Books about Saville from Amazon.com

At thirty-two, Jenny Saville has had a career most artists twice her age would envy. In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000.
Price: $17.95 [Notify me when price goes down.]

Written for students encountering the topic for the first time, this introduction explains in non-technical language how a second language is acquired; what the second language learner needs to know; and why some learners are more successful than others. The textbook logically introduces a range of fundamental concepts--such as SLA in adults and children, formal and informal learning contexts, and diverse socio-cultural settings. It takes an interdisciplinary approach, encouraging students to consider SLA from linguistic, psychological and social perspectives..
Price: $23.50 [Notify me when price goes down.]

The field of black women's history gained recognition as a legitimate field of study late in the twentieth century. Collecting stories that are both deeply personal and powerfully political, Telling Histories compiles seventeen personal narratives by leading black women historians at various stages in their careers. Their essays illuminate how--first as graduate students and then as professional historians--they entered and navigated the realm of higher education, a world concerned with and dominated by whites and men. In distinct voices and from different vantage points, the personal histories revealed here also tell the story of the struggle to establish a new scholarly field.

Black women, alleged by affirmative-action supporters and opponents to be "twofers," recount how they have confronted racism, sexism, and homophobia on college campuses. They explore how the personal and the political intersect in historical research and writing and in the academy. Organized by the years the contributors earned their Ph.D.'s, these essays follow the black women who entered the field of history during and after the civil rights and black power movements, endured the turbulent 1970s, and opened up the field of black women's history in the 1980s. By comparing the experiences of older and younger generations, this collection makes visible the benefits and drawbacks of the institutionalization of African American and African American women's history. Telling Histories captures the voices of these pioneers, intimately and publicly.

Contributors:
Mia Bay, Rutgers University
Elsa Barkley Brown, University of Maryland
Leslie Brown, Washington University, St. Louis
Crystal N. Feimster, University of North Carolina at Chapel Hill
Sharon Harley, University of Maryland
Wanda A. Hendricks, University of South Carolina
Darlene Clark Hine, Northwestern University
Chana Kai Lee, University of Georgia
Jennifer L. Morgan, New York University
Nell Irvin Painter, Newark, New Jersey
Merline Pitre, Texas Southern University
Barbara Ransby, University of Illinois at Chicago
Julie Saville, University of Chicago
Brenda Elaine Stevenson, University of California, Los Angeles
Ula Taylor, University of California, Berkeley
Rosalyn Terborg-Penn, Morgan State University
Deborah Gray White, Rutgers University
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Price: $19.76 [Notify me when price goes down.]

Peter Saville is arguably the most influential graphic designer of his generation Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created designs for fashion, advertising, and art. The intensity and timelessness of his work has ensured his cult status for twenty-five years. His far-reaching designs and character prefigure popular culture: fresh and seemingly familiar, he continues to transform the commonplace into the desirable.
"Saville's method, then as now, lies in fixing on a style or look slightly ahead of popular taste. He achieves the sort of ambiguity and complexity of resonance more usually associated with art," writes Rick Poynor in his essay.
This first book on Saville's work chronicles his prolific career from 1978 to the present. It includes a comprehensive interview by Christopher Wilson as well as essays by style writer Peter York, music critics Paul Morley and Miranda Sawyer, and design critics Rick Poynor, Emily King, and Peter Hall.
Graphic designers, music lovers, and fashion followers everywhere will welcome this visually rich overview of Peter Saville's work and art..
Price: $9.99 [Notify me when price goes down.]

The now legendary cover designs for the Joy Division album Unknown Pleasures (1979) and the New Order single "Blue Monday" (1983) brought the Manchester graphic designer Peter Saville immediate international renown, with their somber yet lush Modernist edge. Saville was the cofounder of Factory Records, and was single-handedly responsible for its unique house style, so widely imitated, and so entirely Saville's own. Outside of the Factory stable he has produced covers for, among others, Patti Smith, Roxy Music, Wham!, Suede and Pulp, and has also collaborated on many architectural, fashion and interior design ventures, including the famous Manchester nightclub the Hacienda, and collaborations with Nick Knight, David Chippenfield and Stella McCartney. His sensibility combines unerring elegance with a remarkable ability to facture imagery that epitomizes and defines a cultural moment. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration with Saville; as such, it is the first publication to be designed by the artist.

Born in Manchester (U.K.) in 1955, Peter Saville studied graphic design at Manchester Polytechnic. He found early inspiration in the elegantly ordered aesthetic of Jan Tschichold, the German-born book and type designer who was to become the chief propagandist for the New Typography. In 1979 he co-founded Factory Records (with Tony Wilson), and in the following year he co-designed the famous Hacienda nightclub..
Price: $33.16 [Notify me when price goes down.]

A brief history and instructions for growing accompany each herb, as do recipes chosen for their practicality in today's busy households .
Price: $48.53 [Notify me when price goes down.]

TV's dramatization of C.S. Forester's Hornblower stories was one of the most expensive series ever made for television. Much of the $30 million budget went into the lavish special effects used to recreate the epic sea battles featuring a fleet of eleven specially commissioned, fully working, scale models. The models included such famous fictitious vessels as the frigate Indefatigable (a full-scale sailing replica was used when filming the on-board deck scenes); Hornblowers's first ship, The Justinian, and the Baltic trader, Julia.

Hornblower's Ships tells the story behind the creation of these models through the research, planning, design, and construction by author and professional modelmaker Martin Saville, who managed the entire project from Petrozavodsk in Russia where the models were built, to the huge tank at Pinewood film studios in London. Over 100 models sequences were shot for the first four Hornblower programs. The book offers revealing full insight on the production and photographic techniques used in the painstakin filming process. Each shot took three to four hours to set up and film to ensure that the wind, waves, and sea apeared realistic when the rigging and remote control miniature cannons functioned correctly.

The book also includes a full reference section detailing the ship types, full specifications, historical precedents and fictional role of the series' vessels, as well as scale plans of the vessels that will delight both ship enthusiasts and ship model builders..
Price: $28.99 [Notify me when price goes down.]