Books about Rossellini from Amazon.com

For those of us working a Twelve Step program, here is a useful touchstone for anyone who has wrestled with questions like: "Am I really working my program to the fullest?" This classic handbook helps us find the tools to work our programs and see our way clear toward the happiness we deserve..
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Some of Me is full of magic realism, moral elegance, and monstres sacrés. Though Isabella Rossellini deliberately chooses to reveal only bits of herself in her anecdotal new memoir, what amazing aspects they are. The photos tell part of the story: alongside Vogue covers and sumptuous magazine spreads, there are odder images--Ingrid Bergman in a balaclava; Rossellini sprawled on a chair with her potbellied pig and dog sprawled on her, all three looking equally pensive.

But, oh, the prose! More provocative than ten tell-alls stacked together, Some of Me is an analyst's treasure trove and a reader's delight. There is something for everyone. Those interested in Rossellini's rise and fall as the Lancôme model will find indignant if good-humored fodder--she warns some to skip ahead "if you can't stand boring." But even those of us who wish we didn't know all those supermodels' names will find this section intriguing. Rossellini also provides some intriguing insights into her often bizarre film roles. There are, though, more bravura sections in this memoir. Who knew that Rossellini still communes with her dead parents? The author prints some of their debates verbatim, though she has already warned: "It's a habit of mine to embellish and color events until I lose sight of what really happened." Rossellini also takes on more upsetting memories such as the painful treatment she underwent for scoliosis and the thoughtless questions people ask about her adopted child. At one point, she remarks, "True elegance is for me the manifestation of an independent mind." Some of Me is a truly elegant manifestation..
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Self-reflection by celebrities tends to be fraught with unmentionable difficulties. Not, though, when the star in question is the ever intelligent, self-aware, articulate, and magnificent Isabella Rossellini For years, a wall in the entrance of Rossellini's apartment has been covered in pictures taken of her by different photographers. Looking at the "Me Wall," Rossellini writes that she never really saw herself; instead she "saw the photographer's work, their ideas, and our collaboration in capturing fantasies." Looking at Me gathers together Rossellini's private collection of portraits taken of herself by some of the world's leading photographers, including Eve Arnold, Richard Avedon, Michel Comte, Patrick Demarchelier, Fabrizio Ferri, Horst P. Horst, Brigitte Lacombe, Annie Leibovitz, Peter Lindbergh, Robert Mapplethorpe, Steven Meisel, Irving Penn, Herb Ritts, Paolo Roversi, Ellen von Unwerth, and Bruce Weber, as well as filmmakers David Lynch and Wim Wenders. Rossellini invites us to join her as she looks at her favorite portraits, privileging us with her witty, humorous, and self-ironical comments. She traces her career, in photographs, from boxing reporter in Muhammad Ali's training camp to highly successful model, from actress in some of Hollywood's more controversial films to head of her own cosmetic line, Manifesto. Mixed in with these public images are pictures of Rossellini in private, with her children, her dog Macaroni, and her pig Spanky. Irresistibly charming, intelligent yet whimsical, Looking At Me proves the perfect complement to Rossellini herself..
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Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'

Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts.

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This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. More than forty films are explored, including Open City, Paisan, Voyage to Italy, The Rise to Power of Louis XIV, and films made in the director's later years that documented crucial epochs in human history.
Brunette's book is based on eight years of research, during which he interviewed members of the director's family as well as Rossellini himself. Brunette also draws on an enormous body of European and American criticism and discusses the various intellectual debates spawned by the director's work. This landmark study is both a comprehensive introduction to one of the most influential practitioners of the contemporary cinema and a boldly original discussion of Italian Neorealism..
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Roberto Rossellini, famous Italian film director and icon of neorealism, would have been one hundred years old on May 8, 2006. Isabella Rossellini, daughter of Ingrid Bergman and Roberto Rossellini, and herself a film star, bestselling author and celebrated photo model, has created two very special homages to her father on the centenary of his birth: a short film entitled My Dad is 100 Years Old, directed by Canadian filmmaker Guy Maddin as director—and this many-voiced, richly illustrated book of remembrance. In the Name of the Father, the Daughter and the Holy Spirits, Remembering Roberto Rossellini, features texts and illustrations by Isabella Rossellini; entries by Ingrid Bergman, Roberto Rossellini, François Truffaut, Eric Rohmer and Guy Maddin; and numerous film stills and photographs by Herbert List, Clifford Coffin, Gordon Parks, David Seymour, and many others.

Texts by Isabella Rossellini, Ingrid Bergman, Federico Fellini and many others

Roberto Rossellini, (May 8, 1906 - June 3, 1977) is considered one of the most innovative and influential of post-war film directors. Among his most significant films are: Rome, Open City (1945, with Anna Magnani), Stromboli (1950, with Ingrid Bergman) and Germany, Year Zero which he filmed in 1948, working with amateur actors in a bombed-out Berlin. He was married to Ingrid Bergman from 1950-1957 and had three children with her, one of whom is Isabella.

Isabella Rossellini was born in 1952 and grew up in Rome and Paris. At the age of nineteen she moved to New York where she began her career as a film actress, under the direction of David Lynch in particular, and achieved international fame as the exclusive model for Lancôme..
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from great Italian film director, tr A Cangogni .
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