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The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978-1990 (Lannan Series of Contemporary Art Criticism, No 2)
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Cindy Sherman: Centerfolds
Described by one critic as "embarrassingly intimate," Cindy Sherman's Centerfolds, a series of twelve 2 x 4 foot images shot in 1981 for an Artforum commission, take the horizontal centerfold as their physical and conceptual framework. Though the images were never run in the magazine--the editor was concerned that they would be misunderstood--they remain some of the most affecting of Sherman's constructed pictures. In them, Sherman's vaguely adolescent female characters fill up the frame with an ambiguous, uncomfortably close presence, their plaid kilts, wet t-shirts, matted hair, disheveled nightgowns, and pretty gingham dresses keeping them in your face but unavailable, emotionally suggestive but ambivalently distanced. This handsome, compact volume, the first to include all twelve of the Centerfold images, is run through with an informative, involved text by Lisa Phillips, Head Curator of the New Museum and a long-time supporter of Sherman's work..
Price: $180.00
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Painter Among Poets: The Collaborative Art Of George Schneeman
Description: Painter Among Poets: The Collaborative Art of George Schneeman is the first full presentation of the wide range of projects that Schneeman has co-created over the past 35 years. Painter Among Poets not only investigates Schneeman's signature enthusiasm for free-wheeling artistic collaboration, it also considers his work as part of the remarkable tradition of poet/painter collaboration that grew out of 19th- and 20th-century modernism. Always open to spontaneity and engagement, Schneeman encouraged poets to cross over into his dominion and contribute visual elements to the projects in order to create a surprising work of art that neither artist nor poet could have done alone. Painter Among Poets offers the reader a behind-the-scenes look at the high-wire process of collaboration as an outgrowth of Schneeman's friendships with poets Bill Berkson, Ted Berrigan, Michael Brownstein, Tom Clark, Edwin Denby, Larry Fagin, Dick Gallup, Allen Ginsberg, Ted Greenwald, Steve Katz, Lewis MacAdams, Alice Notley, Ron Padgett, Harris Schiff, Peter Schjeldahl, Tom Veitch, Anne Waldman, Lewis Warsh, and many others. Twelve of Schneeman's collaborators contribute essays and remembrances to this volume, which also features an essay by Carter Ratcliff, an extensive conversation between Schneeman and Padgett, a detailed checklist of the artist's collaborations, and a bibliography..
Price: $19.77
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The Symbolist Prints of Edvard Munch: The Vivian and David Campbell Collection
The artwork in The Symbolist Prints of Edvard Munch is so beautifully reproduced that one might be tempted to tear out pages, frame them and hang them on the wall. Munch's work, which constitutes some of the 20th century's greatest printmaking, is presented through the lens of an extraordinary private collection that includes almost every one of his prints along with alternate versions and early sketches. Elizabeth Prelinger's essays provide background on Munch's life, printmaking techniques, and the development of his symbolist aesthetic. An exciting element of the book is an evocative essay by renowned critic, Peter Schjeldahl, who, in inimitable style, likens Munch's effect on the viewer to that of listening to the early work of a favorite rock-star. Published on the occasion of an exhibit at the Art Gallery of Ontario in early 1997, this book provides excellent documentation of an artist whose work remains vital more than fifty years after his death..
Price: $63.40
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