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Bernie Rhodenbarr has gone legit -- almost -- as the new owner of a used bookstore in New York's Greenwich Village. Of course, dusty old tomes don't always turn a profit, so to make ends meet, Bernie's forced, on occasion, to indulge in his previous occupation: burglary Besides which, he likes it.

Now a collector is offering Bernie an opportunity to combine his twin passions by stealing a very rare and very bad book-length poem from a rich man's library.

The heist goes off without a hitch. The delivery of the ill-gotten volume, however, is a different story. Drugged by the client's female go-between, Bernie wakes up in her apartment to find the book gone, the lady dead, a smoking gun in his hand, and the cops at the door. And suddenly he's got to extricate himself from a rather sticky real-life murder mystery and find a killer -- before he's booked for Murder One.

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Lawrence Block is such a gifted writer that even a native New Yorker will be fooled into thinking that the Paddington Hotel, described in the opening pages of Burglar in the Rye, is a real institution Block's descriptions of this enclave of artists, writers, and rock musicians is thoroughly convincing--although in actuality, the Paddington is a combination of the real-life Chelsea Hotel and Block's outrageous imagination.

This is Bernie Rhodenbarr's ninth heist. Bernie is a gentleman burglar who runs a used bookstore in between criminal acts, steals mostly from the rich, and only hurts people when it becomes absolutely necessary.

The Paddington is where Bernie goes to liberate the letters of a reclusive writer named Gulliver Fairborn from a literary agent. Fairborn's resemblance to J.D. Salinger and, of course, the fact that the woman who hired Bernie to steal the letters had an affair with Fairborn when she was a teenager, no doubt lend the book its title. But by the time Bernie gets to the Paddington, the agent has been shot, the letters already liberated--and a cop in the lobby recognizes our favorite burglar from a previous encounter.

Now all Bernie has to do is find out who else wanted those letters badly enough to kill for them. In typical Rhodenbarr tradition, the plot is less interesting than the trappings: the books Bernie reads, the fascinating objects he picks up along the way. The reader also learns about some mind-expanding facts, such as the existence of a tiny South American fish that swims up a man's urine stream and lodges in his private parts! Or did Block make that up, too?

Other Bernie picks include: The Burglar in the Closet, The Burglar in the Library, The Burglar Who Liked to Quote Kipling, and The Burglar Who Studied Spinoza. --Dick Adler.
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Bernie Rhodenbarr is actually trying to earn an honest living. It's been an entire year since he's entered anyone's abode illegally to help himself to their valuables But now an unscrupulous landlord's threat to increase Bernie's rent by 1,000% is driving the bookseller and reformed burglar back to a life of crime -- though, in all fairness, it's a very short trip. And when the cops wrongly accuse him of stealing a priceless collection of baseball cards, Bernie's stuck with a worthless alibi since he was busy burgling a different apartment at the time . . . one that happened to contain a dead body locked inside a bathroom.

So Bernie has a dilemma. He can trade a burglary charge for a murder rap. Or he can shuffle all the cards himself and try to find the joker in the deck -- someone, perhaps, who believes that homicide is the real Great American Pastime.

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Bernie, if you recall, is that likeable young New Yorker who has tempered his passion for stealing classy works of art with the more staid vocation of selling books. But his passion always reigns. In this eighth Bernie Rhodenbarr caper, author Lawrence Block mimics the murderer's M.O. in Agatha Christie's And Then There Were None while preserving the premise of the Burglar series. Bernie bursts in on someone else's wrongdoing before he gets to have any fun. All he wants is to make off with a Raymond Chandler first edition, but instead, red-handed, he stumbles on foul play. Lots of amusing send-ups of the genre's older conventions, particularly those oft-employed twists of dame Christie..
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Bookseller Bernie Rhodenbarr's in love—with an exotic Eastern European beauty who shares his obsession with Humphrey Bogart movies. He's in heaven, munching popcorn with his new amour every night at a Bogart Film Festival—until their Casablanca-esque idyll is cut short by his other secret passion: burglary.

When he's hired to pilfer a portfolio of valuable documents from a Park Avenue apartment, Bernie can hardly refuse. But the occupant's early return forces Bernie to flee empty-handed—and he soon finds himself implicated in a murder. Before you can say "who stole the strawberries?" he's hunting for a killer, up to his neck in the outrageous intrigues of a tiny Balkan nation . . . and menaced by more sinister fat men and unsavory toadies than the great Bogie himself butted heads with in pursuit of that darn bird!

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If the only side of Lawrence Block you know is the dark and gloomy Matt Scudder books, such as the noir classic When the Sacred Ginmill Closes, then you might be surprised to hear that he's also one of the most delightfully droll writers in the mystery business.

"I hurried uptown and changed into chinos and a short-sleeved shirt that would have been an Alligator except that the embroidered device on the breast was not that reptile but a bird in flight. I guess it was supposed to be a swallow, either winging its way back to Capistrano or not quite making a summer, because the brand name was Swallowtail. It had never quite caught on and I can understand why." That's Bernie Rhodenbarr, used book dealer and gentleman burglar, making a literary fashion statement in this latest return to print of one of Block's best books about him.

As with the other entries in this admirable series--The Burglar in the Closet, The Burglar in the Library, The Burglar Who Liked to Quote Kipling, The Burglar Who Studied Spinoza, The Burglar Who Thought He Was Bogart, The Burglar Who Traded Ted Williams, Burglars Can't Be Choosers--Block manages to be very amusing, moderately suspenseful, and impressively erudite all at the same time. The plot is a complicated tangle of double-cross and deceit surrounding the theft of a valuable painting and two murders. Mondrian isn't the only artist being framed here: Bernie has to use all of his skills--as burglar, lover, and art expert--to prove his (relative) innocence. --Dick Adler.
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It's hard to ignore someone with his hands in your mouth. Bernie Rhodenbarr's all ears when Dr. Sheldrake, his dentist, starts complaining about his detestable, soon-to-be-ex wife, and happens to mention the valuable diamonds she keeps lying around the apartment Since Bernie's been known to supplement his income as a bookstore owner with the not-so-occasional bout of high-rise burglary, a couple of nights later he's in the Sheldrake apartment with larceny on his mind -- and has to duck into a closet when the lady of the house makes an unexpected entrance. Unfortunately he's still there when an unseen assailant does Mrs. Sheldrake in . . . and then vanishes with the jewels.

Bernie's got to come out of the closet some time. But when he does, he'll be facing a rap for a murder he didn't commit -- and for a burglary he certainly attempted -- unless he can hunt down the killer who left him hanging.

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Bookselling burglar Bernie Rhodenbarr doesn't generally get philosophical about his criminal career. He's good at it, it's addictively exciting—and it pays a whole lot better than pushing old tomes. He steals therefore he is, period.

He might well ponder, however, the deeper meaning of events at the luxurious Chelsea brownstone of Herb and Wanda Colcannon, which is apparently burgled three times on the night Bernie breaks in: once before his visit and once after. Fortunately he still manages to lift some fair jewelry and an extremely valuable coin. Unfortunately burglar or burglars number three leave Herb unconscious and Wanda dead . . . and the cops think Rhodenbarr dunnit.

There's no time to get all existential about it—especially after the coin vanishes and the fence fencing it meets with a most severe end. But Bernie is going to have to do some deep thinking to find a way out of this homicidal conundrum.

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The latest in the Bernie Rhodenbarr series by multiple-award winner Block has Bernie underestimating the difficulty of breaking into a posh East Side apartment to steal a blue leather-covered box. No box, dead body, bum murder rap. Not so easy. The New York Times Book Review has called the Rhodenbarr books, "A witty series. Bernie is incorrigibly adorable. Between his inquiring mind and his sticky fingers, Bernie is the ideal sleuth." .
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