological analysis with ethnographic description to give us insight into the history and practice of how we as human beings construct animals, and by extrapolation, how we construct ourselves and others in relation to them.Arnold Arluke is Professor of Sociology at Northeastern University and a Research Associate at the Center for Animals and Public Policy at Tufts School of Veterinary Medicine. He is an Associate Editor of Society and Animals and the author of "The Making of Rehabilitation: A Political Economy of Medical Specialization" with Glenn Gritzer and "Gossip: The Inside Scoop with Jack Levin". Clinton R. Sanders, Professor of Sociology at the University of Connecticut, is the author of "Customizing the Body: The Art and Culture of Tattooing" (Temple) and the co-editor (with Jeff Ferrell) of "Cultural Criminology"..
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