Books about Spectacles from Amazon.com

Why Going Against the Grain Pays.

Bestselling author Bill Bonner has long been a maverick observer of the financial and political world, sharpening his sardonic wit, in particular, on the vagaries of the investing public. Market booms and busts, tulip manias and dotcom bubbles, venture capitalists and vulture funds, he lets you know, are best explained not by dry statistics and obscure theories but by the metaphors and analogies of literature.

Now, in Mobs, Messiahs, and Markets, Bonner and freelance journalist Lila Rajiva use literary economics to offer broader insights into mass behavior and its devastating effects on society. Why is it, they ask, that perfectly sane and responsible individuals can get together, and by some bizarre alchemy turn into an irrational mob? What makes them trust charlatans and demagogues who manipulate their worst instincts? Why do they abandon good sense, good behavior and good taste when an empty slogan is waved in front of them. Why is the road to hell paved with so many sterling intentions? Why is there a  fool on every corner and a knave in every public office?

In attempting an answer, the authors weave a light-hearted journey through history, politics and finance to show group think at work in an improbable array of instances, from medieval crusades to the architectural follies of hedge-fund managers. Their journey takes them ultimately to the desk of the chairman of the Federal Reserve Bank and to a cautionary tale of the current bubble economy. They warn that the gush of credit let loose by Alan Greenspan and multiplied by the sophisticated number games of Wall Street whizzes is fraught with perils for the unwary. Boom without end, pronounces The Street.  But Bonner and Rajiva are more cynical. When the higher math and the greater greed come together, watch out below!

Mobs, Messiahs, and Markets ends by giving concrete advice on how readers can avoid what the authors call the public spectacle of modern finance,  and become, instead, private investors -  knowing their own mind and following their own intuitions. The authors have no gimmicks to offer here -   but instead give a better understanding of the dynamics of market behavior, allowing prudent investors to protect themselves from the fads and follies of the investment markets..
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The Das Kapital of the 20th century An essential text, and the main theoretical work of the situationists Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This new edition is the Ken Knabb translation. Certainly it has the most "modern" design of all three editions, as well as a short new introduction from the translator. .
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Benjamin Weaver is awaiting death in Newgate gaol. Mysteriously convicted for a murder he didn't commit by a judge determined to see him hang, he is suddenly - and equally mysteriously - offered the means to escape. What, you may well ask, is going on? It's a question Weaver asks of himself as he slinks out into the London night on a mission to clear his name. In doing so, he steps straight into a labyrinthine plot that weaves, like Benjamin, across eighteenth century London. For the conspiracy against him is part of a grimmer and gaudier picture: one that encompasses double-dealings and dockworkers, the extorting of a priest - and a looming election with the potential to spark a revolution and topple the monarchy. Handily, Weaver is a private investigator. He's also an ex-pugilist, which is also a good thing when it comes to punching his weight in the 'polite' society of plotters and politicians, power-brokers, crime lords, assassins and spies. At the apex of which sits, rather precariously, a recent import from Hanover: The King..
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In 1974, a young Frenchman secretly - and illegally - rigged a tightrope between the Twin Towers. He made eight corssings in an hour, while 100,000 people watched in the streets of New York. In "To Reach The Clouds", Petit recreates his six-and-a-half-year quest to realize his dream. Animated by numerous photographs and Petit's sketches, this text is a serenade to his beloved towers and the unfettered aspiration they expressed..
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Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters--Manet, Seurat, and Cézanne--who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception--in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture..
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Written to celebrate the 80 CE opening of the Roman Colosseum, Martial's first book of poems, "On the Spectacles," tells of the shows in the new arena. The great Latin epigrammist's twelve subsequent books capture the spirit of Roman life in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and acrobats, doctors and plagiarists, beautiful slaves and generous hosts populate his witty verses. We glimpse here the theater, public games, life in the countryside, banquets, lions in the amphitheater, the eruption of Vesuvius. Martial's epigrams are sometimes obscene, sometimes affectionate and amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome's worst-reputed emperors.

Shackleton Bailey's translation of Martial's often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990 ("greatly superior to its predecessors," R. G. M. Nisbet wrote in Classical Review).

These volumes replace the earlier Loeb edition with translation by Walter C. A. Ker (1919).

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In this comprehensive history of America's popular pastime, John Sayle Watterson shows how college football in more than one hundred years has evolved from a simple game played by college students into a lucrative, semiprofessional enterprise. With a historian's grasp of the context and a novelist's eye for the telling detail, Watterson presents a compelling portrait rich in anecdotes, colorful personalities, and troubling patterns..
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